There is word of a poetry renaissance in America (well, at least sales of poetry books are up). One of the progenitors is right here in our Magic City, née the Great Marsh. A Chicago native who teaches creative writing at Florida International University, McGrath told New Times in 1997 his aspiration was to write in "a big expansive kind of lyrical prosy poetic voice talking about America." He continues to achieve that whimsical goal in poems wrought from objects, observations, and experiences scattered from Las Vegas to Wisconsin to Miami. In "Biscayne Boulevard," from a collection published last year titled Road Atlas, he paints a gritty, evocative word picture that is at once local and universal. "Crossing the bay: pelicans and buzzards against a Japanese/screen of rifted clouds, squalls, and riffs in grey, white, azure/Gulls like asterisks, anhinga like bullets.... At 123rd St.: survival/of the fittest franchise/Boston Chicken, Pollo Tropical/Kenny Rogers Roasters/KFC/Which must perish so that another may live?/Oceans of notions/ INS/The Pussycat Theater.... Police helicopter, sweet damselfly, can you track my happiness?/Radar gun, will you enumerate my sorrows?/Bullet, do you sting?" In Balserito, a prose poem, he captures a mysterious aura seemingly emanating from three rafts washed up on a beach: "Ragged planks and Styrofoam and chicken wire, filthy and abandoned but curiously empowered, endowed with a violent, residual energy, like shotgun casings in a field of corn stubble or the ruptured jelly of turtle eggs among mangroves, chrysalides discarded as the cost of the journey, shells of arrival, shells of departure." McGrath is the real McCoy.
"If you could call this place something, it would be tantamount, in Spanish, to that sitcom in English where everybody knows your name -- Cheers," says Miami-Dade Fire Rescue's Lt. Eddie Ballester. The firefighter and paramedic, stationed five blocks away, is a regular at this window. Over the years Brothers to the Rescue leader José Basulto has scarfed not a few pastelitos at this locale while pondering his next move. Miami-Dade County Manager Merrett Stierheim also has been spotted here, along with several of his assistants. Univision's answer to Walter Cronkite, newsman Guillermo Benitez, is another familiar face. Policemen, businessmen, plumbers, retirees, and Harley-Davidson aficionados all make this their chitchat haven. On a recent Saturday, while waiting for his coffee and Danish, Ballester talked about saving lives with Retavase, a new clot-busting medication for heart-attack victims currently being tested at his station. You never know what new things you'll learn at the Universidad de la Carreta.
"If you could call this place something, it would be tantamount, in Spanish, to that sitcom in English where everybody knows your name -- Cheers," says Miami-Dade Fire Rescue's Lt. Eddie Ballester. The firefighter and paramedic, stationed five blocks away, is a regular at this window. Over the years Brothers to the Rescue leader José Basulto has scarfed not a few pastelitos at this locale while pondering his next move. Miami-Dade County Manager Merrett Stierheim also has been spotted here, along with several of his assistants. Univision's answer to Walter Cronkite, newsman Guillermo Benitez, is another familiar face. Policemen, businessmen, plumbers, retirees, and Harley-Davidson aficionados all make this their chitchat haven. On a recent Saturday, while waiting for his coffee and Danish, Ballester talked about saving lives with Retavase, a new clot-busting medication for heart-attack victims currently being tested at his station. You never know what new things you'll learn at the Universidad de la Carreta.
There was much trepidation about the coming of this monster movie theater to our much-treasured Road. Would this cold and corporate megaplex shoveling out Hollywood hits put an end to any remaining pretense of funkiness that the mall had? Surprise: The Regal on South Beach has fit in more snug than many thought. First, it lived up to its promise to show alternative movies. At least two screens per week show foreign or gay-theme films, or films that otherwise might not have unspooled here. Second, the theaters themselves are comfortable: medium-size rooms, plush seats, and good views from every one of them (so often not the case at a megaplex). Parking hasn't been a problem, either; in fact you can often find a spot right on Alton Road, just a block away. There is a good selection of food, a café, even an outdoor patio and balcony, and absolutely no loud video arcade anywhere on the premises. Finally, before or after the movie you can stroll down the street that, while it has lost much of its counterculture vibe, remains Miami-Dade's most people-friendly urban area.
Miami Commissioner J.L. Plummer had his re-election formula down pat: Raise tons of cash, glad-hand voters at community festivals, and have his Cuban friends praise him on Spanish-language radio. It had worked seven times before, after all. Upstart businessman Johnny Winton might push him into a runoff, but the veteran's vast war chest would crush him. Oops! While Miami politics changed, Plummer didn't. District elections had turned the city's politically neglected Upper East Side into a powerful force that overwhelmed Plummer's traditional base in the Cuban community. He also underestimated how badly the city's scandals sullied his reputation. Most voters, including many in Plummer's Coconut Grove back yard, didn't buy his pleas of ignorance as his colleagues were arrested, the city fell into disarray, and taxes climbed. In addition the 29-year incumbent didn't take underdog Winton seriously. The end result: Plummer maintained his unprecedented streak of seven elections without a runoff. But he was clobbered in the eighth.
It all began here in 1993: salsa classes on Monday and Wednesday nights at the spacious and charmingly down-at-the-heels Blue Banquet Hall. By now the place is packed four nights a week, and Salsa Lovers is a huge enterprise, having expanded to two more locations. But the West Miami-Dade scene has a festive, nightclubby quality all its own, and it just keeps getting hotter (sometimes literally; the AC is erratic). Monday through Thursday a large and varied crowd descends on the hall, everyone from senior citizens to families to middle-school students, though the 20- to 30-year-old crowd dominates. The sheer energy generated by hundreds of slaves to the salsa rhythm is irresistible. Some people skip the classes and instead hang out, flirt, or practice moves with a partner. Between classes (three levels, each one hour long, beginning at 7:00 p.m.) the DJ spins a "practice song," and a gigantic circle of couples fills the entire main dance floor, so big the instructors have to call out the turns on a microphone. Oscar D'Leon blares from the speakers, and pretty soon everyone's in a whirl -- dile que no, dame una, hips going and fondillos shaking, abrázala, abanico, arms rising and feet pivoting, montaña, balsero, and sometimes the lights will dim and the tacky disco balls will turn. For seven dollars (price per lesson) you get all this, and you might even learn the paseo por el parque.
In many American political plays, a guy (it's usually a guy) comes onstage and talks. The set, the costumes, the lighting -- they're all window dressing, which helps to explain the sorry state of political drama. Doug Wright's 1995 work Quills, however, dissects the issues of censorship through the trials of the Marquis de Sade. It's a play of ideas, driving home the notion that you can't get rid of art you don't like merely by destroying its author. But it's also a play of images. In the exquisitely designed Florida Stage production, Jim Fulton's lighting design reproduced the Marquis's naughty writing as luminescent streaks across the theater walls. Allen D. Cornell's inventive turntable set gave rise to multiple arresting scenes, not the least of which was the yanking out of the Marquis's tongue. Suzette Pare's costumes smartly outfitted the small-minded denizens of nineteenth-century France as well as the increasingly-more-disrobed Sade. And Scott Burgess's sound design created an asylumwide orgy we could "see," though it happened off-stage. At the helm was artistic director Louis Tyrrell, whose fluid hand and wicked sense of humor proved to be assets the Marquis would have loved.
In his many years as the public face of the county's public schools, Fraind had repeatedly proven himself to be inarticulate, insensitive, and inflexible. When school-board members finally got tired of him making them look bad and decided, at their March meeting, to appoint someone else as their spokesman, Fraind demonstrated the wisdom of the decision by offering an upraised arm and fist -- in the universal gesture for "up yours" -- to a parent who had questioned his salary level. How ironic that the first candid, straightforward, concise statement from this guy, captured by the television cameras that record each meeting, came only on the eve of his removal as the district's mouthpiece.
It's supposed to feel like a little bit of Nantucket down here on the lower peninsula. A fresh and crisp Northeastern respite from the scorching Southern sun. But really the lobby in the new Beach House is Florida through and through. This is no rectangular foyer, stop-over-while-you-check-in type of lobby. Instead you get different lounges with different flavors for different moods, all outfitted (if the blue hue didn't already give it away) by the Polo Ralph Lauren design team. If you enter from Collins Avenue, huge vases of fresh-cut flowers -- usually yellow -- greet the visitor at the entrance, which is decked out in muted blue and white. But no need to dally here. Head for the bright and playful room to the right -- the, well, Florida room. Two walls are windows, with views out to the pool and to the ocean beyond. Lime-green covers the walls; pink, salmon, yellow, green, and blue cover the cushions and pillows on the white-wicker furniture. That may sound noisy but it's not. The colors combine into a soothing balm, light and airy but well removed from the heat. All the rooms are furnished like a bed and breakfast -- knickknacks on the end tables, art books scattered about for a leisurely browse. The main lobby is toned down, furnished in brown wicker with blue upholstery, and trimmed with sophisticated Chinese porcelains and paintings (heavy on deep red and gold, adding an extra-lush touch). From here it's also possible to see the pool area, which really should be considered part of the lobby as well, with its multicolor cabanas, ample seating, and hedges sculpted into sea horses. Grab a drink from the bar and choose your mood: There's no better way to refresh your feeling for Florida.
In a season fraught with top-drawer solo performances (Charles Nelson Reilly in Life of Reilly, Kathleen Turner in Tallulah, Melinda Lopez in Medianoche, and Jean Stapleton in Eleanor: Her Secret Journey), Judith Delgado towered over all. Playing fashion diva Diana Vreeland, the actress delivered a performance that lived up to Vreeland's motto: "Give 'em what they didn't know they wanted." Vreeland's life story garnered 1996 Drama Desk and Obie awards for creators Mark Hampton and Mary Louise Wilson when Wilson starred in it. Elizabeth Ashley did the honors when the national tour passed through South Florida in 1998. Nonetheless Delgado, a genius at transforming herself, turned the tastemaker and long-time Vogue editor into something of her own (and director Joseph Adler's) making. Even the actress's elegant, oversize hands conspired to become a perfect physical match for Vreeland's elegant, larger-than-life personality. It was a performance that reached out and grabbed us by our lapels.
"Have Character, Will Travel." So reads the business card of Daniel Ricker, self-appointed "citizen advocate," who spent the past year attending county commission meetings, city commission meetings, school board meetings, and Public Health Trust meetings, all in an effort to better understand how government operates. He even sat through the public-corruption trial of former county Commissioner James Burke so he could hear firsthand how deals are made at the county level. Why did he do it? Ricker, who made his fortune managing international companies that sell coronary pacemakers, says he became so disgusted with the sleaze and corruption of politics in South Florida that, rather than withdraw into apathy, he became hyperactive in the community. He took a year off work and dedicated himself to his task. A man of limitless patience (a necessary attribute in order to sit through some of those meetings), he says he never became bored and always found the working of government fascinating and important. Simply knowing that an informed member of the public was attending those meetings, watching every move they made, undoubtedly had a sobering effect on Miami's less-than-trustworthy politicians and bureaucrats.
In a county with woefully slim public-transportation options, Miami Beach planners looked out their windows, past the backed-up traffic at the stoplights, and saw the future. It was pretty, environmentally friendly, and didn't cost a lot. The ElectroWave shuttle buses premiered two years ago and have proven to be a wonderfully hassle-free way to navigate the often congested streets of South Beach. And a good thing was recently improved: In April the routes were expanded to cover more city blocks north of the original South Pointe-to-Seventeenth Street loop. Plus the fleet grew from seven to eleven vehicles, and payment options were increased (you can now use your parking debit card to pay the 25-cent fare). The shuttles are completely electric, with propane-powered air-conditioning units. "We are the only all-electric transit system in the country," exclaims Judy Evans, executive director of Miami Beach Transportation Management Association. "We've become a model for other cities."
Last year's winner got even better this year. In Motion Dance Center expanded from its base on Bird Road and is now contributing to the Biscayne Boulevard renaissance with a new studio in a quaint converted house. Local dancers finally get the facilities they deserve, with high ceilings, exposed beams, a wide expanse of mirror, and an enormous floor. Offerings range from staples such as ballet, modern, and jazz to West African, hip-hop, contact improvisation, and the posture-enhancing Pilates technique. During off-hours In Motion instructors and local choreographers use the studio as a rehearsal space for upcoming performances, commercials, and music videos.
Every weekend, particularly on holidays, large numbers of people take to the water. The transformation of these landlubbers into weekend mariners is not always smooth. Add alcohol to the mix, and it can be downright disastrous. At no time is this more obvious than at the end of the day, when they try to move their boats from water to trailer. And at Black Point Marina, they have an audience. Most weekends, positioned on a hill overlooking the boat ramps, are picnickers and beer drinkers who have come to watch the amateurs try to make it home. So established has this pastime become that its participants have earned a nickname: dock ghouls. On a good day, the ghouls' gallery will be witness to boats crashing into the quay, cars slipping into the water, and relationships tanking in public. A weak parking brake or balding tires can turn success into tragicomedy. All too familiar is the sight of macho man, who hours earlier had tried to impress his girlfriend with his fancy boat, but who now lashes out at her in frustration over his inability to get the damn thing out of the water. Add to such scenes the presence of cops hopping from vessel to vessel checking licenses, and you'll have to agree: You cannot buy entertainment this good.
Oddly enough, in an area known as one of the winter vegetable baskets of the nation, it's slim pickings for farmers' markets in Miami-Dade County. Basically there seems to be two options: Pinecrest or Coral Gables. Located in the parking lot of Gardner's Market, the Pinecrest operation offers a feast for the taste buds and a greater selection than its Coral Gables equivalent. If you don't believe us, just compare; you can hit both in the same weekend: Pinecrest is held on Sunday, the Gables on Saturday. In addition to plentiful citrus and vegetables, a variety of orchids and plants can be found. Other vendors sell homemade oils, jams, salsas, and baked goods. Unfortunately Pinecrest, like Coral Gables, is seasonal. It only runs from January to mid-April.
Remember WAMI, the overly hyped television-station startup? The one with the glamorous sidewalk studios on Lincoln Road? The one that was going to revolutionize TV by returning it to its extremely local roots? The City Was Their Studio or something like that? As anyone who has spent any time in this town knows, the real Miami is not South Beach glitz but rather a gritty Hialeah warehouse, like the one from which Channel 41 continues to broadcast handcrafted, exceedingly local, often wonderful programming, absent the self-absorbed fanfare. A Oscuras pero Encendidos (In the Dark but Turned On) is a typical success story. A riskier, sloppier, often more fun variant of the Late Show with David Letterman, A Oscuras proves that young affluent Latins will watch Spanish-language television. With puppets and spokesmodels and strippers and an opera-singing, keyboard-playing sidekick, A Oscuras is fun, irreverent, and perfectly Miami. WAMI should take notice -- if WAMI is still on the air.
Lightning strikes, Glades burn, schools flunk, cocaine arrives, Soyka arrives, Elian arrives, Lincoln Road gets malled, Cuban rafters get gassed, code inspectors get bribed, transit tax goes down, Calle Ocho rips up, I-95 rips up, Stiltsville survives, gay-rights law survives, Cuban spies get busted, Columba Bush gets busted, too hot, too wet, too congested, Rickymania strikes, road debris strikes, phony doctors mangle, Venetian Causeway opens, Lyric Theater reopens, Virginia Key Beach reopens, Hurricane Floyd threatens, Phil Hamersmith dies, Ted Arison dies, Los Van Van plays, ramp rats get busted, Chris Paciello gets busted, Gilda Oliveros gets busted, Irene drenches, Lunetta walks, Grigsby walks, Plummer goes out, Winton gets in, New Year's prices soar, gas prices soar, truckers strike, rain falls, crime drops, Y2K threatens, Lee Hills dies, Bill Colson dies, rafters die, Gutman goes to jail, Burke goes to jail, Noriega stays in jail, Elian does Disney World, Diane Sawyer does Elian, Miriam Alonso gets busted, Demetrio Perez gets busted, Rosa Rodriguez gets busted, boaters kill, drag racers kill, Cubans get smuggled, Roxcy Bolton gets honored, Tony Bryant dies, Don Martin dies, Elaine Gordon dies, Miami Circle lives, the Bel-Aire falls, the Royal York falls, Freedom Tower rots, tolls rise, O.J. lurks, Regalado charges it, Warshaw charges it, Fraind shoots his foot, Penelas shoots his foot, Marino leaves, Elian leaves, and the good news is that someone out there is still thinking straight: State transportation workers finally remove the expressway sunburst symbols that were supposed to help but only confused.
He slept with Anna Kournikova. That alone is enough. His incredible talent, his prolific goal-scoring, his All-Star game MVP award? The fact that he's the most dominant athlete in his sport? Just icing on the cake. He slept with Anna Kournikova.
February 11, 1999: Adrian Dominican nun Jeanne O'Laughlin's tireless volunteerism earns her the Sand in My Shoes award from the Greater Miami Chamber of Commerce. She is the first woman to win the honor, just as she was the first female member of the Orange Bowl Committee and of the Non-Group, a group of influential business people. March 17, 1999: Barry University, the school she has guided as president since 1981, continues its phenomenal growth by purchasing a law school. June 11, 1999: The Greater Miami Chamber of Commerce honors O'Laughlin again, this time with the Florida Athena award, bestowed in recognition of the opportunities she created for women at Barry. November 3, 1999: O'Laughlin is named chairwoman of Mayor Alex Penelas's blue-ribbon panel to clean up and reinvent Miami International Airport. November 13, 1999: Gov. Jeb Bush selects O'Laughlin for induction into the Florida Women's Hall of Fame. November 25, 1999: Elian Gonzalez is rescued at sea.
Relatively new to the Fusion, he's already making a contribution both as a playmaker and a scorer. Indeed Captain Wynalda could very well be labeled Captain Wonderful by season's end if he continues to fulfill his reputation as the highest goal-scorer in Major League Soccer. One drawback, of course, is that Wynalda is known to be weak in the knees -- literally. His multiple surgeries and lengthy recoveries cause some fans concern. But we're confident his joints will not only survive the season, they'll see us through victory after victory.
Beatty stood up to the craven Miami city commissioners and mayor who couldn't stand up to their own constituents. And he didn't shrink from publicly admonishing them -- with eloquent directness -- for playing politics with the city's dire financial crisis. That was back in mid-1999, when Beatty was chairman of the governor's financial oversight board, the appointed body charged with guiding Miami back from its near-bankruptcy in 1996. Beatty, a corporate lawyer and former partner in the giant Holland and Knight firm, has since resigned from the oversight board and assumed the role of general counsel for the Miami Herald. He has caught some flak for taking the job in spite of his close association with numerous influential community organizations and powers that be. (He was criticized in 1998 when BellSouth, for whom he was general counsel, contributed to the re-election campaign of state Sen. Al Gutman after Gutman's indictment on Medicare fraud, witness tampering, and money laundering charges). Yet nothing can erase Beatty's history of constructive and occasionally heroic civic leadership. He has served on the boards of United Way, the Orange Bowl Committee, Leadership Florida, SunTrust Bank, Miami-Dade Community College Foundation, the Beacon Council, the Greater Miami Chamber of Commerce, and many more. Miami Business magazine, in naming him its 1999 "Business Leader of the Year," called Beatty "the conscience of our town."
