Somehow we sensed having chef Michael Psilakis'a stamp on Miami was going to change this city's culinary image for the better, and -- what do you know? -- we were spot on.
When we first met, the ink wasn't even dried on your contract
for Eos. Has the concept changed since then?
came in there with something different than what we ended up doing. We
were going to do a much more formal restaurant, then the powers over
there sat me down one day and said, "Do you really think this is the
concept we should do here?" Honestly, with the economy the way it was
going and with everything in my heart telling me it would be great for
me but not for the hotel and not necessarily for Miami, I felt I would
be doing a disservice if I went forward with that.
feel the James Beard Award came because this was the right restaurant.
Eos is a restaurant that really tries to get people to take on the same
thought process that you have down there, which is "enjoy life." And not
necessarily have to think about how you're sitting in a chair to have
to do that. For me, anyway, I think that's part of the evolution of
dining. The longer you have in the evolution of a city's dining scene,
the more you see it moving toward that place where it allows you to feel
comfortable in the environment, and yet the food is articulate in a
very sophisticated way.
may be ahead of its time?
There's a lot of interesting food going on there. People would be very
surprised at what's being accomplished. What happens is oftentimes we
put a lot focus on major food cities, like New York.
Miami offers you is a platform to really express yourself in a way that
people will be very receptive to because they're very open-minded and
very eager to eat new things and different things. That's part of the
dynamic of what that city has to offer.
no one would call Eos a "Greek restaurant," but what's decidedly Greek
your favorite spice?
making Bolognese sauce people ask me, "What's that flavor?" When I tell
them "cinnamon," they look at me cross-eyed. But it's used a tremendous
amount in Greek cooking and in the Mediterranean.
unusual food combination you've ever attempted?
when I first starting cooking in New York City, I needed something to
grab the attention of critical reviewers and writers and I put together a
seven-course offal menu.
It started this craze of offal. I was written up in all these
magazines, beyond food publications. This guy from BusinessWeek wanted
to write an article and he brought Anthony Bourdain with him to do this
tasting. After he wrote this article, I got a call from this group that
was, like, an Offal Club, and they wanted me to do this tasting for them
and they wanted me to try and shock them. I remember the first course
was a soup that was a warm goat's head cheese served with roasted goat
but we used to eat the goat head a lot.
we made a head cheese and we allowed the head cheese to sit on a plate
with the eyes. Then we poured a goat consommé that had been clarified
over the head cheese and the heat cheese melted and all the little bits
that were in the head cheese burst into the soup.
wasn't for the weak of stomach--let's leave it like that.
from the offal stuff, how would you describe your word in five words?
someone on a journey
yourself, as a person and as a chef?
person, I'm complicated in many ways and simple in others. I'm very
black and white. As a chef, my motivation behind cooking is to spread
the word of Greek food and hopefully get people excited about my dad's
country and what we do over there. When I get to the hotel I'm a freaky,
different from New York's?
very interesting food scene. It's very different from New York. Nowhere
else in the world is like New York. It's such a different mecca of food
because of all the different nationalities of food represented here.
It's insane. Miami, to me, felt like a much more European style. New
York is super fast, and super crazy. Miami is more like, live for the
day, live for the moment. Savor the beauty of what food and life has to
offer. You have people who get dressed up just to go food shopping.
You'd never find that in New York. And the combination of sexy and
healthy eating, which sort of rolls into that sexiness... was really
what I was trying to do when we created Eos.
have waiters in jeans and sneakers and there's a reason for that. I
wanted people to feel, like, completely unintimidated by the environment
so they can really enjoy the beauty of what Kelly Wearstler did to create the
platform of the painting we were trying to put together. Let the food be
sophisticated in an environment that allowed you to feel comfortable.
And we were able to do that successfully.
heard you just got back from Australia. What were you doing there?
was asked a while back to participate in an annual food festival that
they have in Melbourne. It has a really fantastic dining scene down
there, especially with the genre of food that I particularly fall into,
that Middle Eastern-slash-Mediterranean thing. They're actually very far
ahead of us in terms of having educated the dining public there about
this particular type of food. I mean, Lebanese is something they order
in. You don't even get that in New York.
do you think that is?
lot of transplanted Middle Eastern and Mediterranean people there. As
far as Greek is concerned, it's the second largest population in the
entire world. The only other city in the world that has more Greeks in
it is Athens.
before you got there?
weren't very forward thinking with their Greek food but there was a lot
of it down there.
recently opened a couple of restaurants down there about two years ago,
his name is George
Calombaris, who also is doing modern Greek-type food. There's not a
lot of us doing that. We actually did a dinner together. It was a Master
Chef series. I did a couple of classes and did a combined tasting with
George. That was a lot of fun. It was basically trying to open people's
eyes up to what Greek food can be.
the Kleenex for Part Two of our Q&A with Michael Psilakis, as we
chat about his family and plans for the future.
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at the Viceroy hotel