For guitarist, composer, and producer Aaron Fishbein, Stone was not only a legend, but also a source of personal inspiration. Having laid claim to a notable career of his own — Fishbein’s name has appeared in the credits of albums by Beyoncé, Christina Aguilera, Pitbull, and Sly and Robbie, among others. He continues to follow in the footsteps of the man he came to know both personally and professionally.
“It was a special privilege to be asked to score filmmaker Mark Moormann’s documentary about Henry,” Fishbein recalls. “While working on the movie, I became friends with Henry’s son, Joe, and I got to know the family as well. Henry went blind later in life, and the Lighthouse for the Blind gave him his freedom back through special training... Many years ago, Henry put together an instrumental album to benefit the Lighthouse, and recently, Joe approached me about doing a new one.”
The Miami Lighthouse for the Blind is an organization that offers rehabilitation services and other resources for Miami's blind community. They also have a music program, where they teach and train visually impaired musicians. Proceeds from Fishbein's upcoming album, entitled Instrumental Magic 2, will go to the Lighthouse. The album itself was built around an unusual concept: every track became a cover of a song originally recorded by a blind musician, including Stevie Wonder, Ray Charles, Jose Feliciano and Ronnie Milsap. “Joe Stone and I picked the songs,” Fishbein explains. “Then we got everyone in the room, and the magic just happened.”
And "everyone" was not just anyone. To bring the idea to its natural conclusion, Fishbein recruited saxophone player Jeff Zavac, a University of Miami Music School grad who was born blind. “Jeff is a killer sax guy and he’s hilarious too,” Fishbein insists. “We all had fun working with him. Being blind definitely doesn’t hold him back. He’s taught music at the college level. He plays shows and makes recordings and he’s just a really good guy.”
Fishbein and Zavac became the genesis of a band they dubbed the Lemon City Rhythm Section, named for the place where the group got its start.
“The original Instrumental Magic album was recorded with programmed drum machines and synths, but I wanted to get some of our great local musicians involved and have some fun keeping it organic,” Fishbein says. “Keyboard player/arranger Jerald Dorsett had recently moved back from Georgia and I wanted to work with him, so I gave him a shout... Jerald kept telling me about Jodi Hill’s son, David Hill. Jodi had played drums with KC & The Sunshine Band. David isn’t really that old, and so I had my doubts. But it turns out that David is also a great drummer."
Not surprisingly, the younger Hill felt a special connection to the project. “Growing up in a musical family has been such a blessing for me,” he explains. “Seeing my father play drums for KC & the Sunshine Band was amazing... Working on the Lighthouse for the Blind project was monumental, because it was my first time recording. And it just so happens to be with Henry Stone’s son Joe, whose father actually found and groomed KC and so many other timeless artists.”
“I love how this event came together,” Fishbein remarks. “I told Zack Bush, the owner of Ball & Chain, about the album, and he told me that his mother used to volunteer at the Miami Lighthouse for the Blind and that he’d love to get involved and help out. We couldn’t have asked for a better venue for our release party."
Lemon City Rhythm Section album release party. 6:30 p.m. Monday, June 27, at Ball & Chain, 1513 S.W. 8th St., Miami; 305-643-7820; ballandchainmiami.com. Admission is free; ages 21 and up.