Shy and retiring, poet Judith Berke doesn't always come to mind in this era of feted writers receiving gargantuan prizes. Yet her work epitomizes our region, not as a visitor or as a tourist, but as a long-time resident. In "Vizcaya," from her book White Morning, Berke brings us wisdom from another time that is no less valid today: "Under here/are the runaway slaves, and the Indians./On their sides, listening./White now. Almost completely white."
Or in "The Shell": "We hadn't seen a shell on this beach for years./If an Indian had come by/it would have been no less strange -- /and we would give him the shell/and he would give us the beach/and we would think/for a while we owned it."
Even when Berke is not speaking directly about Florida, she evokes it when penning lines like this: "How lovely, to lie under the/rushing out of the leaves/of the mangos, to nibble the grass/even if it's bitter, and look up at the stars/even if there are none...." Berke's Miami is the true, original homestead, just as she is a poet who remains true to herself and the art of poetry.
Aye, matey, it's truly an indoor playground designed just for the wee ones. In fact kids over the height of 42 inches are restricted from entering (parents are permitted; strollers are not). The centerpiece is a play pirate ship, complete with slide (instead of plank) and ship's wheel. "Leaping" dolphins are scattered over the floor and make for great climbing toys. Go during any holiday season, and the playground is complemented by a miniature train the kids love to ride (for $1.50 a shot). All the romping and riding may not be restful for you, but for toddlers it's a good break from boring shopping.
Highway coin collectors rarely inspire envy. Imagine handing out change to an endless parade of cars, vans, and tractor trailers, touching thousands of dirty hands each day while sucking down a full shift of lung-blackening exhaust fumes. No envy, that is, until now. Since this past summer, toll takers along Florida's Turnpike and other toll roads have been sporting spiffy new Hawaiian shirts custom designed with flamingos, palm trees, alligators, and other indigenous wildlife. This is their actual uniform, a design wonderful enough to win national awards, a shirt so cool that people -- people who are not toll collectors -- are offering good money to buy one. "We get lots of requests," says Joyce Douglas, a turnpike executive in Tallahassee. "It's a unique shirt but we can't sell them. They are strictly uniforms."
In the often strident world of Cuban radio, locutores regularly inject the airways with a daily dose of their self-serving agendas in the name of el exilio. Maria Elvira Salazar is an antidote to the inflammatory diatribes that blare from AM frequencies. She is la moderadora (the moderator) on her noon talk show Polos Opuestos, one of the few Cuban-radio talk shows in which individuals on opposite sides of a controversy go head-to-head without getting into a screaming match. Where else can you hear Sylvia Iriondo, president of Mothers Against Repression, have a sensible discussion with Marcelino Millares from the Cuban Center for Democracy? Salazar guides the live discussions with sometimes slanted questions, yet nonetheless gives both sides equal time to respond. Even comments from callers are handled reasonably by Salazar.
You've had dinner. You held hands when you walked him/her home. You know you want to see each other again. So don't ruin it by doing something predictable. Move with eccentric genius by inviting her/him to the baths. Set in a basement grotto of the Castillo del Mar Resort, the baths are a unique way to get to know someone better. For a $20 per person cover charge, you can take advantage of four different types of steam rooms: the Russian radiant room, the Turkish steam room, the redwood sauna, and the aromatherapy steam room. In between rooms you can plunge into a frigid bath or stand under showerheads strategically placed throughout the spa to let frosty water rain down upon you. Massages and mud baths also are available for a charge. Before leaving the two of you can sit in the large saltwater hot tub, which has about 500 gallons of water continuously flowing through it. Not many things bring you as close together as a thorough soaking. The baths are open daily from noon to midnight.
Jimmy Johnson failed as the Miami Dolphins head coach. His best friend, Dave Wannstedt, failed as the head coach of the Chicago Bears. So why was Johnson allowed to handpick Wannstedt as the Dolphins new head coach? Good question.
Only in Miami would a swath of green amid Brickell Avenue's concrete jungle be named for a real estate entrepreneur. But credit must be given where it is due. The late developer L. Allen Morris donated a quarter of a city block to the City of Miami, which wisely (for once) preserved the eleven tall oaks and one banyan tree that shade the property. The lush canopy, combined with a cluster of park benches, makes the minipark the perfect excuse to leave the office on those gorgeous subtropical days and enjoy lunch alfresco. Walkways carve a path through the grass and landscaping. No time to pack a meal? Several restaurants are within easy walking distance, and they'll quickly toss something together. Don't like to fight lunch-hour traffic? Jump on the Metromover and disembark at the Tenth Street station across the street. Suddenly feel the urge to take off for the rest of the day? Do it. And tell the boss we authorized it.
Pavel Bure is amazing. Good god, the Russian Rocket is the best player in the world right now, the most exciting and prolific scorer in the game, the All-Star game MVP, a strong candidate for league MVP, a reason all by himself to drive to godforsaken Sunrise to watch the Panthers play. And as he flies around the rink, firing stunning slap shots into the net, it's impossible not to recall that the Panthers acquired him in exchange for ... Ed Jovanovski. Swapping a problematic defenseman for Bure is the best trade the Panthers will ever make. It's the best trade any front office in any sport could possibly make. As a front-office maneuver, the trade rivals any of the athletic miracles Bure pulls off on the ice.
For a time it seemed as if Matti Bower was destined to be a political bridesmaid but never a bride. She ran for the Miami Beach City Commission in 1995 and lost to Martin Shapiro. (Had she won, she would have been the first Hispanic to sit on the commission.) She ran again in 1997 but was edged out by Simon Cruz. Having lost twice, most folks would have winced at the thought of subjecting themselves to another campaign. But Bower, who was born in Havana, isn't like most people. A Miami Beach activist for nearly 30 years, her record of public service dates all the way back to her early days as the founder of the Fisher-Feinberg Elementary School PTA. And so last fall, when Shapiro launched a losing bid for the mayor's office, Bower didn't hesitate to run for his open seat. This time she won.
WQBA is no longer La Cubanísima. If nothing else this is a clear indication that someone has finally figured out that the majority of Miami's Spanish-speaking citizens is not obsessed with Fidel Castro. The formatting changes that began in late 1997 -- after the giant Hispanic Broadcasting Corporation (HBC) acquired WQBA and three other Miami stations -- have by now resulted in a much more pleasant listening experience. Yes, it's still a hard-line exile station at heart, and Ninoska Perez Castellon, la cubanaza herself, is still holding forth on Ninoska a la Una, comparing Fidel to Hitler (she's good enough to get away with it). But at least you don't have to hear this all day long, as you do on that bastion of bombast, Radio Mambí, which HBC bought along with WQBA but left untouched. Veteran Cuban-American broadcasters Agustin Acosta and Bernadette Pardo remain popular news-talk hosts on WQBA, but other personalities who never even mention Castro have been well received. For example the "Plant Doctor," Jesus Ramos, provides excellent gardening advice. The sports coverage is good, too, including but not limited to live broadcasts of Marlins and Dolphins games.
Recorded compas music from St. Andre's Record Store across the street fills this shop in the heart of Little Haiti, often accompanied by the live drumming of percussion students or the rehearsals of the dance company Sosyete Koukouy out back. Paintings by Haitian artists and larger-than-life photos of folkloric dancers and musicians cover the walls, while frequent readings and panel discussions at the cultural center upstairs stimulate the intellect. With more than 3000 titles in French, Kreyol, and English, Libreri Mapou has been the center of Haitian literary culture in Miami since 1986. For those looking to learn any of the above languages, Mapou has a large section dedicated to dictionaries and grammar books. Newspapers from Port-au-Prince, Paris, Miami, and New York City keep readers up to date on the latest news from the island and across the Haitian diaspora. Sociological studies and historical tomes take the long view on Haiti's often turbulent society. More fanciful readers might turn to the book of folk tales retold in Kreyol by bookstore owner Jan Mapou, or leaf through one of the many naughty novels on the front table by Haitian-Canadian Dany Laferriere, author of How to Make Love to a Negro Without Getting Tired. No wonder so many of the most creative minds in Miami make Libreri Mapou a frequent stop.
If purchasing and maintaining your own aircraft is a just a wee bit beyond your means, yet you hanker for an eagle's view of the world, see pilot Philip Shelnut. For a mere $65 you can gain that perspective for about ten minutes. Too little time aloft? Several other tours are available, including a 45-mile, half-hour jaunt for $149. This package affords you a high-altitude romp running the length of Miami Beach, shooting over to Virginia Key, hovering above Coconut Grove, flirting with the top of the Bank of America tower, and if you're lucky, providing you with a glimpse of the sun sharks and lemon sharks that like to cruise off Key Biscayne. Full-day sightseeing tours also are available.
Nilo Cruz's haunting A Bicycle Country, a play about three Cuban balseros, arrived at the Florida Stage just a few weeks after boat boy Elian Gonzalez was rescued off the Fort Lauderdale coast. Here's betting it will be remembered long after young Elian grows up. Set in Cuba and in the waters between Havana and Miami, the play stakes a claim in the dramatic territory of Samuel Beckett, with its evocative language, startling visual imagery, and existential concerns. Cruz's portrayal of the trio that escapes from Cuba is both literal and metaphorical. Less a political play than a statement about yearning, A Bicycle Country is capable of transcending the narrow politics of 1999 and 2000 and becoming a work that can shed light on any group of desperate people. Which is exactly what great art is supposed to do.
Can you imagine anything cuter than hundreds of youngsters, dressed as elves, marching along Sunset Drive and Red Road? Well, truth be told, we can't either. In what has become a South Miami tradition, Santa's Parade of Elves is a glorious start to the holiday season. Heading into its seventeenth year, the parade keeps getting bigger and bigger. Last year more than 80 groups joined in, among them the University of Miami cheerleaders, numerous high school marching bands, and a host of antique-car enthusiasts. But the center of attention, as always, is the kids. This is their day, after all. Nearly 500 of them turned out last year in full elf regalia. Adorable, just adorable.
In the few short months since Brett O'Bourke debuted as the "I Love Trouble" nightlife columnist in the Miami Herald's weekly tabloid Street, he's revealed so much about himself that unsuspecting readers have been seen dropping the publication from their hands, their bodies convulsing with a severe case of the willies. O'Bourke has bragged in print that he uses his column to "get laid." In another column he told us how he nailed a reluctant, intoxicated chick who "had never done this before." He has relayed the play-by-play of his arrest for drunk driving, as well as vomiting on a friend's porch after a night of binge drinking. In yet another installment, he admitted his affection for In Living Color reruns on the FX channel. In fact he's said that staying at home on the couch watching television is preferable to going out to the clubs he's paid to cover. Week after week he blasts South Beach as being too crowded, too sexy, too expensive, too rude, too ... too ... too much trouble. "There is a cheap, street-corner feel to the whole scene -- a kind of understood exchange of goods for sex or the possibility of sex at least," he's explained. Later he condensed his angst to a command: "Enough with the attitude already!" Brett, we hear your cry. We want to help. But we ... just ... can't ... slow ... down.
Actress Lisa Morgan is a great supporting player in the sense that, no matter how she's cast, she magnificently supports the interests of theatergoers, directors, fellow actors, and playwrights. Last season she appeared most notably in two shows. As the twittery, resolute mother of the flapper Sally Bowles in New Theatre's I Am a Camera, Morgan's onstage time clocked in at less than fifteen minutes. Nonetheless from her first entrance, she carried a universe of subtext with her. On a larger scale, Morgan's ensemble role in One Flea Spare, also at New Theatre, demonstrated her ability to hoist an entire play, even one as prickly, poetic, impressionistic, and director-driven as this Obie winner. Courageous and inventive, she consistently reaches into dangerous territory with her acting, leaving safer routes for less-daring performers. And that's always a thrill to watch.
Monfort's passion for baseball has its roots in Cuba, his homeland. As a ten-year-old kid, he began collecting mementos from his favorite teams and players. Later he embraced America's baseball heroes as well. Today he can boast of a private collection he accurately refers to as his "mini-Cooperstown." Hanging on the walls of his Westchester home are autographed photos of each and every baseball hall-of-famer. Mounted on plaques are images of America's best players and obscure Cuban peloteros from the island's professional leagues of the Twenties, Thirties, and Forties, each emblazoned with the player's name, the seasons he played, and his achievements -- from the incomparable Sandy Koufax to that master of versatility Martin Dihigo, the only Cuban inducted into baseball's Hall of Fame. Monfort's collection is a multiethnic treasure trove of rarities, some of which still are boxed up in his closet. He owns a 1932 photo of a young Joe DiMaggio eating spaghetti at the kitchen table, and the wedding portrait of famed Cuban baseball manager Adolfo Luque. In Miami baseball circles, the 70-year-old Monfort is considered both wise man and historian. He says he's just a fan. Although he does lend items to special exhibitions, Monfort's collection remains private, for the time being. Maybe someday we'll have a Cooperstown by the bay.
Mark Londner is the iron man of the WSVN staff. You can drop him into the middle of any crisis, any breaking-news event, and be guaranteed the sort of smart and incisive reporting that often is lacking in television news. He's proved himself time and time again, from events as varied as the OJ Simpson murder trial in 1994 to the summit between Yasir Arafat and Yitzhak Rabin. While others tend to babble into the microphone, Londner's style is to be clear and direct. During this year's Elian Gonzalez media feast, while others at his station routinely editorialized during their segments, Londner delivered the facts in a straightforward and unbiased manner -- the way he's been doing it for more than two decades in Miami.
When state Sen. Kendrick Meek of Miami and state Rep. Tony Hill of Jacksonville decided to park their fannies outside Gov. Jeb Bush's office and refuse to leave until the governor listened to their concerns about his unilateral decision to dismantle the state's affirmative-action program, it was an extremely risky gambit that easily could have backfired on the two legislators. Instead their twenty-hour siege, which began this past January 18, now largely is regarded as a triumph that sent a powerful message to minorities and women throughout the state regarding the dangers of the governor's actions. Eventually it led to the largest civil-rights gathering in Tallahassee in more than two decades.
In little more than a year, Angela Rae has helped turned WFOR from a ratings joke into a serious contender. In the last ratings period, Channel 4 was the number-one station at 11:00 p.m., an advance largely owing to Rae's presence at the anchor desk. She is bright (packing a law degree from the University of Virginia), articulate (a rarity among anchors in these parts), and quick-witted (even rarer). When Rae joined the station in 1995, it was immediately apparent she was someone who could make an impact. The only thing standing in her way were the pinheads who manage Channel 4. They refused to promote her. Only after she made it clear she was ready to leave the station did they move her into the anchor slot with Steve Wolford, a pleasant enough fellow but hardly a reason to stay up late. Rae, on the other hand, is more than enough reason to lose a little sleep.
Of all the blame for the sham of a disaster of a debacle in Jacksonville that ended this mind-numbingly disappointing Dolphins season, none can be laid at the golden right foot of the team's kicker. In fact if it hadn't been for good ol' No. 10, the Fins wouldn't have won enough games to earn the right to drive up to Jacksonville and get punked. Remember that Chargers game where a crappy San Diego squad kept the Dolphins offense out of the end zone all afternoon, but couldn't stop Mare from dropping 4 field goals on them? Remember how he set an NFL record during the regular season with 39 field goals? Mare is a restricted free agent. Let's hope Dave Wannstedt keeps him around as an insurance policy during Year One of the Fiedler/Huard Era. Three points are better than none, after all.
Nearly 20,000 basketball fans pouring on to Biscayne Boulevard after the final buzzer gives new meaning to the word jammed. Think that's fun? Just wait till the hoopsters are joined by another 12,000 leaving their concert at Bayfront Park Amphitheater and 8000 more from events at the Performing Arts Center up the road.
Last fall criminal defense attorney Curt Obront argued before a federal jury that his client, who had been arrested for smuggling cocaine into the Port of Miami, was innocent because federal agents didn't actually catch him with the offending kilo of cocaine. Rather the agents found it on the ground near where his client was walking. Obront argued that finding kilos of cocaine on the ground at the Port of Miami wasn't so unusual -- after all, this was Miami. And this being Miami, the jury agreed and found Obront's client not guilty.
Alonzo Mourning is so good it's dangerously easy to take him for granted. The All-Star center was the NBA's defensive player of the year in 1999. He has diversified his offensive game, making his midrange jumper more reliable while improving his post-up skills. He rebounds well. He runs the floor. His shot blocking remains incredible. And though he's a little undersize to play center, he can use his foot speed to drive on bigger, slower guys while his strength allows him to hang with them on defense. He's really, really good. Unfortunately he can't win a championship all by himself. But then, neither could Michael Jordan.
The best place is over near the lumber. All that fragrant wood is a kind of aphrodisiac in itself. The tool section, of course, is not bad either. Nor the paint area, especially because it can be a long wait in line to get that color mixed. Stay away from home lighting. Follow these simple rules and the chance of chatting up a man somewhat of your choice is good. For best results check in as often as possible during hurricane season. The thing is, some Home Depot locations are open 24 hours, and lots of people of the single persuasion like that freedom to shop at odd times before they drop, and this being Miami, the drop can occur well after midnight. Hanging out at the Depot night or day certainly beats dining out alone, and it's tons better than the gym. Can't tell the size of the board? Good reason to ask for a little help. The fluorescent lights in this store are deceiving: What is this color? Installing a ceiling fan can be tricky -- got any hints? Yes, these are icebreakers, but they often have the potential to lead up to the ideally interactive kicker that can lead you out of the store: With only two hands, how can you put that thing together? And of course: You're right, this deck chair is great. It's too bad my car is so small.
You know, the funny thing about Don Noe is that you can't really tell by looking at him how bad the weather is. The screen behind him could be showing a sunny summer day with light chop on the bay, or a huge killer hurricane that might hit us (Floyd), or a not-so-big hurricane that will hit us (Irene), and Channel 10's first-string weatherman will still tell you exactly what you need to know without embellishment or hand-wringing. Last hurricane season he literally was calm before and during the storm, especially in the category 5 hysteria surrounding Hurricane Floyd. And he isn't doing a smarmy empathy act like some weatherdudes we know. A veteran of 21 years in South Florida and a certified meteorologist, he's always the consummate pro: Noe glitz, Noe nonsense, Noe contest.
All those new-age clichés about nurturing and caring and sensing energies and auras? They apply here, but it's the real thing. East-West is not a huge, bustling operation; the office is intimate and tranquil. You will not find every specialty under the sun here, but you will find gifted and skilled healers who incorporate conventional and alternative medicine within both Eastern and Western traditions. Acupuncture physician and herbalist Lori Alexandra Bell received her early training in China and has wide experience diagnosing nonphysical causes of illness and treating immune-system diseases. Santiago Sifre, acupuncture physician and herbalist, specializes in pain management, sports injuries, and neurological disorders. Cora Lira is billed as a "holistic chiropractor," and her approach indeed goes deeper than spinal adjustments, even to the body's cellular memories. Lesley Anne Gilbert is a massage therapist who concentrates on deep-tissue massage for neuromuscular "re-education."
