Aside from a gallery wall of terrible pop-art paintings hung in the Paddock area, the most notable artwork at the Miami International Autodrome was a newly unveiled mural of legendary driver Ayrton Senna by fellow Brazilian Kobra. The photorealistic portrait of the helmeted driver featured the artist's trademark mosaic style in the form of multicolor diamonds all over the visible parts of Senna's skin. Kobra also depicts the Formula 1 champion making prayer hands, an unsubtle reference to Senna's devout Catholicism that somewhat undercuts the piece's gravitas — not that I'm expecting anything too sophisticated from a stadium mural.
If you wanted to see real masterpieces of form and function at the Grand Prix, all you had to do was look at the cars. I'm not just talking about the ones on the track, although they are pretty marvelous to behold. There were also quite a few classic sports cars on display around campus, courtesy of the various teams and the auction house Bonhams, which hosted a sale at the track on Saturday evening. These included some seriously impressive and expensive pieces of automotive design: a 2003 Aston Martin DB7 Zagato that looks like James Bond might've driven it (sold for $168,000), a 1999 Nissan Skyline R34 GT-R straight out of Tokyo Drift (sold for $392,000 including premium), and a stunning 1956 Mercedes-Benz 300SL with gull-wing doors (sold for $1.6 million including premium). Some cars that didn't sell include a menacing 2012 Bugatti Veyron Grand Sport with only 12,400 miles — yours for the bargain-bin price of $1.6 million.

This 2002 Aston Martin DB7 Zagato was one of several cars auctioned off by Bonhams at the Miami Grand Prix.
Photo by Douglas Markowitz
In the meantime, here are the best art exhibits to see in Miami in May.
Unless otherwise noted, all listed events are free to attend and open to the public.
Now Open
Jordan Tran at Ascaso Gallery
If you're a fan of gradients, color fields, and luminous light, Ascaso Gallery in downtown Miami is showing some ridiculously gorgeous abstract paintings by French artist Jordan Tran (AKA Kean). The painter's pastel-shaded canvases recall Sho Shibuya, Hiroshi Sugimoto, James Turell, and some of the more spectacular sunsets you might have seen here in Florida. The show opened last month and runs until May 31. On view through Friday, May 31, at Ascaso Gallery, 1325 NE First Ave., Miami; 305-571-9410; ascasogallery.com."Jeffrey | Merik" at Andrew Reed
Recently opened in Allapattah, Andrew Reed Gallery's latest show features work from Jeffrey Meris and Merik Goma, longtime friends and fellow artists making work about communal healing and the quotidian. Meris' sculptures use reclaimed materials such as copper and T-shirts, while a trio of busts are comprised of plaster and silicone. They're paired with Goma's somber, searching photographs conceived in the wake of a death in the family. On view until Saturday, May 25, at Andrew Reed Gallery, 800 NW 22nd St., Miami; andrewreedgallery.com.Erik Parker at Ross + Kramer
Showing in Miami Beach at Ross + Kramer, German-born American artist Erik Parker favors bold colors and a psychedelic, pop-adjacent approach to figuration in his show "Full Coverage." Canvases like the paradisical landscape "Blue Magic" feature tropical color palettes and matte textures that wouldn't look out of place in Wynwood. On view through Saturday, June 15, at Ross + Kramer, 1910 Alton Rd., Miami Beach; 917-675-7293; rkgallery.com."El Vacío Que No Es" at Mahara+Co
With its title translating to "The emptiness that is not," this show at Mahara+Co in Little River features work by two Miami-based artists focusing on what the gallery calls "the pursuit of the void." Miami-raised Nicaraguan-American Marisa Telleria builds temporary environments designed to challenge viewers' perceptions and allow them to explore their subconscious. Meanwhile, Venezuelan Andres Michelena has created drawings and installations that wed minimalist forms with culturally specific references. On view through Saturday, June 8, at Mahara+Co, 224 NW 71st St., Unit H., Miami; instagram.com/mahara_and_co.
George Condo, Am I Human?, 2022
Courtesy of the artist and Hauser & Wirth. © George Condo. Photo by Thomas Barratt.