Numerous interviews with her, including a major one that was found only in the past decade, reveal the interiority and intelligence of a woman who was often dismissed as one who dwelled too much on her looks. Though the film plays some of its notes with a heavy hand, director Dean keeps things engaging and well paced, enough so that you'll want to hear stories about Lamarr all night long. And in an era when life seems to be growing more frustrating and illogical by the day, Lamarr proves an optimistic voice from the past, telling the viewer: "Give the world the best you have and you'll be kicked into the teeth. Give the world the best you've got anyway."
Showing as a Florida premiere. 8:30 p.m. Tuesday, January 16, at O Cinema Miami Shores, 9806 NE Second Ave., Miami; ocinema.org. 7 p.m. Tuesday, January 23, at Miami Beach Cinematheque, 1130 Washington Ave., Miami Beach; mbcinema.com. Tickets are sold out; rush-line tickets cost $13.
Filmworker simultaneously reinforces the idea of a Great Man making Great Films while taking down the notion that a Great Man can do everything on his own. Zierra blends footage from Vitali's life and from the films he's participated in, allowing the audience to truly get an idea of every single aspect of what he did. From cutting trailers to keeping schedules to finding lens flares, Vitali is genuinely interesting, and as one woman cites, "This industry has been built on people like this."
Showing as a Florida premiere. 7 p.m. Thursday, January 18, at Miami Beach Cinematheque, 1130 Washington Ave., Miami Beach; mbcinema.com. Tickets are sold out; rush-line tickets cost $13. The screening includes an extended conversation with Leon Vitali and Miami New Times contributor and IndieEthos film critic Hans Morgenstern.
The Cakemaker (Ofir Raul Graizer). Imagine if Patricia Highsmith had taken the concept of inserting oneself into the lives of others from her Ripley novels and developed it into a tender drama, full of romance and heartache, in the vein of The Price of Salt instead of a thriller. This is what you get with The Cakemaker. Sexuality is fluid, gazes are full of ache, and the only constant is the comfort that lies in baking a cake.
In this debut feature, director Ofir Raul Graizer delivers a film with little dialogue, a story told through looks, through touches, through silences between people. When Thomas' lover Oren dies, he travels from Berlin to Jerusalem and becomes a part of the life of his lover's widow, Anat. Tim Kalkhof and Sarah Adler each approach these two characters with nothing but tenderness, damaged from the loss of their mutual loved one but still willing to challenge the existences to which others are trying to limit them.
Their performances are entrancing, enhanced by the way Graizer allows scenes to go on for ages, leaving viewers to hold their breath in anticipation of what's to come in this melodrama. The Cakemaker is one of the best of the fest. It's a queer film that's as gorgeously performed as it is composed and one that explores how strange and beautiful love, in all of its forms, can be.
8:30 p.m. Monday, January 22, at O Cinema Miami Shores, 9806 NE Second Ave., Miami; ocinema.org. 6 p.m. Tuesday, January 23, at Regal South Beach, 1120 Lincoln Rd., Miami Beach; regmovies.com. Ofir Raul Graizer will be in attendance at both screenings to introduce the film and participate in a Q&A afterward.
The Miami Jewish Film Festival. Through January 25 at various venues; 305-573-7304; miamijewishfilmfestival.org. Tickets to most screenings cost $13.