Pascual threw one of the sweetest curve balls in baseball history while playing for the Minnesota Twins from 1961 to 1966. The Reds, L.A. Dodgers, and Cleveland also made good use of his right arm, though only briefly. But before his stint in the American big leagues, Pascual played the game in Cuba, his native country, from 1953 to 1961. When he wasn't throwing for Los Elefantes de Cienfuegos or Los Tigres de Marianao, he pitched for the late lamented Washington Senators. (Check out the 1958 film version of Damn Yankees to see him throwing for Washington against the Yanks.) These days in Miami, where he's resided since 1960, he scouts Latin-American hopefuls for the Dodgers. At age 66 he's still living the béisbol dream.
It's pretty tough to argue with an outfit that feeds the HIV-positive among us. But throw in a few twists -- say, delivering groceries to those who are not ambulatory, providing foodstuffs to victims' families, and even catering home-cooked meals for those who are too sick to cook -- and you've got one dedicated charity. Indeed Food for Life Network not only nourishes, it nurtures. Through referral programs and its own nutritional services and counseling departments, the organization follows its clients to ensure they're not only fed but are proactive enough to tackle HIV before it balloons into AIDS. The group also sponsors fundraisers, events, and food drives to raise both community awareness and resources. So in the end, the thirteen-year-old Food for Life Network deserves kudos for more than cooking. It gets praise for persistence, perseverance, and very dedicated personnel.
The bar's name blatantly announces what placidly swims in the showcase aquarium: live sea horses. The gracefully curved creatures add whimsy to the long, narrow lounge and give new meaning to the term captive audience. The tiny fish bedazzle barflies who are gulping martinis as if they were downing water. Kudos to the hotel's owners, the Rubell family, for deciding against stocking the tank with the other animals also known as sea horses -- walruses.
From postmodern tributes to the Cuban orisha Babalu Aye to the monthly "hood crawl" through Little Havana, the artists at lab6 have taken up a kind of anti-gentrification of Little Havana. Never content to confine art to the walls, visual artists Carlos Suarez de Jesus and Vivian Marthell traffic in the wacky and disturbing, often inviting dancers and other conspirators to make this space more than just a gallery. The outdoor stairs leading from the exhibition space on the ground floor to the performance loft upstairs make the surrounding neighborhood part of the show. As more conservative elements attempt to make Calle Ocho and its environs ever friendlier for tourists, count on lab6 to keep the street alienating -- but in a good way.
Enter deep into this eight-acre native hardwood hammock and become a witness to the past in all its former glory, a time when banyan, pigeon plums, velvet seed, gumbo limbo, and Gulf licaria trees covered the Brickell area. The park has been undergoing restoration for several months (pesky foreign plants had threatened to wipe out the fragile native flora) and will reopen to the public this month. Here you can escape the concretized, high-stress world we've created and take respite in the world as it should be.
Since moving to Miami in 1992, painter, sculptor, and installation artist Edouard Duval-Carrié has forged some of the city's most enduring symbols. Ailing souls in the waiting room of Overtown's Jefferson Reeves Health Center can find temporary relief in the artist's renderings of vodou sirens and snakewomen that float in an ethereal sea of green across the atrium above their heads. Earlier this year art enthusiasts who visited the two-day show in the now-demolished Espirito Santo Bank building on Brickell found a strong political statement among the sand and sequins of the Haitian-born artist's "INS cemetery." While Duval-Carrié plays an important role in populating Miami's public spaces with sensuous and socially significant images, his worldwide reputation brings much needed prestige to our local visual culture. In collections and exhibitions from Port-au-Prince to Paris, from São Paulo to New York, Duval-Carrié's body of work challenges the limiting characterization of Caribbean-influenced art as "primitive" or "naive" without ever losing sight of the profound resources provided him by Haitian history and popular culture.
Since opening in October, the grassroots Grubstake has helped an estimated 150 women, many of them drug-addicted prostitutes who prowled Biscayne Boulevard for tricks, right their upturned lives. Grubstake and its companion thrift store, Good & Funky, are the brainchild of Heather Klinker, who gave up a lucrative job in promotions to launch this venture. Klinker knows whereof she speaks; she's a recovered alcoholic. But among the nonprofits that help the poor, Klinker and her colleagues are anything but impersonal paper-pushers. They help their charges navigate the maze of social service agencies, rehabs, and job placement. They'll give someone a ride to a clinic, or help a woman who is kicking her habit furnish a new apartment with donated furniture. It's the attention to detail that makes her operation stand out. Recently Klinker helped a young addict get a truck out of hock at the impound lot, and brought money to a jailed transvestite so he could buy razors to keep up appearances.
This venerable coral-rock edifice is on the National Register of Historic Places, and deservedly so. Built in 1935, it features numerous stately bas-reliefs on its pockmarked walls, and a fountain alive with sculpted sea creatures. Indoors the club has two large meeting halls, one with terrazzo floors and murals of roseate spoonbills, the other with a lofty ceiling and impressive fireplaces. If you're planning a medium-size wedding, reception, quince, or graduation party, this place beats the hell out of any top-of-the-strip-mall joint, and has more of a rustic, Old Florida touch than your fancy-schmantzy hotel ballrooms.
What's up with this boulevard through nowhere? It's sort of like taking a trip down a rural Southern road, where all you see are tarpaper shacks, junk, and mud. This stretch of pavement remains countrified, but with a touch of strip mall here and there. Maybe someone tried to develop the area and just gave up. Vacant, weed-choked lots run for blocks, broken up by fragments of fences and trailer parks, or the battered and rotted remnants of what might have been nice little settlements 30 years ago. It's pretty obvious this tract has been officially ghettoized when just about the only buildings not boarded up are a Church's Fried Chicken, a Kentucky Fried Chicken, a Popeye's Fried Chicken, and a roadside barbecue joint -- also a few mom-and-pop markets and a few churches. Add the used-car lots, check-cashing windows, and junkyards, and you've got yourself a genuine wasteland.
For millennia men have made an art of impersonating women in the theater. For the past fourteen years at Teatro de Bellas Artes in Little Havana, Mariloly has continued the tradition. This Spanish-speaking diva plies his craft far from the clubs of Miami Beach on a stage patronized by Miami's exile community, as well as Latin-American and European tourists. Did we say "drag queen?" Beg your pardon. Mariloly and entertainers of his ilk prefer to be called transformists or gender illusionists. However you refer to this dramatic form, Mariloly (actor Danilo Dominguez) is a powerhouse of honed talent. At the Teatro's "Midnight Follies," the cross-dressing review that runs Saturdays at midnight and Sundays at 9:15 p.m., he does a lot more than lip-synch his favorite tunes. As emcee he is as quick with a comeback as Don Rickles, yet as stylish in his delivery as Marlene Dietrich. Slightly bowed legs notwithstanding, Mariloly is always the woman Latin girls wish they could be.
For almost a year -- and at nearly every commission meeting -- at least one member of the Miami-Dade County Commission grouses about how the whole world thinks they are a pack of corrupt nincompoops, all of whom are on the verge of being indicted. The king of whiners is Dennis Moss, who trots out his Rodney Dangerfield "I Don't Get No Respect" speech at the slightest provocation. He demands to know why the media don't give commissioners credit when they do something right. Our advice to the good commissioner: Worry less about your public image and more about the public's business, and everything will come out fine in the end.
"We had a daughter in Boston. We used to visit her on the weekends," says Bob Hummel, the man behind the Website called
MassTimes.org. "It was a monthly trip, and it went on for four or five years. We were always in the struggle of finding [Catholic] masses, and that's how it all kind of got started." It's a database of every Catholic church in the United States, listing the times of every mass at each church, a map to the church, and a link to the church Website if there is one. Hummel's own site is as simple as a paper bag, yet his mission is increasingly challenging. After six years of operation, the database has grown to include 22,000 churches. Working out of his Key Largo home, Hummel and four volunteers make about 2000 changes to the database every month. "We get about 200,000 inquiries a year, so there is a need," he notes. "And an awful lot of nice kind words are showered down on us for doing it. So it has been worth it."
Sure you could go to the movies, but two hours seems like an eternity if you're eager to make it home and (with any luck) into each other's arms. A trip to the planetarium, where exhibitions tend to run under an hour, is ideal. The shows at the planetarium are even darker than a movie theater, perfect for smooching. And the price is right; admission is just six dollars (three dollars for senior dates). Plus there is something about the celestial emphasis: love under the stars.
In a city whose international image is often, and sometimes wrongly, drawn by hypesters peddling simplistic images of hot-pink flamingos, drag queens, scheming thugs, and hysterical politicians, it is somehow not surprising to find that the best museum in town is a South Beach warehouse packed full of the fruits of one local rich-guy-collector's aggressive, Deco-tinged whimsy. Indeed at Micky Wolfson's Wolfsonian, the twelve-inch torpedo cigarette lighter sits not far from the obelisk celebrating the signing of the Uruguayan constitution, which is itself only a few steps from a poster circa 1938 celebrating "Modern German Architecture." The place is so charming it will surprise you at first, rattling your sense of humor and making you smile before you realize it is a rich and scholarly collection of grace and strength. It's a serious museum that focuses on international art, design, and propaganda during the period 1885-1945. But it's also a lot of fun, and that's practically un-American. More like South Floridian. More Miamian. (Note to the fellas: Ask the guards on the sixth floor to show you the giraffes and monkeys on display in the ladies' room; they'll escort you in.)
Pat Nesbit is the sort of performer whose work finds its way to the foreground even if she's part of an ensemble, as she was in 1998's The Last Night of Ballyhoo at the Coconut Grove Playhouse. This past season South Florida audiences were lucky to see her at the Caldwell Theatre Company as one of two players in Donald Margulies' Collected Stories, a smaller, more intimate drama that showed off her style as a miniaturist. Her character, Ruth, is a middle-age college professor whose star is fading just as that of her protégé, Lisa, is on the rise. The play is not exactly subtle in the ways it deals with issues of artistic appropriation. Nesbit, on the other hand, is a master of small moments. In this performance, as usual, her brilliance shone through in her line readings, the precision of her inflections, the way her character, becoming increasingly ill, seemed to fade away in front of our eyes. For these reasons discerning theatergoers only want to see more of her.
More than a video-game store, GameWorks is a virtual theme park in which the latest technology is offered exclusively in the service of fulfilling your kid's wildest fantasies. Not only is a youngster's nervous system zapped into a frenzy by the blinking lights, jingling bells, firing laser guns, and the sensation of being on another planet, but the payment system encourages wanton indulgence in this cornucopia of stimulation. Instead of coins game credit cards are issued. Twenty dollars buys you or your child a one-hour pleasure spree. Other payment packages also are available. Games and rides range from the quaint, dot-gobbling Ms. Pac-Man to a virtual roller coaster guaranteed to rattle your grown-up cookies. The store's VIP section, party room, restaurant, and two bars are designed to spoil any adult's inner child.
Paula Vogel's 1998 Pulitzer Prize-winning How I Learned to Drive is not an easy play to sit through. Incest, alcoholism, self-destruction, and probing questions about the nature of love are the subjects it takes on. Told through the eyes of Li'l Bit, a woman who looks back at her youth and girlhood to recount how she was molested by a favorite uncle, the drama requires actors to portray fully fleshed people (Li'l Bit and Uncle Peck), as well as a Greek chorus of family members and secondary characters. The excellent Caldwell Theatre Company cast featured Kim Cozort and David Forsyth as the protagonists, both of whom gave subtly multifaceted and complex performances. Supporting them, and acting with much broader strokes, were the magnificent Dan Leonard, Jessica K. Peterson, and Viki Boyle. Director Kenneth Kay couldn't have asked for happier chemistry or more galvanic talent. And neither could we.
(1) Cool spring water. (2) Two waterfalls. (3) None of those irritating models who pose like bags of bones over the loggias, under the porticos, on the cobblestone bridge. And no professional photographers who consider this particular locale indispensable. Summer in Miami, when the locals come out to play, is the ideal time to take advantage of this historic 1923 pool, which originally was a coral rock quarry before being transformed by architects Phineas Paist and Denman Fink, uncle of the City Beautiful's George Merrick. In the wintertime it's nearly impossible to get near the place, what with all the photo shoots and curious visitors. But when temperatures and humidity exceed those of most saunas, the Venetian Pool is a great place to hang all day. You can even procure snacks and meals from the café, which features (among healthier items) figure-threatening fare such as lasagna of the week and mozzarella sticks. And if you do indulge too much -- or perhaps you're just looking for shade -- you can always hide in the coral caves.
Step into this 7400-square-foot space and you are assured an intense visual experience with a mood somewhere between SoHo and Sofia, Bulgaria. Facchini, a São Paulo native, opened her Design District gallery in November 1999. She seems to have a taste for large paintings with an "elegant use of colors," as she likes to say. She also is fond of expressionistic human figures, be they of paint, clay, or stone. Giant ceramic totem poles were among the items standing on the polished concrete floor earlier this year. The renderings inside her walls can range from photorealistic to Rothkoesque. How does she decide what works to display? "What I love," Facchini answers in her Portuguese-tinged English. She also favors "strong" works with intense emotion. In an exhibition titled "Everything but Modern," she assembled sculptures and paintings by artists working in two very different places: Bulgaria (Krum Damianov and Svetlin Russev) and South Beach (Gregory Herman, Robert Fitzgerald, and Seth Bernard Minkin). Despite the radical difference in location, some of the pieces were uncannily similar, as if their creators came from the same strange universe. This unusual geographical mix suggests dramatic possibilities for future shows. Facchini has the capability to bring in heavyweight artists from far away. Damianov, for example, was commissioned to do a large outdoor sculpture for the 1988 Seoul Olympics, and the Bulgarian countryside bears many of his monumental creations. Unlike many local galleries presenting interesting art (such as Locust Projects, Dorsch Gallery, and lab6), you don't need an appointment at Facchini's place.
Be they from purple mountains, fruited plains, or anywhere else, just about all your visitors will appreciate the shining turquoise sea visible from this southern point of Key Biscayne. The only edifice obstructing the splendid ocean view is the restored Cape Florida lighthouse, erected in 1825 by some of our first out-of-towners, including a builder from Boston. It was burned down by some churlish locals from the Seminole tribe in 1836 and rebuilt ten years later. When your guests tire of the tower and beach facilities (which include picnic areas with pavilions and barbecue grills), take them along the sea wall path for a gander at old Stiltsville, which dates back to the late Thirties. The seven aquatic getaway cabins hovering above the Biscayne Channel have withstood Hurricane Andrew and blowhards at Biscayne National Park, who are pushing for removal of the stilt houses because they lie inside the park's boundary. Turning your gaze inland, you might have the fortune of showing your nonaccidental tourists a crocodile that resides in the restored tidal marsh, along with various bird species. As you inhale the sea breeze, you also can breathe a sigh of relief while telling your friends of the battle, led by former Miami News editor Bill Baggs in 1966, that prevented Cape Florida from becoming a vast burg of condominiums.
Is your home office lacking some gadgets? Maybe your computer blew a chip and Web withdrawal is taking its toll? Perhaps you've never had a computer and want to see what all the fuss is about? Internet access is not only available at Kafka's, it's cool. Long a ramshackle used bookstore and coffee bar with a European beatnik feel, the place has added about twenty Pentium II and III Hewlett-Packard computers. Amid the books and magazines are a color laser printer, scanners, equipment to duplicate CDs, and even the stuff you need to video-conference. Translation programs for French, German, Spanish, English, and Italian also are available. Open from 9:00 a.m. to 11:00 p.m., this is a low-budget nerd's dream. The first hour of surfing costs nine dollars, and then the price drops on a sliding scale. You have to pay but a buck to log on for the minimum. To maximize your typing speed, you might want to get jacked on some strong espresso before beginning. If it's all too 21st century for you, read a book.
Keep in mind that this behemoth contains more than 502,000 square feet of retail space. Then consider the multitude of twists and turns it takes to find your way from one location to another -- say, from the parking garage to the IMAX theater. (Did M.C. Escher design this place?) Finally take note of the mall anchors: NikeTown, GameWorks, the Virgin Records megastore that frequently hosts teen icons such as Ricky Martin and Britney Spears. Add it all together and it's practically impossible not to lose, um, we mean ditch, the kids for a few hours, if not permanently. Throw in some funds, maybe a roll of quarters, or hell, just relinquish the credit card and send those ever-growing feet to NikeTown, and you've bought yourself a free afternoon. What you do with it is up to you. But we wouldn't recommend dining at Sweet Donna's or Wilderness Grill, two eateries at which it's pretty darn difficult not to run into the very kids you just jettisoned.
The lanky swingman has been a Heater his entire professional career, mostly lingering at the end of the bench but hanging around because of his defense, rebounding, occasional three-pointers, and perpetual hustle. To make room for some younger players, Pat Riley cut Askins before this season. Instead of continuing to ply his trade in a lower-echelon league, Askins decided simply to chill out in Miami. Why? Because he has a guaranteed 1.75 million clams coming in from the Heat this year, that's why. The New York Knicks offered him a ten-day contract at one point, but he turned it down. Who can blame him? Would you rather chase Latrell Sprewell for a week in practice or take lunch at Soyka with Johnny Dread -- and still get paid? Yeah, thought so.
This Overtown theater mirrored its dilapidated surroundings when the Black Archives History and Research Foundation took possession in 1988. The roof bore a massive hole. A fire caused extensive damage to the interior. Birds claimed the abandoned rafters. Thanks to $1.5 million in grants and a ton of elbow grease, the 400-seat venue, built in 1913, celebrated its grand reopening this past March. Roof repairs keep the elements out and fresh paint adds a sparkling touch. A large mural on the south exterior wall depicts 27 black leaders. Inside, metal seats and clear sightlines invite patrons to relax in air-conditioned comfort. It's an invitingly intimate space. You can almost imagine what it must have been like when, in its heyday, the Lyric anchored an entertainment district frequented by legends such as Louis Armstrong, Nat King Cole, Billie Holiday, Bessie Smith, and many others. "Progress" in the form of I-95 and I-395 destroyed the neighborhood and threw it into poverty. The Lyric's restoration is a source of pride in black Miami and should serve as inspiration for Overtown's long-overdue revival.
Forget all your nightmares about big toothy beasts that threaten pets and small children from back-yard canals. Alligators can actually be quite cuddly -- at least newly hatched babies are. Don't believe it? Find out for yourself at this alligator farm and airboat attraction, which has been breeding alligators since they were an endangered species. There was a time when owner John Hudson released the reptiles into the swamp when they were big enough to take care of themselves (say, three feet or so). Now that they've rebounded throughout Florida, alligators are bred here to be turned into tasty fried nuggets and expensive shoes, not to mention a tourist destination. Despite the commercial aspects of the place, it's still fascinating to tour the breeding ponds, filled with fourteen-footers, and visit the hatcheries and grow-out pens. The latter are where you'll find the wee ones, which have teeny teeth and are cute enough to briefly be considered as pets. Tamp down that urge, but do take the opportunity to plant one on the little smiley face, the only time you're likely to encounter a gator when it's safe to do so.
The state senator pleaded guilty in October to conspiracy to defraud Medicare and was removed from office by the governor. Gutman's scheme cost taxpayers nearly two million dollars between 1990 and 1992, according to prosecutors, who alleged that he held a secret interest in a pair of home-health-care companies that ripped off Medicare by submitting false bills for phony patients. Gutman's guilty plea, which came several weeks into his trial, capped one of the sleaziest political careers in Miami-Dade County history. Now, that's saying something.
