“If you think about it, what’s next?” he says, getting serious for a moment before reverting to his cutting sense of humor. “We can’t sell you a car? You might drive it in a gay way? You might go through a gay club or pick up a gay cake? Or maybe you'll fill it with lesbians? It's ridiculous.”

If he’s able to laugh in the face of a regressive social flashpoint such as this one, it’s at least partly because of the thick skin he had to grow beneath his flawless foundation and shimmering eyeshadow. “When I met my first manager and I used to go visit him at his very posh offices in Mayfair, people would really stare at me, and I did used to tell them to fuck off.” In much the same way queer kids have looked to him for decades as an example of what it means to navigate the world unapologetically, George says he looked to punk rockers and glam artists such as David Bowie for inspiration. “I was a teenager when punk exploded. It was the most amazing time to be a teenager, because it gave you all those things that you want as a teenager. And I think that what I did after that with the New Romantic scene and Culture Club was, I think initially, it was definitely a fuck-you, because people were very intolerant.”

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After decades of witnessing progress on queer issues around the world with steps taken backward along the way, does he subscribe to an approach of incremental change or gradual social progress? It would be all too easy for someone in his privileged position to sit back and wait, he acknowledges. “The problem with the long game is that most people are just trying to survive. Someone like me, I have the luxury of being Boy George, and a lot of what I do is excused and accepted because of who I am and my position in the world as a famous person. But I think for an ordinary kid in the street, you can’t have a long-game view, because you're surviving the slings and arrows of your everyday existence. It’s really only when you get older that you look back and have any kind of perspective on who you were and what you've done, and what you could've done to make it better.”

And though letting time heal wounds is not his recommended approach to social progress, it’s worked wonders on one of the longest relationships of his life: the one he shares with his bandmates in Culture Club. All founding members reunited in 2014 and have been recording and touring on and off since then. Despite their well-documented past disputes, George says years of distance afforded them the reflection time needed to carry on amicably.

“When you hear about some bands that go on the road and don't talk, and they travel in separate cars or private planes, there is no amount of money on Earth that could seduce me to work with people that make you that unhappy. So my policy has always been — 'cause I love what I do and it's such a kind of sacred ritual, performing live — the energy and the frequency have to be right. So over the years, when we've fallen out, we just didn't speak to each other. And that has been the best medicine for those periods. And then when we're over it, we're over it — and we're over it right now. And I think we've all grown up a lot."

Boy George and Culture Club. With the B-52's and Thompson Twins' Tom Bailey. 6:30 p.m. Sunday, July 1, at Pompano Beach Amphitheater, 1806 NE Sixth St., Pompano Beach; 954-946-2402; theamppompano.org. Tickets cost $49.50 to $199.50 via axs.com.