In a year when a slew of noteworthy writers, including MacArthur Foundation Fellow Campbell McGrath, Carl Hiaasen, Les Standiford, Vicki Hendricks, and Marjorie Klein published books, this selection was no small task. A customer review on
Amazon.com calls veteran reporter T.M. Shine "an undiscovered master." And Bill Moyers described Shine's nonfiction narrative of his father's sudden illness and demise a "marvelous, moving, and memorable account of what is hard to explain and impossible to escape." Beyond compelling subject matter, it is deft storytelling with endearing lines like, "We both suffer from what I call Dick Van Patten disease, the most profound characteristics being a fat face and skinny legs," that draws readers into Shine's first book, which was featured on Public Radio International's
This American Life this past January. It may seem irreverent to describe a book about a parent's death as entertaining, but as Shine notes in the epigraph (a quote from La Rouchefoucald): "One can no more look steadily at death than at the sun." Thus everything surrounding the pink elephant in the hospital room becomes a lightning rod for Shine's sidesplitting ("He looks like Neil Young going to an early-bird dinner....") and truthful ("A doctor's minute is the antithesis of a New York minute") observations about losing someone you love.
Suited men on their way to someplace else get their shoes shined. A woman vends green plantains and umbrellas under the Metromover. Beneath the bench-wrapped trees outside the county government's headquarters, there is shade and a breeze even on the hottest day. In this multiple-ring circus of the absurd, nothing much happens, yet it is fascinating, mesmerizing. Everyone is either selling, playing a part, or part of the audience. Judges of man stroll by men who preach about the power of a higher judge. While the barker calls out muffled destinations and arrivals, the roar of the train, the screech of the bus delivers the next pack of freaks, jesters, lion tamers, and popcorn pushers costumed in skirts, ties, plastic bags, and tired painted faces. Children of all ages carrying their burdens, briefcases, babies. Ladies and gentleman, step right up: Inside the building politicians and bureaucrats make decisions about our community. Outside is the community itself, in a hurry to get somewhere.
As you roll down the highway in your car, the radio blasts the last few notes of the Commodores' sappy hit "Three Times a Lady." Suddenly your speakers begin to rattle. You turn down the volume, fiddle with the bass, adjust the treble. Nothing works. That hum is still there. Not to worry: Your stereo is fine. It's just broadcasting the basso profundo voice of trusty disc jockey Freddy Cruz. Host of the station's nighttime love-song serenade The Quiet Storm, Cruz has been unleashing his sultry Spanish accent over the Hot 105 airwaves for the past fifteen years. Back in 1985 the show was heard 10:00 p.m. to 2:00 a.m. on weekdays. A loyal listening public has made the station number two in the market for the 25-to-54 age category, and now the people get five stormy hours of music per night during the week (8:00 p.m. to 1:00 a.m.) and a special old-school edition on Sunday (8:00 to 11:00 p.m.). After a hard evening on the air, what's a radio personality to do? Why get a day job, of course! For a while Cruz's inimitable pipes could be heard in two languages. After a few years on Spanish-radio WCMQ-FM (92.3), he became the production director for the Spanish Broadcasting System, a local chain of FM radio stations. When does he sleep? He claims to get five hours per night. "People hear me on the radio so relaxed but I'm really hyper," he notes. "I like to stay busy. I like to work." Not that he has to do much of that when guiding his listeners through the storm. In 1985 he spun records on turntables, then moved on to using CDs and tapes. Now thanks to computers, music is brought forth at the touch of a button. Fine by Cruz, who gets more time to take on-air dedications, growl song titles, and chat with the folks at home. "I love it," says the deep-voiced DJ about his long-time job. "The listeners are so loyal. I talk to people who started listening fifteen years ago and now they have kids; some even have grandchildren. I feel like I'm in their living room. I'm part of their family."
Miami's most prominent reading series, by current authors of predictably high caliber, is a good way to defy this city's tendency to settle for beauty over substance. And no doubt about it, intelligence more often than not cultivates a singular kind of beauty. In short, good-looking women go to these things, and they probably are smarter than your average barfly. If you spy a single woman at a reading, chances are good she's looking for more in a mate than a walking billfold. And if she's alone, she's either single or her boyfriend doesn't share her interests. All the more reason for you to sidle up and see if she wants to deconstruct Susan Sontag over an espresso.
In a New Year's Day column, the Herald's opinion page editor asked readers to think of him and the other members of the paper's blandly predictable and pitifully self-important editorial board as "fitness instructors for your intellect."
South Florida sports icon Dan Marino retires. It's a no-brainer who we want to see cover the biggest sports story in years. Jimmy Cefalo is not just another sportscaster; he's also a former Dolphin himself. He even roomed with Marino while a receiver for the team. When he retired in 1985, he made an easy transition to broadcasting. In 1988 he won an Emmy for his coverage of the Olympics in Seoul. He joined Channel 10 nearly eight years ago as the host of Sports Monday. Now as sports director and anchor, Cefalo's smooth delivery and wealth of experience have proven a boon to South Florida sports fans. Just as expected Cefalo brought the proper poignancy to Marino's departure without letting the team's management off the hook for sloppy handling of the transition.
All Dan Blonsky wanted, he told Regis Philbin, was a date with supermodel Elle Macpherson. All he got instead was the grand prize on Who Wants to Be a Millionaire? Blonsky -- single, 34 years old, a graduate of Palmetto Senior High, and an attorney at a Coconut Grove law firm -- advanced to the final round by knowing who appeared on the first cover of People magazine (Mia Farrow), what food is served al dente (pasta, duh), and which country first granted women the right to vote (Switzerland). Blonsky never lost his cool, even after his final answer (yes, his final answer) of 93 million miles from Earth to sun. As confetti swirled around him, Blonsky radiated serenity, no doubt thinking how the money will allow him to bide his time until the next television sweeps period. Surely Who Wants to Date a Supermodel? must be in the works.
The Miami area once had several renegade stations that eschewed advertising, including The Womb (107.1 FM) and SupaRadio (104.7 FM). But a federal assault on unlicensed broadcasters squelched them and many other pirates in 1998. In the secretive underworld of pirate radio, where stations are here today and shut down by the Federal Communications Commission tomorrow, it's hard to discern just what is going on. But our antenna detects a trend, albeit nascent, toward purist piracy. We especially like the nighttime spinning on 101.9 FM, because the DJs on this frequency seem to be more interested in airing their beloved Haitian compas than getting people to show up at someone's dance party for ten bucks a head. Okay, once in a while the Kreyol-speaking announcers might plug an event or store, but they do so far less than our allegedly commercial-free public radio station, WLRN-FM (91.3), which runs full-fledged ads disguised as corporate underwriting. We've also witnessed such low-key pirates on 94.5 FM, where they let the hip-hop speak for itself without interruption, sometimes for hours at a time. It is our humble hope that other unlicensed broadcasters will stop squandering the chance to create a true alternative to the oppressive and unimpressive state of commercial radio in South Florida.
Miami Commissioner J.L. Plummer had his re-election formula down pat: Raise tons of cash, glad-hand voters at community festivals, and have his Cuban friends praise him on Spanish-language radio. It had worked seven times before, after all. Upstart businessman Johnny Winton might push him into a runoff, but the veteran's vast war chest would crush him. Oops! While Miami politics changed, Plummer didn't. District elections had turned the city's politically neglected Upper East Side into a powerful force that overwhelmed Plummer's traditional base in the Cuban community. He also underestimated how badly the city's scandals sullied his reputation. Most voters, including many in Plummer's Coconut Grove back yard, didn't buy his pleas of ignorance as his colleagues were arrested, the city fell into disarray, and taxes climbed. In addition the 29-year incumbent didn't take underdog Winton seriously. The end result: Plummer maintained his unprecedented streak of seven elections without a runoff. But he was clobbered in the eighth.
Not since Richard Nixon declared "I am not a crook" has a politician shoved his foot so far down his throat as Miami-Dade County Mayor Alex Penelas did earlier this year during the Elian Gonzalez crisis. Even Ted Koppel felt the need to fly into town and bitch-slap our sexy little mayor on national television for his abrasive and incendiary comments toward Attorney General Janet Reno. Once a golden boy of the Democratic Party, even rumored to be on Al Gore's list of possible running mates, Penelas is now a national joke. The only cabinet post in his future is the one he can buy at Home Depot.
Call us old-fashioned patriots, but we do all our gift buying at the American Federation of Police and Concerned Citizens. This nonprofit operates out of the American Police Hall of Fame (the Biscayne Boulevard building with the cop car climbing its façade). We can't tell you the number of times we've gotten out of a jam by giving a dear friend or relative the "Pig Face Specialty Lapel Pin" ($4.95) or the double-locking steel handcuffs ($18). As door prizes at dinner parties, we've often distributed wallet-size cards inscribed with the Pledge of Allegiance, room for a signature, and the phrase "I am a card-carrying American" (available in packs of 100 for only $5). Our favorite gift, though, is the "Honor Membership in the Citizens Task Force for Civil Defense Preparedness." It comes with a six-point star nestled in a black-leather wallet and has been issued "in response to the threat against our nation by terrorist states." From the brochure: "I am sure you are aware that Iraq has produced enough poison gas to kill every man, woman, and child on Earth! And that other nations are also involved in terrorist threats against the United States. In addition to our mission to aid the families of police officers killed in the line of duty, we also have as a mission to promote civil defense preparedness. The purpose of this membership star, identification card, and leather wallet is to identify members in good standing who, when called upon by local police, will offer their assistance in an emergency. From the simple task of making phone calls to people in need to offering aid in any natural or manmade disaster.... Understand that the badge does not imply or grant you any police powers. It certifies that you are an Honor Member who may be willing, if called upon by local police, to assist them in an emergency. (Most states, in fact, have laws that require a citizen, when called upon, to assist any peace officer in an emergency.) This star and wallet may help to identify you as a person willing to assist during such a time." The cost is only $75, and it comes with "a preaddressed enrollment in a course that we highly recommend: Emergency Response to Terrorism Self-Study. It is FREE and you can attain a certificate of training by completing the test at the end of the course."
In his many years as the public face of the county's public schools, Fraind had repeatedly proven himself to be inarticulate, insensitive, and inflexible. When school-board members finally got tired of him making them look bad and decided, at their March meeting, to appoint someone else as their spokesman, Fraind demonstrated the wisdom of the decision by offering an upraised arm and fist -- in the universal gesture for "up yours" -- to a parent who had questioned his salary level. How ironic that the first candid, straightforward, concise statement from this guy, captured by the television cameras that record each meeting, came only on the eve of his removal as the district's mouthpiece.
This isn't your typical South Florida outdoor arts-and-crafts shindig. In fact as far as we can tell, there's nothing like it south of Atlanta. Over three days in May (sorry, just missed it) wine aficionados and food lovers gather at the grand old Biltmore Hotel in Coral Gables for a feast of the senses. This year's extravaganza, the fifth annual, featured wines from more than 60 wineries spanning the globe. (With wine master Chip Cassidy of Crown Liquors an event director, you can be assured every vintner is top quality.) Food preparation was in the able hands of 25 fine South Florida restaurants, including Norman's, Armadillo Café, Baleen, Nemo, and the Strand. In addition a coterie of Michelin-starred chefs was imported from France to create a sumptuous dinner in the Biltmore's courtyard. Auctions, tastings, and more tastings. This marathon of sublime indulgence in luscious foods and rare wines comes with a price tag, of course. (The event is actually a fundraiser benefiting Baptist and South Miami Hospital foundations and the United Way of Miami-Dade.) So you might want to begin saving your pennies now for the 2001 blowout. Individual events start as low as $50 per person, while deluxe packages can run up to $475 per person. Festival organizers can be reached at 305-913-3164.
It's supposed to feel like a little bit of Nantucket down here on the lower peninsula. A fresh and crisp Northeastern respite from the scorching Southern sun. But really the lobby in the new Beach House is Florida through and through. This is no rectangular foyer, stop-over-while-you-check-in type of lobby. Instead you get different lounges with different flavors for different moods, all outfitted (if the blue hue didn't already give it away) by the Polo Ralph Lauren design team. If you enter from Collins Avenue, huge vases of fresh-cut flowers -- usually yellow -- greet the visitor at the entrance, which is decked out in muted blue and white. But no need to dally here. Head for the bright and playful room to the right -- the, well, Florida room. Two walls are windows, with views out to the pool and to the ocean beyond. Lime-green covers the walls; pink, salmon, yellow, green, and blue cover the cushions and pillows on the white-wicker furniture. That may sound noisy but it's not. The colors combine into a soothing balm, light and airy but well removed from the heat. All the rooms are furnished like a bed and breakfast -- knickknacks on the end tables, art books scattered about for a leisurely browse. The main lobby is toned down, furnished in brown wicker with blue upholstery, and trimmed with sophisticated Chinese porcelains and paintings (heavy on deep red and gold, adding an extra-lush touch). From here it's also possible to see the pool area, which really should be considered part of the lobby as well, with its multicolor cabanas, ample seating, and hedges sculpted into sea horses. Grab a drink from the bar and choose your mood: There's no better way to refresh your feeling for Florida.
How to tell Miami's film buffs from our town's film fanatics? Simple. The buffs can be found on Sunday afternoons inside the Alliance Cinema, forsaking a day at the beach for two hours in a darkened room, blissfully soaking up that week's Cinema Vortex selection. As for Miami's premier film fanatic, that would be Baron Sherer, the fair-haired young man orchestrating the whole shebang: taking tickets, hunching over the projector, often painstakingly splicing together the reels. It's obviously a labor of love for Sherer, with the only real payoff being the sheer joy of turning audiences on to his own personal faves and latest cinematic discoveries. And like the best film series, Cinema Vortex most definitely is an extension of its curator -- Sherer's brain unspooling before a flickering light. That means plenty of vintage film noir, lost classics of the American New Wave like Point Blank, as well as offbeat foreign flicks such as last year's Made in Hong Kong and Jean-Luc Godard's 1965 dystopian portrait Alphaville. The common denominator is simply good taste and the unspoken realization that you won't see any of these movies anywhere else in Miami.
The Missionaries of Charity, Mother Theresa's order of nuns, are the motors that run this convent, also a home for battered women and the best soup kitchen in town. On any given day except Thursday (cook's day off), 250 homeless people eat a hearty breakfast or a full-course meal in the cafeteria at the home, one of many throughout the world. Doors are open to the down-and-out denizens of Miami from 8:30 to 11:30 a.m. Three long tables and 180 chairs await the tired, strung out, and hungry. Maria, a 38-year-old woman who's been homeless for two years, says she normally eats at Camillus House, but "I come here just for the spaghetti. It's first-class." At 4:00 p.m. domestic-violence victims can have dinner from the good mother's kitchen.
Sex sells, and Tantra is well aware of it. You could even call this restaurant self-aware, the play toward sensuality is so over-the-top. That's why the cuisine has been labeled "aphrodisiac," and dishes have been given fanciful names: A tomato salad is called the "Love Apple" and a Roquefort-Bartlett pear salad is called "The French Kiss." In addition to the menu, you've got owner Tim Hogle, self-confessed "dentist to the stars." Then there's the Tantric décor, designed to stimulate all five senses (not to mention a little below-the-waist action): living grass carpet, marble-backed waterfall, Indian sculptures, and incense that burns like the eternal light. Stir together a mix of celebrities like Madonna, Leonardo DiCaprio, Whitney Houston, and Courtney Love, all of whom have lent their own notorious reps to the place. Then charge as much as you can get away with -- say, $20 for a seared foie gras appetizer, or $46 for a veal steak, or $14 for a wedge of flourless chocolate cake. Voilà! The ideal tourist trap. The saving grace? Chef Willis Loughhead's cuisine is almost worth the hype.
This slickly produced site offers much more than just a peek at a nubile young blonde lounging around her Miami Beach apartment in Victoria's Secret lingerie, with friends who are likewise scantily clad. This is South Beach pixilated. It's about time America's Sodom and Gomorrah had its own Web presence. Happily this is no sleazy porn site, nor is it a classless voyeur site with cameras placed in a sorority-house bathroom. Cher shares herself in a teasingly erotic yet tasteful manner. It's a virtual jaunt about town with beautiful girls as they relax on sunny beaches or party in dim nightclubs (links are provided to many of the Beach's club and restaurant Websites). All for only ten dollars per month. Some lonely soul in Minnesota is very thankful. Cher obviously enjoys being the star of her own show. Cameras record her movements in her living room; she's contemplating a bedroom cam as well. A gracious hostess, she makes a point of e-mailing her admirers in real time. Believe it or not, Cher was a mortgage-banker trainee before she realized she could make more money broadcasting her life and tapping into the South Beach obsession with skin and sun.
"I'll be with you until two this morning. If you have something you want to weigh in on, maybe the over/under for the Marlins, give me a call. Maybe the upcoming NFL draft. I was just going -- " Anyone with even a splash of radio experience knows how hard it is to fill dead time between callers. As the host of the late-shift sports talk show on WQAM-AM (560), Ed Kaplan is more adept at this than just about anybody. Almost every weeknight he can be heard delivering long soliloquies on Pat Riley, horseracing, or maybe something he read in the paper. If the board isn't lit up with callers, he'll just keep talking -- and talking and talking. "Don't get me wrong about Bobby Knight," he might muse. "The man can coach, no doubt about it. I'm just saying he's a jerk." At age 39 Kaplan walked away from a successful law practice to pursue a career in sports broadcasting. Sixteen years later he's still on the air, working weeknights from 10:00 until the last game is played on the West Coast. He specializes in gambling, his discourses often veering into point spreads and handicapping. This pari-mutuel focus comes in handy on a slow sports night, when he may spend ten minutes reading from a list of upcoming races scheduled for the Flagler Dog Track. Kaplan is so skilled at talking nowadays that listeners might not even notice the padding. "QAM sports time is 1:35," he'll say. The Spalding Gray of local sports talk radio finally takes a break.
Think of it as Kiwanis with attitude, or the 'hood's chamber of commerce. One thing's for sure, businesses in NANA, as it's known, don't go down easily. NANA members (about 150 merchants are in the organization) believe there are far too few black-owned businesses to begin with, so they'll fight tooth and nail to save the ones that are up and running. For instance in April a landlord tried to evict Betty's Market from a building on NW 60th Street and Twelfth Avenue for nonpayment of rent, among other things. NANA members, led by founder Leroy Jones, sprang into action with street protests outside and subtler negotiations with the landlord inside. By the end of the affair, Betty's Market was back in business. Members even helped raise funds to restock the shelves.
With the number of legal works of graffiti in the area increasing, the results have been larger projects done in plain view. The Boardroom is one of these pieces. Easily visible to traffic traveling north on NW 27th Avenue, the mural is a purist's dream. Measuring about 12 feet by 55 feet, The Boardroom demonstrates skills in three-dimensional drawing and old-school balloon lettering of artists' tags yet maintains a unified vision as a collaborative work. The Dam Graffiti Crew, which created the mural, includes Ultra, Reuz, Gwiz, Kedz, Elex, Freek, Threat, Task, and Furious. (They prefer to be known only by their tag.) The mural is a self-portrait of the group, featuring cartoonlike renderings of the members seated at a boardroom table. Dressed in military uniforms and blue suits in the painting, they strike various poses of concern and urgency. One slams a fist on the table, another jams down an index finger. Closer inspection of the table reveals that it is made up of the twisted and elongated three letters of the crew's name, "Dam." Above the nine seated individuals hover the artists' names in that baroque calligraphy, the literal and figurative signature of this urban art form.
From the day she began writing for the Miami Herald in 1982, first as a freelancer then as a staffer, Meg Laughlin has wrapped her prose around the lives of some of South Florida's strangest characters and most disturbing stories. We love her for that. At Tropic magazine she chronicled the bizarre machinations of Hank Blair, a U.S. Customs agent who couldn't stop himself from sadistically harassing Susan Billig, the mother of a young girl who mysteriously disappeared decades ago. She looked into the cops' killing of bus hijacker "Nick" Sang and found that the Joe's Stone Crab waiter wasn't what he seemed to be. Laughlin showed us the depth of suffering Magda Montiel Davis experienced after kissing Fidel Castro. And then there's Elian. Laughlin enlivened the Herald's occasionally lackluster coverage of the case with sparkling writing and ample enterprise. She was the one who toted up the eleven times Marisleysis Gonzalez was hospitalized. And it was she who figured out how Demetrio Perez and company were programming the six-year-old at Perez's Lincoln-Martí school. She had no problem cadging Sister Jeanne O'Laughlin into admitting the weird reason she took a side in the custody battle for Elian. All part of a day's work. Says Laughlin: "I'm gonna miss the kid."
Invitations are for the spineless masses and the spiritually lazy. Who are these elite snobs to banish you from their South Beach soirees? What do Cameron Diaz and Leonardo DiCaprio have that you don't? Money? Looks? Fame? Bah! Level the playing field with the one thing you do have over them: smarts. This takes just a little preparation. First scour the papers for news of a fab event. Then call those responsible and make your pitch. If it's a PR firm, remember the name of it as well as the name of the person with whom you spoke. Say you are "media." Make up the name of some fashion magazine -- Cut or Plastic or some such. If they say they've never heard of you, say it's a Condé Nast prototype due out in the fall. Make sure you dress appropriately. You also can show up at the door with attitude. Approach the person holding the list and give your name. When they can't find it, roll your eyes, look pissed and say, "Maurice with that PR firm, whateveritscalled, phoned me personally, and I told him I'd only do this if he made sure I didn't have to wait at the door." Once inside drink copiously, drop names, and try hard to have fun.
Say it's a fight. A really big fight. The kind of fight everybody wants to see. You can watch it at home, courtesy of pay-per-view, for no less than $50. Or you can go to a bar, where the cover charge can set you back $15, $20, or more. Or you can go to Miami Jai Alai. The struggling fronton will let you in for one measly dollar. Not only does that include a whole evening of jai alai betting action, it also covers the fight, shown on dozens of screens, with cheap beer flowing everywhere. Part with $5 and they'll let you ride the elevator upstairs to the Courtview Club. Eat a surprisingly decent prime-rib dinner if you want (the meal, with salad and dessert, costs only $11) while you watch your own private television. If Felix Trinidad is fighting, though, you'll probably want to catch the bout downstairs in the large banquet room, surrounded by hundreds of passionate Puerto Rican fans. When Tito wins, jump and scream and dance and shout with glee. If not for the fighter, then at least for the bargain.
There's not a huge demand in the theater for naked middle-age men, but don't blame actor William Metzo. As the Marquis de Sade in the magnificent Florida Stage production of Doug Wright's play Quills, Metzo gave a performance that required him to 1) stop speaking after the first act (since the Marquis is relieved of his tongue by church authorities hoping to stop him from writing erotica) and 2) strip down to his bare essentials. What Metzo displayed was a professional confidence and talent that proves he needs no costume. It's a tribute to the strength of his acting that Metzo's Sade seemed more vulnerable without his wig than without his pants. In this play about the importance of defending art against censorship, Metzo makes an indelible case for great acting.
Let's see now, in just the past twelve months, there has been a series of hunger strikes to free immigrants held at the Krome Detention Center. "Nobody listened to me," Marta Berros, leader of the group Mothers for Freedom, told the Herald. "My son was being tortured, and nobody wanted to listen until I did the hunger strike." Members of exile organization Vigilia Mambisa protested the Los Van Van concert at the Miami Arena with a "daylight hunger strike," not eating for two days from 8:00 a.m. to 6:00 p.m. A group known as Municipalities in Exile made their strike (in solidarity with fasting dissidents in Cuba) even more palatable by fasting from only 10:00 a.m. until 5:00 p.m. Hunger-striking Haitian detainee Arnel Belizaire dropped nearly 100 pounds after he stopped eating solid food to protest his INS incarceration. This past January his lawyers admitted that Belizaire might not realize his hunger strike could be "a futile action." Only a few months earlier, Democracy Movement leader Ramon Saul Sanchez launched a twenty-day, liquids-only hunger strike to win release of his boat Human Rights, which the feds had impounded. His strike was not a futile action. After the boat was returned, Sanchez transported it to Jose Martí Park, where he and 100 others celebrated its return. Food and drink, appropriately, were not served.
Last fall the average playgoer had to wonder: Did we really need a revival of Finian's Rainbow? Despite a glut of Broadway revivals in New York, the Coconut Grove Playhouse certainly made a good case for the 1947 classic by Fred Saidy and E.Y. Harburg, whose familiar songs ("How Are Things in Glocca Morra?" and "Old Devil Moon") are just two good reasons to revisit this story of a man, a woman, a leprechaun, and a battle against racism. Starring Austin Pendleton, the great Brian Murray, and a ferociously talented chorus, and featuring a book updated by Peter Stone, the Grove's Rainbow rose over one of the most exquisite examples of stage design you'd ever want to see. (Kudos to Loren Sherman's rainbow of pastel bed sheets, Phil Monat's effervescent lighting, and Marguerite Derricks's choreography.) It also served to remind us that there's always a place for an old-fashioned musical with a great score and a timeless anti-bigotry statement. Things are great in Glocca Morra, indeed.
John de Leon straddles the fence -- bravely and proudly. In the past year, the president of the American Civil Liberties Union of Greater Miami dared to write an editorial calling for Elian Gonzalez's dad to raise his own kid. At the same time he listened to complaints of excessive force filed by exile protesters who wanted Elian to stay in Miami. He filed a lawsuit against the City of Miami when its leaders tried to block the Cuban band Los Van Van from playing within city limits, and then he supported the exile hard-liners who protested outside the Miami Arena, where the concert eventually was held. He angrily denounced the ban of Cigar Aficionado's Cuba issue at Miami International Airport, yet quickly leaped to the defense of the six Cuban rafters hosed and pepper-sprayed by the Coast Guard when they tried to land in Surfside. De Leon is sensitive to the concerns of the exile community (his parents arrived from Cuba in 1959), yet he is painfully aware of its unfortunate propensity for trampling on the First Amendment. He may hold the most important job in Miami. "What we saw," he said after the Los Van Van show, "was a highly charged event on both sides. But the community was relatively unscathed by the whole thing, and I think it demonstrated to everybody that people can have strongly opposing viewpoints and be able to express them and live together in the same place." True. And in no small part because of de Leon's difficult work.
It is every day, or so it seems, that a pedestrian film festival takes over a screen or two in Miami. It isn't every day that an innovative, complete, professional, lively, and good one grabs our attention. The first gay and lesbian festival last year was a surprising success. The second one, held in April, proves it has depth and stamina. The best thing about this festival is that while it has offered topnotch international fare, it also feels local. The Miami mixture of vibrant gay and Latin cultures is unique, and the festival reflects that. Experimental films, mainstream films, films that dealt with being gay in Latin America, with being gay in Miami, shorts, features, documentaries -- all got an airing in an atmosphere that felt fresh and progressive. Just as the Miami International Film Festival brought out a cultural community many thought didn't exist, so too is the Gay and Lesbian Film Festival fostering a community intent on offering a higher aesthetic to our area. Sure there was some celluloid fluff; in that sense gay crowd pleasers are no different from their straight counterparts. But there also were profound, moving, even shocking entries, the kind of stuff you might not see elsewhere again -- hey, just what a film festival is supposed to deliver. Maybe the most exciting hours this year were produced by the inspired decision to show the excellent British television show Queer As Folk in three movie-length segments. When you hear a packed house laugh, boo, cheer, cry, and applaud over witty, sexy, intelligent film, you know you've landed a seat in the right festival.
It's getting harder and harder to recommend anything on Ocean Drive, especially a hotel. For a night of partying, the crowds and the noise can still be seductive as part of the SoBe experience. But for postparty hours, when quality lounging quarters are required, that cacophonous street life should be a distant and silent memory. Which is why the Tides is an amazing oasis. For some nearly inexplicable reason, those few steps that lead up and off Ocean Drive toward this calm and cool hotel continue to transport you to another world. As the name suggests, the Tides lulls you into the lap of luxury. Unlike other fabulous hotels, such as the Delano and the Biltmore, crowds don't throng the lobby and pool area. In fact the pool is on the mezzanine, not something you often see around here. It's secluded and elegant, like everything else at the Tides. But let's get straight to the point: Whether you're a local or a visitor, if you're going to throw down some bucks (and here you most definitely will, as rates range from $300 to $2000), a room with a view is imperative. At the Tides every room has an ocean view, a simply fabulous view. The Art Deco hotel, built in 1936, is one of the tallest buildings in the area, so there's nothing to obstruct your sightlines. The whole place, from the lobby to the restaurants to the huge rooms (45 of them), is draped from head to toe in a egg-shell color. The sandy shade conveys the feeling, especially while you're in a fluffy beige robe sitting in your room staring out at the blue expanse of the Atlantic, of being safely ensconced under a huge soundproof cabana on the beach, 1000 miles from the cares and the crowds of the world.
Ungurait is the spokesman for one of the most overworked and politically perilous government offices anywhere. Yet he remains helpful and straightforward in the face of even the most taxing demands. No question is too small, no fact too obscure. Ungurait will research and promptly report back. The infrequent times he can't dig up all the details or answer you immediately, he'll apologize and get on with the job. That inspires confidence, which is almost an oxymoron when applied to the world of flacking.
After naming third baseman Mike Lowell player of the year in their minor league system for 1997, New York Yankees muckety-mucks traded him to the Marlins before the 1999 season. The Cuban-American righty repaid the team by smacking a grand-slam home run last August 9, one of a record five grand slams he and his teammates hit in that game. Lowell, who graduated from Coral Gables High School and Florida International University, has power, speed, and style. And he has guts. He sat out two months last year with testicular cancer and won the Tony Conigliaro Award for overcoming adversity. This spring he came roaring back, batting .300 and leading the team to a better start than anyone expected.
"Have Character, Will Travel." So reads the business card of Daniel Ricker, self-appointed "citizen advocate," who spent the past year attending county commission meetings, city commission meetings, school board meetings, and Public Health Trust meetings, all in an effort to better understand how government operates. He even sat through the public-corruption trial of former county Commissioner James Burke so he could hear firsthand how deals are made at the county level. Why did he do it? Ricker, who made his fortune managing international companies that sell coronary pacemakers, says he became so disgusted with the sleaze and corruption of politics in South Florida that, rather than withdraw into apathy, he became hyperactive in the community. He took a year off work and dedicated himself to his task. A man of limitless patience (a necessary attribute in order to sit through some of those meetings), he says he never became bored and always found the working of government fascinating and important. Simply knowing that an informed member of the public was attending those meetings, watching every move they made, undoubtedly had a sobering effect on Miami's less-than-trustworthy politicians and bureaucrats.
What quarterback Ken Dorsey says about senior wide receiver Santana Moss: "Santana is one of the greatest athletes around, and as a quarterback, it's nice to know he's out there. He can jump, run, catch, and he ignites the team. If you throw anywhere near him, he'll go up and do anything he can to come down with the ball. It takes a great play by the guy guarding him to stop him." What a guy guarding him says about Santana Moss: "Moss is real good," admits Syracuse cornerback Will Allen. "He has agility and speed. The stuff he does isn't necessarily hard, but he's so fast that you have to honor his deep cuts. I played all right against him, but you have to be at the top of your game to stop him completely." Moss is the defending Big East champion in the 60-meter dash. He can leap 42 inches into the sky. He's a certain first-round draft pick. By deciding to come back for his senior season, he earns a legitimate shot at the Heisman Trophy. "Without Santana Moss on this team, it would be a big loss," Dorsey says. "He is a really gifted and special athlete."
It's far away from the Shangri-la of South Beach, but earlier this year Lazaro Gonzalez's home in the gritty heart of Miami became the best photo opportunity since Gianni Versace gave his life for the benefit of local tour-bus operators. When young Cuban rafter Elian Gonzalez moved into the modest abode rented by his Uncle Lazaro, the house became the Miami destination. Until police blocked the street to all but residents, cars loaded with vérité-seeking tourists slowly would parade past at night, as if the house featured an elaborate Christmas-light display. For weeks, all day long, leathery old men and matronly women maintained their vigil behind the barricades (and occasionally through the barricades), smoking cigars and chatting while hoping for a glimpse of the boy. Vendors did brisk business selling Cuban flags and other memorabilia. Hordes of media drones beamed images of the scene around the globe. Given that kind of exposure, local tour guides are all smiles: This place will be a cash cow for months, maybe years to come.
Beau Jack, born Sidney Walker in Augusta, Georgia, was one of the most exciting fighters in the world during the Forties, a time many consider boxing's golden age. He fought the best part of his 112 professional matches before sellout crowds in Madison Square Garden, winning and losing the lightweight title twice (record: 83-24-5). Jack lived his last 44 years in Miami, where he operated a shoeshine stand in the Fontainebleau Hotel and later trained fighters and managed Miami Beach's famed Fifth Street Gym. He was inducted into the International Boxing Hall of Fame in 1991, and this past December an Associated Press panel voted him one of the top ten lightweights of the century. In his last years, afflicted with Parkinson's disease, Jack was toasted at gala banquets and sweet-science affairs around the nation, where he traveled with the help of his long-time friend, Miami boxing historian Hank Kaplan. Jack died at age 79 on February 9, 2000, in a Miami nursing home. "Goodbye, Beau Jack," New York Daily News sportswriter Bill Gallo wistfully concluded in a column eulogizing the fierce-punching brawler. "They don't hardly make fighters like you anymore."
El Chamba has been around since 1989. Except for one minor detail (it finally has an operating permit), not much has changed at this ramshackle soap-and-suds center for cars. El Chamba's native Nicaraguan owners take pride in the fact that the only machine used on your ride is a heavy-duty vacuum for the carpets. "Machines can't think," notes Leon Mateo Sanz, one of the owners. "God forbid they should damage the car." Here, at this odd Flagler Street intersection, where several roads converge to become one-way streets, manual labor is the only way to go. A live human attends to every nook and cranny of your car. A variety of perfumes add the final touch. For a truly Miami experience, we recommend "ocean mist." Fragrance included, a complete job costs ten bucks.
As the
neilrogers.com Website counts down the seconds until the expiration of Uncle Neil's contract with QAM, it is time to look to the future. Neil's numerous, well-deserved vacations and seemingly even more numerous gastrointestinal ailments (insert fart noise here) have given his second banana ample opportunity to work on his own shtick. Our verdict: Whenever the Old Man steps down, Rodriguez is ready to step in. Although his delivery may be a bit too low-key, his wit, improvisational ability, and Everyman appeal make for good talk radio. He nearly always riffs on topics that strike a chord with callers: women's feet, drinking games, cops, and of course, his forays into Broward County's swingers' club scene (though, as he often points out, he hasn't actually "swung"). If no one happens to call in, that's cool. He'll just play Bauhaus's "Bela Lugosi's Dead" -- all nine minutes of it -- until someone phones and begs him to stop. Also, as a thoroughly Americanized Cuban American, he's the perfect guy to bridge the cultural chasm between Miami-Dade and Broward. So if Neil is God, and George came from Cuba as a child (unconfirmed reports say dolphins may have been involved), that would make George ... well, a worthy successor at least.
Miami's municipal-bond rating is improving. Mayor Joe Carollo will serve out his term in office. An eerie calm permeates the city's tumultuous political environment. Don't thank government leaders. Thank Miami attorney Ben Kuehne. His courtroom argument was simple: A proposed charter referendum for a "strong mayor" amounted to an illegal recall of Mayor Carollo. That was all Judge Fredricka Smith and the Third District Court of Appeal needed to knock the referendum off this November's ballot. Kuehne's pro bono work allows the mayor to complete his term, and earns for his firm, Sale and Kuehne, invaluable publicity. (What? You say he did this solely on principle?) The political stability should last until Carollo's next outburst at city hall.
Every weekend, particularly on holidays, large numbers of people take to the water. The transformation of these landlubbers into weekend mariners is not always smooth. Add alcohol to the mix, and it can be downright disastrous. At no time is this more obvious than at the end of the day, when they try to move their boats from water to trailer. And at Black Point Marina, they have an audience. Most weekends, positioned on a hill overlooking the boat ramps, are picnickers and beer drinkers who have come to watch the amateurs try to make it home. So established has this pastime become that its participants have earned a nickname: dock ghouls. On a good day, the ghouls' gallery will be witness to boats crashing into the quay, cars slipping into the water, and relationships tanking in public. A weak parking brake or balding tires can turn success into tragicomedy. All too familiar is the sight of macho man, who hours earlier had tried to impress his girlfriend with his fancy boat, but who now lashes out at her in frustration over his inability to get the damn thing out of the water. Add to such scenes the presence of cops hopping from vessel to vessel checking licenses, and you'll have to agree: You cannot buy entertainment this good.
As the sun sets on the first Saturday of every month, gearheads transform this burger joint's parking lot into a sea of iron, a celebration of America's love affair with the automobile. Rebuilt Detroit muscle cars shine like new. Chromed Harley-Davidson motorcycles gurgle and roar. Modern Japanese speedsters stand inches from the pavement. Owners swarm the blacktop to spy on the competition, listen to the latest motor gossip, and boast about their gleaming chariots. The crowd spans the ages: old folks recalling their youth, youngsters beaming with pride, kids dreaming of their first day behind the wheel. If you're passionate about the horseless carriage, this place is your mecca.
First things first: There is no beach at Jensen Beach. It's not on the ocean. But it does hug the western shore of the Intracoastal Waterway (known up there as the Indian River). Caribbean Shores is a funky waterfront inn just outside of town, which is just north of Stuart, which is about 100 miles north of Miami, which basically means it's a completely different universe. And that's good news for anyone seeking relief from the pressure cooker we call home. The facilities at Caribbean Shores include a two-story, standard-issue motel; a dozen or so charming old-Florida-style bungalows; and a big house on the water divided into four suites. The informal atmosphere is enhanced by whimsical color schemes (pastels everywhere), and the views across Indian River are splendid, especially from the "Swan" suites. But don't expect fancy amenities or organized activities. The Shores isn't a resort, though you'll find a pool and a fishing pier and nice landscaping. It's just a delightful place to spend a couple of relaxing days alongside the water. You can bike across the causeway to Hutchinson Island and its alluring, wide-open beaches. Or you can wander around the old part of town and pick through a nice assortment of antique shops. For dinner drive up the road to Conchy Joe's, famed for its conch chowder and fresh seafood. Lodging is quite reasonable, particularly in the off-season, which runs from May 1 to December 1. Pretty decent Website, to boot.
After taking the University of Miami's men's basketball team to the Sweet Sixteen of the NCAA tournament (the most successful season in the program's history), Hamilton had the opportunity to bolt to Georgia Tech, a school with a longer basketball tradition in a stronger basketball conference. He chose to remain as head coach of the Hurricanes basketball program he built from an afterthought into a perennial contender in the Big East. We don't mind saying this was the right decision. Here's hoping Hamilton, a stand-up guy in addition to being a great coach, sticks around until he can bring UM men's hoops to the legendary status of the school's football and baseball squads.
Can we fudge just a bit? Let's call it the "Best Couple of Miles of Miami." Loosening the definition is worthwhile, for all aspects of life in Miami are symbolically represented along this stretch of blacktop. The journey begins at Biscayne Bay in the shadow of wealth and power: the Miami Herald building, the Grand and Plaza Venetia condominium towers, the Omni complex. Across Biscayne Boulevard you plunge into Overtown, where, amid the abandoned buildings, garbage-strewn lots, and potholed streets stands the sleekly rehabilitated Ice Palace Studios, an entrepreneurial beacon for the city's vision of a new film and fashion district. Press onward beyond North Miami Avenue, where social life is an outdoor affair and beverages tend to be cloaked in paper bags. Not far beyond NW Seventh Avenue a couple of small clapboard houses stand as sentinels to a bygone era, before the interstates ripped out the heart of the neighborhood, an era when Overtown was a hustling, bustling community. Duck under SR 836 and you're transported to the sprawling complex of high-rises devoted to the healing arts, anchored by Jackson Memorial Hospital. Just past Twelfth Avenue the tall buildings address not physical ills but societal ills: the county's criminal courthouse, the main county jail, the State Attorney's Office, the public defender's headquarters. Two more blocks and the street changes once again, this time into a quaint neighborhood shaded by majestic oak trees. The cozy homes don't house families, however; they are occupied by law offices catering to the defense of accused criminals. Fourteenth Street finally hits a dead end at the west side of NW Seventeenth Avenue, along the banks of the hard-working Miami River. And there you have it on one street, just about everything that comprises life in this subtropical metropolis: wealth, poverty, demolition, renovation, depression, optimism, inequity, justice.
She may be the baddest chick, as she proclaims in her recent hit single, but this 21-year-old Miamian is part of a new breed of female rappers who rhyme as hard as any man and who aren't afraid to talk shit if you get in their face. A graduate of Northwestern High, Trina, as she's known, was working toward her real estate license when Trick Daddy asked her to sing on his 1998 hit single "Nann." Soon Trina had her own record contract. Her first CD, Da Baddest B***h, has steadily moved up the charts, which is particularly gratifying for Trina, since she wrote all but one of the songs. "The rapping is cool, 'cause I have always liked writing," she told the Herald not long ago. "The best thing about it is that I am just being myself."
Panthers general manager Bryan Murray knows how to cut a deal, as he proved last year with the acquisition of Pavel Bure. This year he executed another shrewd move by swapping Radek Dvorak for Mike Vernon. In some ways the exchange looked less than sweet. Dvorak is young, fast, and talented. Since the trade he became a star on the Rangers' best offensive line. Vernon, in contrast, is a 37-year-old goalie who had been languishing as the backup in San Jose. But as Murray calculated, Vernon has a strong upside. In Detroit he twice played in the Stanley Cup finals, once winning the playoff MVP award. After arriving in Sunrise, he capably filled in for injured starting goalie Trevor Kidd, so capably, in fact, that he effectively outshone him. Vernon is always strongest in the playoffs. And in hockey, one offensive superstar and a hot goalie can win a championship. Thanks to Murray's maneuvering, the Panthers had both Bure and Vernon. Pretty sweet indeed. Now if only Murray had found a defense...
That's right, the Shriners -- polyester blazers and funny little hats (they're called fezzes). What gathering could better symbolize South Beach's transformation from fashion/celebrity hot spot to the more mundane (and sustainable) conventioneers' destination than last August's Shriners conference? Hey, we're glad to have 'em. Who needs all those limousines, paparazzi, and purple-haired kids anyway?
The newly created GableStage arrived with a bang on the staid landscape of South Florida theater last season. To be precise the company started off with a muscular production of David Hare's Skylight, only to follow it up with the most compelling combination of programs and performances in the region. Ranging from the familiar (Steinbeck's Of Mice and Men) to the spanking new (Patrick Marber's Closer, in its first production outside New York), artistic director Joseph Adler's choices of material, production standards, and the crackerjack performances he gets out of his actors are consistently engaging and becoming more exciting all the time.
Say you're in Dallas and you've got a layover in Charlotte. Or make that Detroit with a layover in Chicago. Who would know the difference? Most U.S. airports are as seamlessly generic as fast-food chains and Michael Bolton concerts. But fly into Miami International Airport and whoa! -- time to check your passport. MIA contains a little of everything that makes our city unique. It's loud and boisterous. It's corrupt (recent revelations include dozens of drug-smuggling airline employees and no-bid contracts). The announcements are bilingual, often trilingual (Kreyol being our unofficial third language). You can get a café cubano as easily as the ubiquitous Au Bon Pain dreck you find at other airports. And despite our cosmopolitan airs (MIA tops the nation in international flights), we can be so gosh-darn provincial: Remember when Cigar Aficionado magazine featured a photo of Fidel Castro on the cover and county airport officials tried to ban its sale? How quaint.
There's plenty of choice horseflesh in South Florida each winter, but the most appealing thoroughbreds to pass through the region were Julie Harris and Charles Durning. The two arrived as part of the National Actors Theatre's touring production of The Gin Game, directed by Charles Nelson Reilly. This sentimental piffle of a play by D.L. Coburn won the Pulitzer for drama in 1977, but it's the actors who have aged well. They portrayed Weller (Durning) and Fonsia (Harris), two geezers abandoned by their families and dumped into a second-rate nursing home. Blending their disparate acting styles into a kind of demonic waltz (imagine a brainy spider battling cartoon character Foghorn Leghorn), Harris and Durning turned all dramatic expectations on their heads. In their hands even a piece of dramatic dross can seem like gold.
Oddly enough, in an area known as one of the winter vegetable baskets of the nation, it's slim pickings for farmers' markets in Miami-Dade County. Basically there seems to be two options: Pinecrest or Coral Gables. Located in the parking lot of Gardner's Market, the Pinecrest operation offers a feast for the taste buds and a greater selection than its Coral Gables equivalent. If you don't believe us, just compare; you can hit both in the same weekend: Pinecrest is held on Sunday, the Gables on Saturday. In addition to plentiful citrus and vegetables, a variety of orchids and plants can be found. Other vendors sell homemade oils, jams, salsas, and baked goods. Unfortunately Pinecrest, like Coral Gables, is seasonal. It only runs from January to mid-April.
Tucked away from view, this triangle of land is wedged between NW Twelfth Avenue, State Road 836, and the north bank of the Miami River. Advertised as the most exclusive subdivision for sale in Miami in 1919, its developer, 49-year-old John Seybold, insisted on deed restrictions to preserve leafy, shaded streets and houses set back on ample lots. It worked! Eighty-one years later, giant banyan trees and moss-draped live oaks shade grand old homes built in Florida vernacular and Victorian styles. The breeze coming up the river, along with the lush foliage, keep the temperatures down. Everyone seems to have a dog, which gives a lively neighborhood feel to the otherwise quiet streets. One of Miami's four historic districts, Spring Garden even boasts a park that neighbors cobbled together themselves. Located on a spit of land jutting into the river, it's appropriately called Spring Garden Point Park.
So Miami had this one coach with interesting hair, who is a legend, who succeeded a legend, then didn't succeed. Miami still has this other coach with interesting hair, who is a legend, who succeeded a very nice man named Alvin Gentry, but this guy hasn't succeeded either. Granted it's tough to make any judgments about Jim Morris's hair, seeing as he wears a hat to work and all. But in 1993 he did succeed a legend by the name of Ron Fraser, who had led the University of Miami Hurricanes baseball team to two national championships during his legendary career. The proverbial tough act to follow. But Morris has pulled it off, skippering Bobby Hill, Mike Neu, Kevin Brown, and company to the program's first College World Series championship since 1985 (earning his second Collegiate Baseball National Coach of the Year award in the process). UM baseball: under new management, but the legend continues.
In October 1999 the Miami-Dade County Commission took another small step in the right direction when it unanimously approved expansion of the powers of the county's Commission on Ethics by allowing the group to initiate its own investigations. Previously the ethics panel could only act if a member of the public filed a complaint. Few in the community had the courage to challenge a sitting county commissioner, and so the ethics commission had received few complaints, even though it was eager to move. The statute of limitations on possible ethics violations also was extended from one year to three. "I think it will give us another piece of the puzzle to fight corruption," Robert Meyers, executive director of the Commission on Ethics, told the county commission. Let's hope so.
Who wants to go to a smoky bar on a first date? Or a cacophonous dance club where you can't talk to each other? And who wants to risk half-a-week's pay at an expensive restaurant with someone you don't really know yet? Tell her to go fly a kite. With you. Drive to the Haulover Beach and use the huge kites to guide you into the park area on the west side of Collins. Find the concession trailer displaying an airborne apparatus. That's Skyward Kites. Buy yourself a kite; they start at four bucks. Then proceed to the park's field, or cross Collins to the beach. Have some fun. Run around. Relax. Talk. By the end of the day you'll know a lot more about each other than you would after a bleary night out. If it's a bust, you still have the kite, and you had some fun flying it. If there's chemistry, invite her out for dinner. Skyward Kites is open daily from 9:00 a.m. until sunset.
"You know, I am disgusted to sit in a democratic country and to have to put up with this kind of sickening anarchy, and this is what this is. This is not about good government. This is not about having a better Miami. This is about just a small group that couldn't get their way in stealing what they hadn't stolen from Miami, and they want a second crack of the apple. Maybe the next election they're planning that for us. Maybe the absentee votes will be coming out of the jails. At least a few of them have gone over there already.... Ladies and gentlemen, this is a farce that has gone on too long. But let's not play around any more. If what the majority of my colleagues want to do is turn this city upside down, let's not play around anymore. If this is what you all want to do, do it now. But let's not play around anymore.... I'm fed up with the corruption that I see around us, corruption that, frankly, starts with some right up here. Because when you steal from this city, how in the heck, how in the heck can you expect an official like this to do right in all the other important things that we have to do with this city? And that's the problem we have. Frankly we have some people up here that are not honorable. They are dishonorable. Individuals that I am ashamed to serve with because I've never seen anything like this before. So if this is what you all want to do, if the majority of you want to turn this city upside down, then go ahead. Let's not waste any more time. Do it today."
Miguel Hernandez is on a holy mission. It may not be on the scale of a religious crusade, but it compels him nonetheless. "I happen to believe I work for God," says the 35-year-old car washer. "One of the things I do for a Him is not overcharge. Everybody else is charging $40 for something they know in their heart of hearts shouldn't be more than $20." Hernandez, who started Ricky's Detailing in 1999, charges $18.50 to pamper your car. That's a great price for a hand wash and wax. And it's a phenomenal price for wash, wax, and an interior cleaning with vacuum and solvents. This isn't an amateur job, either. Hernandez has a high-tech trailer attached to his van that carries not only supplies but a generator and a 150-gallon water tank with pump. He uses a high-pressure hose to wash and a hand-held power buffer to wax. He named his business Ricky's, he says, in honor of his wife's nephew, who was murdered in 1998. "Coming back from the funeral, it was the one thing she asked me," he recalls. His wife died of a heart attack a few months later.
For a buck you can take Old Card Sound Road and its bridge home from the Keys and grab a bird's-eye view of South Florida that includes a wide, watery sky rich enough to satisfy spoiled Texans, as well as a shimmering horizon sprinkled with mangrove islands and funky fishermen. Watch out for the crotchety tollbooth operators who have the wary look of people who just might be descended from the pirates who used to lurk in the Keys. Fifty yards down the two-lane blacktop, you can come back to Earth at Alabama Jack's, the kind of rural bar that saves all its best parking spots for motorcyclists, many of them lawyers and cops. Order a Corona and some good conch fritters. On Saturday and Sunday afternoons, relax and enjoy the only live country band that plays regularly in Monroe County, the Card Sound Machine. Then poke on home, crossing the Glades, enjoying a slow take on this area where the big fishing boats are mostly less than twenty feet and all the houseboats need a coat of paint. There's live blue crab for sale along the road. And if you stop to gawk at fish, be careful not to step on the gators.
After leading the fight to have the Miami-Dade County Commission pass a gay-rights ordinance, Jorge Mursuli easily could have retreated from the political stage, content with a single momentous victory. Instead Mursuli, chairman of SAVE Dade, has capitalized on that triumph, slowly building one of the more influential political organizations to arise in South Florida in years. He has apportioned his group's limited resources wisely, backing Johnny Winton in last year's Miami City Commission race, helping him defeat stone-age incumbent J.L Plummer. SAVE Dade also was key in Matti Bower's victory for a seat on the Miami Beach City Commission last fall. Through fundraising and grassroots organizing, Mursuli -- along with a lot of others at SAVE Dade -- also was preparing to fight an effort to repeal the gay-rights ordinance. As it turned out, Christian conservatives failed to get the necessary signatures to place the matter on the ballot. Obviously they didn't have anyone on their side as organized and dedicated as Mursuli. Next question: When will Jorge Mursuli run for elected office?
Lightning strikes, Glades burn, schools flunk, cocaine arrives, Soyka arrives, Elian arrives, Lincoln Road gets malled, Cuban rafters get gassed, code inspectors get bribed, transit tax goes down, Calle Ocho rips up, I-95 rips up, Stiltsville survives, gay-rights law survives, Cuban spies get busted, Columba Bush gets busted, too hot, too wet, too congested, Rickymania strikes, road debris strikes, phony doctors mangle, Venetian Causeway opens, Lyric Theater reopens, Virginia Key Beach reopens, Hurricane Floyd threatens, Phil Hamersmith dies, Ted Arison dies, Los Van Van plays, ramp rats get busted, Chris Paciello gets busted, Gilda Oliveros gets busted, Irene drenches, Lunetta walks, Grigsby walks, Plummer goes out, Winton gets in, New Year's prices soar, gas prices soar, truckers strike, rain falls, crime drops, Y2K threatens, Lee Hills dies, Bill Colson dies, rafters die, Gutman goes to jail, Burke goes to jail, Noriega stays in jail, Elian does Disney World, Diane Sawyer does Elian, Miriam Alonso gets busted, Demetrio Perez gets busted, Rosa Rodriguez gets busted, boaters kill, drag racers kill, Cubans get smuggled, Roxcy Bolton gets honored, Tony Bryant dies, Don Martin dies, Elaine Gordon dies, Miami Circle lives, the Bel-Aire falls, the Royal York falls, Freedom Tower rots, tolls rise, O.J. lurks, Regalado charges it, Warshaw charges it, Fraind shoots his foot, Penelas shoots his foot, Marino leaves, Elian leaves, and the good news is that someone out there is still thinking straight: State transportation workers finally remove the expressway sunburst symbols that were supposed to help but only confused.
February 11, 1999: Adrian Dominican nun Jeanne O'Laughlin's tireless volunteerism earns her the Sand in My Shoes award from the Greater Miami Chamber of Commerce. She is the first woman to win the honor, just as she was the first female member of the Orange Bowl Committee and of the Non-Group, a group of influential business people. March 17, 1999: Barry University, the school she has guided as president since 1981, continues its phenomenal growth by purchasing a law school. June 11, 1999: The Greater Miami Chamber of Commerce honors O'Laughlin again, this time with the Florida Athena award, bestowed in recognition of the opportunities she created for women at Barry. November 3, 1999: O'Laughlin is named chairwoman of Mayor Alex Penelas's blue-ribbon panel to clean up and reinvent Miami International Airport. November 13, 1999: Gov. Jeb Bush selects O'Laughlin for induction into the Florida Women's Hall of Fame. November 25, 1999: Elian Gonzalez is rescued at sea.
Beatty stood up to the craven Miami city commissioners and mayor who couldn't stand up to their own constituents. And he didn't shrink from publicly admonishing them -- with eloquent directness -- for playing politics with the city's dire financial crisis. That was back in mid-1999, when Beatty was chairman of the governor's financial oversight board, the appointed body charged with guiding Miami back from its near-bankruptcy in 1996. Beatty, a corporate lawyer and former partner in the giant Holland and Knight firm, has since resigned from the oversight board and assumed the role of general counsel for the Miami Herald. He has caught some flak for taking the job in spite of his close association with numerous influential community organizations and powers that be. (He was criticized in 1998 when BellSouth, for whom he was general counsel, contributed to the re-election campaign of state Sen. Al Gutman after Gutman's indictment on Medicare fraud, witness tampering, and money laundering charges). Yet nothing can erase Beatty's history of constructive and occasionally heroic civic leadership. He has served on the boards of United Way, the Orange Bowl Committee, Leadership Florida, SunTrust Bank, Miami-Dade Community College Foundation, the Beacon Council, the Greater Miami Chamber of Commerce, and many more. Miami Business magazine, in naming him its 1999 "Business Leader of the Year," called Beatty "the conscience of our town."
Highway coin collectors rarely inspire envy. Imagine handing out change to an endless parade of cars, vans, and tractor trailers, touching thousands of dirty hands each day while sucking down a full shift of lung-blackening exhaust fumes. No envy, that is, until now. Since this past summer, toll takers along Florida's Turnpike and other toll roads have been sporting spiffy new Hawaiian shirts custom designed with flamingos, palm trees, alligators, and other indigenous wildlife. This is their actual uniform, a design wonderful enough to win national awards, a shirt so cool that people -- people who are not toll collectors -- are offering good money to buy one. "We get lots of requests," says Joyce Douglas, a turnpike executive in Tallahassee. "It's a unique shirt but we can't sell them. They are strictly uniforms."
There is word of a poetry renaissance in America (well, at least sales of poetry books are up). One of the progenitors is right here in our Magic City, née the Great Marsh. A Chicago native who teaches creative writing at Florida International University, McGrath told New Times in 1997 his aspiration was to write in "a big expansive kind of lyrical prosy poetic voice talking about America." He continues to achieve that whimsical goal in poems wrought from objects, observations, and experiences scattered from Las Vegas to Wisconsin to Miami. In "Biscayne Boulevard," from a collection published last year titled Road Atlas, he paints a gritty, evocative word picture that is at once local and universal. "Crossing the bay: pelicans and buzzards against a Japanese/screen of rifted clouds, squalls, and riffs in grey, white, azure/Gulls like asterisks, anhinga like bullets.... At 123rd St.: survival/of the fittest franchise/Boston Chicken, Pollo Tropical/Kenny Rogers Roasters/KFC/Which must perish so that another may live?/Oceans of notions/ INS/The Pussycat Theater.... Police helicopter, sweet damselfly, can you track my happiness?/Radar gun, will you enumerate my sorrows?/Bullet, do you sting?" In Balserito, a prose poem, he captures a mysterious aura seemingly emanating from three rafts washed up on a beach: "Ragged planks and Styrofoam and chicken wire, filthy and abandoned but curiously empowered, endowed with a violent, residual energy, like shotgun casings in a field of corn stubble or the ruptured jelly of turtle eggs among mangroves, chrysalides discarded as the cost of the journey, shells of arrival, shells of departure." McGrath is the real McCoy.
You've had dinner. You held hands when you walked him/her home. You know you want to see each other again. So don't ruin it by doing something predictable. Move with eccentric genius by inviting her/him to the baths. Set in a basement grotto of the Castillo del Mar Resort, the baths are a unique way to get to know someone better. For a $20 per person cover charge, you can take advantage of four different types of steam rooms: the Russian radiant room, the Turkish steam room, the redwood sauna, and the aromatherapy steam room. In between rooms you can plunge into a frigid bath or stand under showerheads strategically placed throughout the spa to let frosty water rain down upon you. Massages and mud baths also are available for a charge. Before leaving the two of you can sit in the large saltwater hot tub, which has about 500 gallons of water continuously flowing through it. Not many things bring you as close together as a thorough soaking. The baths are open daily from noon to midnight.
Only in Miami would a swath of green amid Brickell Avenue's concrete jungle be named for a real estate entrepreneur. But credit must be given where it is due. The late developer L. Allen Morris donated a quarter of a city block to the City of Miami, which wisely (for once) preserved the eleven tall oaks and one banyan tree that shade the property. The lush canopy, combined with a cluster of park benches, makes the minipark the perfect excuse to leave the office on those gorgeous subtropical days and enjoy lunch alfresco. Walkways carve a path through the grass and landscaping. No time to pack a meal? Several restaurants are within easy walking distance, and they'll quickly toss something together. Don't like to fight lunch-hour traffic? Jump on the Metromover and disembark at the Tenth Street station across the street. Suddenly feel the urge to take off for the rest of the day? Do it. And tell the boss we authorized it.
For a time it seemed as if Matti Bower was destined to be a political bridesmaid but never a bride. She ran for the Miami Beach City Commission in 1995 and lost to Martin Shapiro. (Had she won, she would have been the first Hispanic to sit on the commission.) She ran again in 1997 but was edged out by Simon Cruz. Having lost twice, most folks would have winced at the thought of subjecting themselves to another campaign. But Bower, who was born in Havana, isn't like most people. A Miami Beach activist for nearly 30 years, her record of public service dates all the way back to her early days as the founder of the Fisher-Feinberg Elementary School PTA. And so last fall, when Shapiro launched a losing bid for the mayor's office, Bower didn't hesitate to run for his open seat. This time she won.
If purchasing and maintaining your own aircraft is a just a wee bit beyond your means, yet you hanker for an eagle's view of the world, see pilot Philip Shelnut. For a mere $65 you can gain that perspective for about ten minutes. Too little time aloft? Several other tours are available, including a 45-mile, half-hour jaunt for $149. This package affords you a high-altitude romp running the length of Miami Beach, shooting over to Virginia Key, hovering above Coconut Grove, flirting with the top of the Bank of America tower, and if you're lucky, providing you with a glimpse of the sun sharks and lemon sharks that like to cruise off Key Biscayne. Full-day sightseeing tours also are available.
Can you imagine anything cuter than hundreds of youngsters, dressed as elves, marching along Sunset Drive and Red Road? Well, truth be told, we can't either. In what has become a South Miami tradition, Santa's Parade of Elves is a glorious start to the holiday season. Heading into its seventeenth year, the parade keeps getting bigger and bigger. Last year more than 80 groups joined in, among them the University of Miami cheerleaders, numerous high school marching bands, and a host of antique-car enthusiasts. But the center of attention, as always, is the kids. This is their day, after all. Nearly 500 of them turned out last year in full elf regalia. Adorable, just adorable.
In the few short months since Brett O'Bourke debuted as the "I Love Trouble" nightlife columnist in the Miami Herald's weekly tabloid Street, he's revealed so much about himself that unsuspecting readers have been seen dropping the publication from their hands, their bodies convulsing with a severe case of the willies. O'Bourke has bragged in print that he uses his column to "get laid." In another column he told us how he nailed a reluctant, intoxicated chick who "had never done this before." He has relayed the play-by-play of his arrest for drunk driving, as well as vomiting on a friend's porch after a night of binge drinking. In yet another installment, he admitted his affection for In Living Color reruns on the FX channel. In fact he's said that staying at home on the couch watching television is preferable to going out to the clubs he's paid to cover. Week after week he blasts South Beach as being too crowded, too sexy, too expensive, too rude, too ... too ... too much trouble. "There is a cheap, street-corner feel to the whole scene -- a kind of understood exchange of goods for sex or the possibility of sex at least," he's explained. Later he condensed his angst to a command: "Enough with the attitude already!" Brett, we hear your cry. We want to help. But we ... just ... can't ... slow ... down.
Mark Londner is the iron man of the WSVN staff. You can drop him into the middle of any crisis, any breaking-news event, and be guaranteed the sort of smart and incisive reporting that often is lacking in television news. He's proved himself time and time again, from events as varied as the OJ Simpson murder trial in 1994 to the summit between Yasir Arafat and Yitzhak Rabin. While others tend to babble into the microphone, Londner's style is to be clear and direct. During this year's Elian Gonzalez media feast, while others at his station routinely editorialized during their segments, Londner delivered the facts in a straightforward and unbiased manner -- the way he's been doing it for more than two decades in Miami.
When state Sen. Kendrick Meek of Miami and state Rep. Tony Hill of Jacksonville decided to park their fannies outside Gov. Jeb Bush's office and refuse to leave until the governor listened to their concerns about his unilateral decision to dismantle the state's affirmative-action program, it was an extremely risky gambit that easily could have backfired on the two legislators. Instead their twenty-hour siege, which began this past January 18, now largely is regarded as a triumph that sent a powerful message to minorities and women throughout the state regarding the dangers of the governor's actions. Eventually it led to the largest civil-rights gathering in Tallahassee in more than two decades.
Nearly 20,000 basketball fans pouring on to Biscayne Boulevard after the final buzzer gives new meaning to the word jammed. Think that's fun? Just wait till the hoopsters are joined by another 12,000 leaving their concert at Bayfront Park Amphitheater and 8000 more from events at the Performing Arts Center up the road.
Last fall criminal defense attorney Curt Obront argued before a federal jury that his client, who had been arrested for smuggling cocaine into the Port of Miami, was innocent because federal agents didn't actually catch him with the offending kilo of cocaine. Rather the agents found it on the ground near where his client was walking. Obront argued that finding kilos of cocaine on the ground at the Port of Miami wasn't so unusual -- after all, this was Miami. And this being Miami, the jury agreed and found Obront's client not guilty.
The best place is over near the lumber. All that fragrant wood is a kind of aphrodisiac in itself. The tool section, of course, is not bad either. Nor the paint area, especially because it can be a long wait in line to get that color mixed. Stay away from home lighting. Follow these simple rules and the chance of chatting up a man somewhat of your choice is good. For best results check in as often as possible during hurricane season. The thing is, some Home Depot locations are open 24 hours, and lots of people of the single persuasion like that freedom to shop at odd times before they drop, and this being Miami, the drop can occur well after midnight. Hanging out at the Depot night or day certainly beats dining out alone, and it's tons better than the gym. Can't tell the size of the board? Good reason to ask for a little help. The fluorescent lights in this store are deceiving: What is this color? Installing a ceiling fan can be tricky -- got any hints? Yes, these are icebreakers, but they often have the potential to lead up to the ideally interactive kicker that can lead you out of the store: With only two hands, how can you put that thing together? And of course: You're right, this deck chair is great. It's too bad my car is so small.
Pascual threw one of the sweetest curve balls in baseball history while playing for the Minnesota Twins from 1961 to 1966. The Reds, L.A. Dodgers, and Cleveland also made good use of his right arm, though only briefly. But before his stint in the American big leagues, Pascual played the game in Cuba, his native country, from 1953 to 1961. When he wasn't throwing for Los Elefantes de Cienfuegos or Los Tigres de Marianao, he pitched for the late lamented Washington Senators. (Check out the 1958 film version of Damn Yankees to see him throwing for Washington against the Yanks.) These days in Miami, where he's resided since 1960, he scouts Latin-American hopefuls for the Dodgers. At age 66 he's still living the béisbol dream.
It's pretty tough to argue with an outfit that feeds the HIV-positive among us. But throw in a few twists -- say, delivering groceries to those who are not ambulatory, providing foodstuffs to victims' families, and even catering home-cooked meals for those who are too sick to cook -- and you've got one dedicated charity. Indeed Food for Life Network not only nourishes, it nurtures. Through referral programs and its own nutritional services and counseling departments, the organization follows its clients to ensure they're not only fed but are proactive enough to tackle HIV before it balloons into AIDS. The group also sponsors fundraisers, events, and food drives to raise both community awareness and resources. So in the end, the thirteen-year-old Food for Life Network deserves kudos for more than cooking. It gets praise for persistence, perseverance, and very dedicated personnel.
Enter deep into this eight-acre native hardwood hammock and become a witness to the past in all its former glory, a time when banyan, pigeon plums, velvet seed, gumbo limbo, and Gulf licaria trees covered the Brickell area. The park has been undergoing restoration for several months (pesky foreign plants had threatened to wipe out the fragile native flora) and will reopen to the public this month. Here you can escape the concretized, high-stress world we've created and take respite in the world as it should be.
Since opening in October, the grassroots Grubstake has helped an estimated 150 women, many of them drug-addicted prostitutes who prowled Biscayne Boulevard for tricks, right their upturned lives. Grubstake and its companion thrift store, Good & Funky, are the brainchild of Heather Klinker, who gave up a lucrative job in promotions to launch this venture. Klinker knows whereof she speaks; she's a recovered alcoholic. But among the nonprofits that help the poor, Klinker and her colleagues are anything but impersonal paper-pushers. They help their charges navigate the maze of social service agencies, rehabs, and job placement. They'll give someone a ride to a clinic, or help a woman who is kicking her habit furnish a new apartment with donated furniture. It's the attention to detail that makes her operation stand out. Recently Klinker helped a young addict get a truck out of hock at the impound lot, and brought money to a jailed transvestite so he could buy razors to keep up appearances.
What's up with this boulevard through nowhere? It's sort of like taking a trip down a rural Southern road, where all you see are tarpaper shacks, junk, and mud. This stretch of pavement remains countrified, but with a touch of strip mall here and there. Maybe someone tried to develop the area and just gave up. Vacant, weed-choked lots run for blocks, broken up by fragments of fences and trailer parks, or the battered and rotted remnants of what might have been nice little settlements 30 years ago. It's pretty obvious this tract has been officially ghettoized when just about the only buildings not boarded up are a Church's Fried Chicken, a Kentucky Fried Chicken, a Popeye's Fried Chicken, and a roadside barbecue joint -- also a few mom-and-pop markets and a few churches. Add the used-car lots, check-cashing windows, and junkyards, and you've got yourself a genuine wasteland.
For almost a year -- and at nearly every commission meeting -- at least one member of the Miami-Dade County Commission grouses about how the whole world thinks they are a pack of corrupt nincompoops, all of whom are on the verge of being indicted. The king of whiners is Dennis Moss, who trots out his Rodney Dangerfield "I Don't Get No Respect" speech at the slightest provocation. He demands to know why the media don't give commissioners credit when they do something right. Our advice to the good commissioner: Worry less about your public image and more about the public's business, and everything will come out fine in the end.
Sure you could go to the movies, but two hours seems like an eternity if you're eager to make it home and (with any luck) into each other's arms. A trip to the planetarium, where exhibitions tend to run under an hour, is ideal. The shows at the planetarium are even darker than a movie theater, perfect for smooching. And the price is right; admission is just six dollars (three dollars for senior dates). Plus there is something about the celestial emphasis: love under the stars.
More than a video-game store, GameWorks is a virtual theme park in which the latest technology is offered exclusively in the service of fulfilling your kid's wildest fantasies. Not only is a youngster's nervous system zapped into a frenzy by the blinking lights, jingling bells, firing laser guns, and the sensation of being on another planet, but the payment system encourages wanton indulgence in this cornucopia of stimulation. Instead of coins game credit cards are issued. Twenty dollars buys you or your child a one-hour pleasure spree. Other payment packages also are available. Games and rides range from the quaint, dot-gobbling Ms. Pac-Man to a virtual roller coaster guaranteed to rattle your grown-up cookies. The store's VIP section, party room, restaurant, and two bars are designed to spoil any adult's inner child.
(1) Cool spring water. (2) Two waterfalls. (3) None of those irritating models who pose like bags of bones over the loggias, under the porticos, on the cobblestone bridge. And no professional photographers who consider this particular locale indispensable. Summer in Miami, when the locals come out to play, is the ideal time to take advantage of this historic 1923 pool, which originally was a coral rock quarry before being transformed by architects Phineas Paist and Denman Fink, uncle of the City Beautiful's George Merrick. In the wintertime it's nearly impossible to get near the place, what with all the photo shoots and curious visitors. But when temperatures and humidity exceed those of most saunas, the Venetian Pool is a great place to hang all day. You can even procure snacks and meals from the café, which features (among healthier items) figure-threatening fare such as lasagna of the week and mozzarella sticks. And if you do indulge too much -- or perhaps you're just looking for shade -- you can always hide in the coral caves.
Be they from purple mountains, fruited plains, or anywhere else, just about all your visitors will appreciate the shining turquoise sea visible from this southern point of Key Biscayne. The only edifice obstructing the splendid ocean view is the restored Cape Florida lighthouse, erected in 1825 by some of our first out-of-towners, including a builder from Boston. It was burned down by some churlish locals from the Seminole tribe in 1836 and rebuilt ten years later. When your guests tire of the tower and beach facilities (which include picnic areas with pavilions and barbecue grills), take them along the sea wall path for a gander at old Stiltsville, which dates back to the late Thirties. The seven aquatic getaway cabins hovering above the Biscayne Channel have withstood Hurricane Andrew and blowhards at Biscayne National Park, who are pushing for removal of the stilt houses because they lie inside the park's boundary. Turning your gaze inland, you might have the fortune of showing your nonaccidental tourists a crocodile that resides in the restored tidal marsh, along with various bird species. As you inhale the sea breeze, you also can breathe a sigh of relief while telling your friends of the battle, led by former Miami News editor Bill Baggs in 1966, that prevented Cape Florida from becoming a vast burg of condominiums.
Is your home office lacking some gadgets? Maybe your computer blew a chip and Web withdrawal is taking its toll? Perhaps you've never had a computer and want to see what all the fuss is about? Internet access is not only available at Kafka's, it's cool. Long a ramshackle used bookstore and coffee bar with a European beatnik feel, the place has added about twenty Pentium II and III Hewlett-Packard computers. Amid the books and magazines are a color laser printer, scanners, equipment to duplicate CDs, and even the stuff you need to video-conference. Translation programs for French, German, Spanish, English, and Italian also are available. Open from 9:00 a.m. to 11:00 p.m., this is a low-budget nerd's dream. The first hour of surfing costs nine dollars, and then the price drops on a sliding scale. You have to pay but a buck to log on for the minimum. To maximize your typing speed, you might want to get jacked on some strong espresso before beginning. If it's all too 21st century for you, read a book.
This Overtown theater mirrored its dilapidated surroundings when the Black Archives History and Research Foundation took possession in 1988. The roof bore a massive hole. A fire caused extensive damage to the interior. Birds claimed the abandoned rafters. Thanks to $1.5 million in grants and a ton of elbow grease, the 400-seat venue, built in 1913, celebrated its grand reopening this past March. Roof repairs keep the elements out and fresh paint adds a sparkling touch. A large mural on the south exterior wall depicts 27 black leaders. Inside, metal seats and clear sightlines invite patrons to relax in air-conditioned comfort. It's an invitingly intimate space. You can almost imagine what it must have been like when, in its heyday, the Lyric anchored an entertainment district frequented by legends such as Louis Armstrong, Nat King Cole, Billie Holiday, Bessie Smith, and many others. "Progress" in the form of I-95 and I-395 destroyed the neighborhood and threw it into poverty. The Lyric's restoration is a source of pride in black Miami and should serve as inspiration for Overtown's long-overdue revival.
The state senator pleaded guilty in October to conspiracy to defraud Medicare and was removed from office by the governor. Gutman's scheme cost taxpayers nearly two million dollars between 1990 and 1992, according to prosecutors, who alleged that he held a secret interest in a pair of home-health-care companies that ripped off Medicare by submitting false bills for phony patients. Gutman's guilty plea, which came several weeks into his trial, capped one of the sleaziest political careers in Miami-Dade County history. Now, that's saying something.
Suited men on their way to someplace else get their shoes shined. A woman vends green plantains and umbrellas under the Metromover. Beneath the bench-wrapped trees outside the county government's headquarters, there is shade and a breeze even on the hottest day. In this multiple-ring circus of the absurd, nothing much happens, yet it is fascinating, mesmerizing. Everyone is either selling, playing a part, or part of the audience. Judges of man stroll by men who preach about the power of a higher judge. While the barker calls out muffled destinations and arrivals, the roar of the train, the screech of the bus delivers the next pack of freaks, jesters, lion tamers, and popcorn pushers costumed in skirts, ties, plastic bags, and tired painted faces. Children of all ages carrying their burdens, briefcases, babies. Ladies and gentleman, step right up: Inside the building politicians and bureaucrats make decisions about our community. Outside is the community itself, in a hurry to get somewhere.
Miami's most prominent reading series, by current authors of predictably high caliber, is a good way to defy this city's tendency to settle for beauty over substance. And no doubt about it, intelligence more often than not cultivates a singular kind of beauty. In short, good-looking women go to these things, and they probably are smarter than your average barfly. If you spy a single woman at a reading, chances are good she's looking for more in a mate than a walking billfold. And if she's alone, she's either single or her boyfriend doesn't share her interests. All the more reason for you to sidle up and see if she wants to deconstruct Susan Sontag over an espresso.
In a New Year's Day column, the Herald's opinion page editor asked readers to think of him and the other members of the paper's blandly predictable and pitifully self-important editorial board as "fitness instructors for your intellect."
All Dan Blonsky wanted, he told Regis Philbin, was a date with supermodel Elle Macpherson. All he got instead was the grand prize on Who Wants to Be a Millionaire? Blonsky -- single, 34 years old, a graduate of Palmetto Senior High, and an attorney at a Coconut Grove law firm -- advanced to the final round by knowing who appeared on the first cover of People magazine (Mia Farrow), what food is served al dente (pasta, duh), and which country first granted women the right to vote (Switzerland). Blonsky never lost his cool, even after his final answer (yes, his final answer) of 93 million miles from Earth to sun. As confetti swirled around him, Blonsky radiated serenity, no doubt thinking how the money will allow him to bide his time until the next television sweeps period. Surely Who Wants to Date a Supermodel? must be in the works.
Not since Richard Nixon declared "I am not a crook" has a politician shoved his foot so far down his throat as Miami-Dade County Mayor Alex Penelas did earlier this year during the Elian Gonzalez crisis. Even Ted Koppel felt the need to fly into town and bitch-slap our sexy little mayor on national television for his abrasive and incendiary comments toward Attorney General Janet Reno. Once a golden boy of the Democratic Party, even rumored to be on Al Gore's list of possible running mates, Penelas is now a national joke. The only cabinet post in his future is the one he can buy at Home Depot.
This isn't your typical South Florida outdoor arts-and-crafts shindig. In fact as far as we can tell, there's nothing like it south of Atlanta. Over three days in May (sorry, just missed it) wine aficionados and food lovers gather at the grand old Biltmore Hotel in Coral Gables for a feast of the senses. This year's extravaganza, the fifth annual, featured wines from more than 60 wineries spanning the globe. (With wine master Chip Cassidy of Crown Liquors an event director, you can be assured every vintner is top quality.) Food preparation was in the able hands of 25 fine South Florida restaurants, including Norman's, Armadillo Café, Baleen, Nemo, and the Strand. In addition a coterie of Michelin-starred chefs was imported from France to create a sumptuous dinner in the Biltmore's courtyard. Auctions, tastings, and more tastings. This marathon of sublime indulgence in luscious foods and rare wines comes with a price tag, of course. (The event is actually a fundraiser benefiting Baptist and South Miami Hospital foundations and the United Way of Miami-Dade.) So you might want to begin saving your pennies now for the 2001 blowout. Individual events start as low as $50 per person, while deluxe packages can run up to $475 per person. Festival organizers can be reached at 305-913-3164.
The Missionaries of Charity, Mother Theresa's order of nuns, are the motors that run this convent, also a home for battered women and the best soup kitchen in town. On any given day except Thursday (cook's day off), 250 homeless people eat a hearty breakfast or a full-course meal in the cafeteria at the home, one of many throughout the world. Doors are open to the down-and-out denizens of Miami from 8:30 to 11:30 a.m. Three long tables and 180 chairs await the tired, strung out, and hungry. Maria, a 38-year-old woman who's been homeless for two years, says she normally eats at Camillus House, but "I come here just for the spaghetti. It's first-class." At 4:00 p.m. domestic-violence victims can have dinner from the good mother's kitchen.
"I'll be with you until two this morning. If you have something you want to weigh in on, maybe the over/under for the Marlins, give me a call. Maybe the upcoming NFL draft. I was just going -- " Anyone with even a splash of radio experience knows how hard it is to fill dead time between callers. As the host of the late-shift sports talk show on WQAM-AM (560), Ed Kaplan is more adept at this than just about anybody. Almost every weeknight he can be heard delivering long soliloquies on Pat Riley, horseracing, or maybe something he read in the paper. If the board isn't lit up with callers, he'll just keep talking -- and talking and talking. "Don't get me wrong about Bobby Knight," he might muse. "The man can coach, no doubt about it. I'm just saying he's a jerk." At age 39 Kaplan walked away from a successful law practice to pursue a career in sports broadcasting. Sixteen years later he's still on the air, working weeknights from 10:00 until the last game is played on the West Coast. He specializes in gambling, his discourses often veering into point spreads and handicapping. This pari-mutuel focus comes in handy on a slow sports night, when he may spend ten minutes reading from a list of upcoming races scheduled for the Flagler Dog Track. Kaplan is so skilled at talking nowadays that listeners might not even notice the padding. "QAM sports time is 1:35," he'll say. The Spalding Gray of local sports talk radio finally takes a break.
Think of it as Kiwanis with attitude, or the 'hood's chamber of commerce. One thing's for sure, businesses in NANA, as it's known, don't go down easily. NANA members (about 150 merchants are in the organization) believe there are far too few black-owned businesses to begin with, so they'll fight tooth and nail to save the ones that are up and running. For instance in April a landlord tried to evict Betty's Market from a building on NW 60th Street and Twelfth Avenue for nonpayment of rent, among other things. NANA members, led by founder Leroy Jones, sprang into action with street protests outside and subtler negotiations with the landlord inside. By the end of the affair, Betty's Market was back in business. Members even helped raise funds to restock the shelves.
From the day she began writing for the Miami Herald in 1982, first as a freelancer then as a staffer, Meg Laughlin has wrapped her prose around the lives of some of South Florida's strangest characters and most disturbing stories. We love her for that. At Tropic magazine she chronicled the bizarre machinations of Hank Blair, a U.S. Customs agent who couldn't stop himself from sadistically harassing Susan Billig, the mother of a young girl who mysteriously disappeared decades ago. She looked into the cops' killing of bus hijacker "Nick" Sang and found that the Joe's Stone Crab waiter wasn't what he seemed to be. Laughlin showed us the depth of suffering Magda Montiel Davis experienced after kissing Fidel Castro. And then there's Elian. Laughlin enlivened the Herald's occasionally lackluster coverage of the case with sparkling writing and ample enterprise. She was the one who toted up the eleven times Marisleysis Gonzalez was hospitalized. And it was she who figured out how Demetrio Perez and company were programming the six-year-old at Perez's Lincoln-Martí school. She had no problem cadging Sister Jeanne O'Laughlin into admitting the weird reason she took a side in the custody battle for Elian. All part of a day's work. Says Laughlin: "I'm gonna miss the kid."
Invitations are for the spineless masses and the spiritually lazy. Who are these elite snobs to banish you from their South Beach soirees? What do Cameron Diaz and Leonardo DiCaprio have that you don't? Money? Looks? Fame? Bah! Level the playing field with the one thing you do have over them: smarts. This takes just a little preparation. First scour the papers for news of a fab event. Then call those responsible and make your pitch. If it's a PR firm, remember the name of it as well as the name of the person with whom you spoke. Say you are "media." Make up the name of some fashion magazine -- Cut or Plastic or some such. If they say they've never heard of you, say it's a Condé Nast prototype due out in the fall. Make sure you dress appropriately. You also can show up at the door with attitude. Approach the person holding the list and give your name. When they can't find it, roll your eyes, look pissed and say, "Maurice with that PR firm, whateveritscalled, phoned me personally, and I told him I'd only do this if he made sure I didn't have to wait at the door." Once inside drink copiously, drop names, and try hard to have fun.
Let's see now, in just the past twelve months, there has been a series of hunger strikes to free immigrants held at the Krome Detention Center. "Nobody listened to me," Marta Berros, leader of the group Mothers for Freedom, told the Herald. "My son was being tortured, and nobody wanted to listen until I did the hunger strike." Members of exile organization Vigilia Mambisa protested the Los Van Van concert at the Miami Arena with a "daylight hunger strike," not eating for two days from 8:00 a.m. to 6:00 p.m. A group known as Municipalities in Exile made their strike (in solidarity with fasting dissidents in Cuba) even more palatable by fasting from only 10:00 a.m. until 5:00 p.m. Hunger-striking Haitian detainee Arnel Belizaire dropped nearly 100 pounds after he stopped eating solid food to protest his INS incarceration. This past January his lawyers admitted that Belizaire might not realize his hunger strike could be "a futile action." Only a few months earlier, Democracy Movement leader Ramon Saul Sanchez launched a twenty-day, liquids-only hunger strike to win release of his boat Human Rights, which the feds had impounded. His strike was not a futile action. After the boat was returned, Sanchez transported it to Jose Martí Park, where he and 100 others celebrated its return. Food and drink, appropriately, were not served.
John de Leon straddles the fence -- bravely and proudly. In the past year, the president of the American Civil Liberties Union of Greater Miami dared to write an editorial calling for Elian Gonzalez's dad to raise his own kid. At the same time he listened to complaints of excessive force filed by exile protesters who wanted Elian to stay in Miami. He filed a lawsuit against the City of Miami when its leaders tried to block the Cuban band Los Van Van from playing within city limits, and then he supported the exile hard-liners who protested outside the Miami Arena, where the concert eventually was held. He angrily denounced the ban of Cigar Aficionado's Cuba issue at Miami International Airport, yet quickly leaped to the defense of the six Cuban rafters hosed and pepper-sprayed by the Coast Guard when they tried to land in Surfside. De Leon is sensitive to the concerns of the exile community (his parents arrived from Cuba in 1959), yet he is painfully aware of its unfortunate propensity for trampling on the First Amendment. He may hold the most important job in Miami. "What we saw," he said after the Los Van Van show, "was a highly charged event on both sides. But the community was relatively unscathed by the whole thing, and I think it demonstrated to everybody that people can have strongly opposing viewpoints and be able to express them and live together in the same place." True. And in no small part because of de Leon's difficult work.
It's getting harder and harder to recommend anything on Ocean Drive, especially a hotel. For a night of partying, the crowds and the noise can still be seductive as part of the SoBe experience. But for postparty hours, when quality lounging quarters are required, that cacophonous street life should be a distant and silent memory. Which is why the Tides is an amazing oasis. For some nearly inexplicable reason, those few steps that lead up and off Ocean Drive toward this calm and cool hotel continue to transport you to another world. As the name suggests, the Tides lulls you into the lap of luxury. Unlike other fabulous hotels, such as the Delano and the Biltmore, crowds don't throng the lobby and pool area. In fact the pool is on the mezzanine, not something you often see around here. It's secluded and elegant, like everything else at the Tides. But let's get straight to the point: Whether you're a local or a visitor, if you're going to throw down some bucks (and here you most definitely will, as rates range from $300 to $2000), a room with a view is imperative. At the Tides every room has an ocean view, a simply fabulous view. The Art Deco hotel, built in 1936, is one of the tallest buildings in the area, so there's nothing to obstruct your sightlines. The whole place, from the lobby to the restaurants to the huge rooms (45 of them), is draped from head to toe in a egg-shell color. The sandy shade conveys the feeling, especially while you're in a fluffy beige robe sitting in your room staring out at the blue expanse of the Atlantic, of being safely ensconced under a huge soundproof cabana on the beach, 1000 miles from the cares and the crowds of the world.
Ungurait is the spokesman for one of the most overworked and politically perilous government offices anywhere. Yet he remains helpful and straightforward in the face of even the most taxing demands. No question is too small, no fact too obscure. Ungurait will research and promptly report back. The infrequent times he can't dig up all the details or answer you immediately, he'll apologize and get on with the job. That inspires confidence, which is almost an oxymoron when applied to the world of flacking.
It's far away from the Shangri-la of South Beach, but earlier this year Lazaro Gonzalez's home in the gritty heart of Miami became the best photo opportunity since Gianni Versace gave his life for the benefit of local tour-bus operators. When young Cuban rafter Elian Gonzalez moved into the modest abode rented by his Uncle Lazaro, the house became the Miami destination. Until police blocked the street to all but residents, cars loaded with vérité-seeking tourists slowly would parade past at night, as if the house featured an elaborate Christmas-light display. For weeks, all day long, leathery old men and matronly women maintained their vigil behind the barricades (and occasionally through the barricades), smoking cigars and chatting while hoping for a glimpse of the boy. Vendors did brisk business selling Cuban flags and other memorabilia. Hordes of media drones beamed images of the scene around the globe. Given that kind of exposure, local tour guides are all smiles: This place will be a cash cow for months, maybe years to come.
El Chamba has been around since 1989. Except for one minor detail (it finally has an operating permit), not much has changed at this ramshackle soap-and-suds center for cars. El Chamba's native Nicaraguan owners take pride in the fact that the only machine used on your ride is a heavy-duty vacuum for the carpets. "Machines can't think," notes Leon Mateo Sanz, one of the owners. "God forbid they should damage the car." Here, at this odd Flagler Street intersection, where several roads converge to become one-way streets, manual labor is the only way to go. A live human attends to every nook and cranny of your car. A variety of perfumes add the final touch. For a truly Miami experience, we recommend "ocean mist." Fragrance included, a complete job costs ten bucks.
Miami's municipal-bond rating is improving. Mayor Joe Carollo will serve out his term in office. An eerie calm permeates the city's tumultuous political environment. Don't thank government leaders. Thank Miami attorney Ben Kuehne. His courtroom argument was simple: A proposed charter referendum for a "strong mayor" amounted to an illegal recall of Mayor Carollo. That was all Judge Fredricka Smith and the Third District Court of Appeal needed to knock the referendum off this November's ballot. Kuehne's pro bono work allows the mayor to complete his term, and earns for his firm, Sale and Kuehne, invaluable publicity. (What? You say he did this solely on principle?) The political stability should last until Carollo's next outburst at city hall.
First things first: There is no beach at Jensen Beach. It's not on the ocean. But it does hug the western shore of the Intracoastal Waterway (known up there as the Indian River). Caribbean Shores is a funky waterfront inn just outside of town, which is just north of Stuart, which is about 100 miles north of Miami, which basically means it's a completely different universe. And that's good news for anyone seeking relief from the pressure cooker we call home. The facilities at Caribbean Shores include a two-story, standard-issue motel; a dozen or so charming old-Florida-style bungalows; and a big house on the water divided into four suites. The informal atmosphere is enhanced by whimsical color schemes (pastels everywhere), and the views across Indian River are splendid, especially from the "Swan" suites. But don't expect fancy amenities or organized activities. The Shores isn't a resort, though you'll find a pool and a fishing pier and nice landscaping. It's just a delightful place to spend a couple of relaxing days alongside the water. You can bike across the causeway to Hutchinson Island and its alluring, wide-open beaches. Or you can wander around the old part of town and pick through a nice assortment of antique shops. For dinner drive up the road to Conchy Joe's, famed for its conch chowder and fresh seafood. Lodging is quite reasonable, particularly in the off-season, which runs from May 1 to December 1. Pretty decent Website, to boot.
Can we fudge just a bit? Let's call it the "Best Couple of Miles of Miami." Loosening the definition is worthwhile, for all aspects of life in Miami are symbolically represented along this stretch of blacktop. The journey begins at Biscayne Bay in the shadow of wealth and power: the Miami Herald building, the Grand and Plaza Venetia condominium towers, the Omni complex. Across Biscayne Boulevard you plunge into Overtown, where, amid the abandoned buildings, garbage-strewn lots, and potholed streets stands the sleekly rehabilitated Ice Palace Studios, an entrepreneurial beacon for the city's vision of a new film and fashion district. Press onward beyond North Miami Avenue, where social life is an outdoor affair and beverages tend to be cloaked in paper bags. Not far beyond NW Seventh Avenue a couple of small clapboard houses stand as sentinels to a bygone era, before the interstates ripped out the heart of the neighborhood, an era when Overtown was a hustling, bustling community. Duck under SR 836 and you're transported to the sprawling complex of high-rises devoted to the healing arts, anchored by Jackson Memorial Hospital. Just past Twelfth Avenue the tall buildings address not physical ills but societal ills: the county's criminal courthouse, the main county jail, the State Attorney's Office, the public defender's headquarters. Two more blocks and the street changes once again, this time into a quaint neighborhood shaded by majestic oak trees. The cozy homes don't house families, however; they are occupied by law offices catering to the defense of accused criminals. Fourteenth Street finally hits a dead end at the west side of NW Seventeenth Avenue, along the banks of the hard-working Miami River. And there you have it on one street, just about everything that comprises life in this subtropical metropolis: wealth, poverty, demolition, renovation, depression, optimism, inequity, justice.
She may be the baddest chick, as she proclaims in her recent hit single, but this 21-year-old Miamian is part of a new breed of female rappers who rhyme as hard as any man and who aren't afraid to talk shit if you get in their face. A graduate of Northwestern High, Trina, as she's known, was working toward her real estate license when Trick Daddy asked her to sing on his 1998 hit single "Nann." Soon Trina had her own record contract. Her first CD, Da Baddest B***h, has steadily moved up the charts, which is particularly gratifying for Trina, since she wrote all but one of the songs. "The rapping is cool, 'cause I have always liked writing," she told the Herald not long ago. "The best thing about it is that I am just being myself."
That's right, the Shriners -- polyester blazers and funny little hats (they're called fezzes). What gathering could better symbolize South Beach's transformation from fashion/celebrity hot spot to the more mundane (and sustainable) conventioneers' destination than last August's Shriners conference? Hey, we're glad to have 'em. Who needs all those limousines, paparazzi, and purple-haired kids anyway?
Say you're in Dallas and you've got a layover in Charlotte. Or make that Detroit with a layover in Chicago. Who would know the difference? Most U.S. airports are as seamlessly generic as fast-food chains and Michael Bolton concerts. But fly into Miami International Airport and whoa! -- time to check your passport. MIA contains a little of everything that makes our city unique. It's loud and boisterous. It's corrupt (recent revelations include dozens of drug-smuggling airline employees and no-bid contracts). The announcements are bilingual, often trilingual (Kreyol being our unofficial third language). You can get a café cubano as easily as the ubiquitous Au Bon Pain dreck you find at other airports. And despite our cosmopolitan airs (MIA tops the nation in international flights), we can be so gosh-darn provincial: Remember when Cigar Aficionado magazine featured a photo of Fidel Castro on the cover and county airport officials tried to ban its sale? How quaint.
Tucked away from view, this triangle of land is wedged between NW Twelfth Avenue, State Road 836, and the north bank of the Miami River. Advertised as the most exclusive subdivision for sale in Miami in 1919, its developer, 49-year-old John Seybold, insisted on deed restrictions to preserve leafy, shaded streets and houses set back on ample lots. It worked! Eighty-one years later, giant banyan trees and moss-draped live oaks shade grand old homes built in Florida vernacular and Victorian styles. The breeze coming up the river, along with the lush foliage, keep the temperatures down. Everyone seems to have a dog, which gives a lively neighborhood feel to the otherwise quiet streets. One of Miami's four historic districts, Spring Garden even boasts a park that neighbors cobbled together themselves. Located on a spit of land jutting into the river, it's appropriately called Spring Garden Point Park.
In October 1999 the Miami-Dade County Commission took another small step in the right direction when it unanimously approved expansion of the powers of the county's Commission on Ethics by allowing the group to initiate its own investigations. Previously the ethics panel could only act if a member of the public filed a complaint. Few in the community had the courage to challenge a sitting county commissioner, and so the ethics commission had received few complaints, even though it was eager to move. The statute of limitations on possible ethics violations also was extended from one year to three. "I think it will give us another piece of the puzzle to fight corruption," Robert Meyers, executive director of the Commission on Ethics, told the county commission. Let's hope so.
Who wants to go to a smoky bar on a first date? Or a cacophonous dance club where you can't talk to each other? And who wants to risk half-a-week's pay at an expensive restaurant with someone you don't really know yet? Tell her to go fly a kite. With you. Drive to the Haulover Beach and use the huge kites to guide you into the park area on the west side of Collins. Find the concession trailer displaying an airborne apparatus. That's Skyward Kites. Buy yourself a kite; they start at four bucks. Then proceed to the park's field, or cross Collins to the beach. Have some fun. Run around. Relax. Talk. By the end of the day you'll know a lot more about each other than you would after a bleary night out. If it's a bust, you still have the kite, and you had some fun flying it. If there's chemistry, invite her out for dinner. Skyward Kites is open daily from 9:00 a.m. until sunset.
"You know, I am disgusted to sit in a democratic country and to have to put up with this kind of sickening anarchy, and this is what this is. This is not about good government. This is not about having a better Miami. This is about just a small group that couldn't get their way in stealing what they hadn't stolen from Miami, and they want a second crack of the apple. Maybe the next election they're planning that for us. Maybe the absentee votes will be coming out of the jails. At least a few of them have gone over there already.... Ladies and gentlemen, this is a farce that has gone on too long. But let's not play around any more. If what the majority of my colleagues want to do is turn this city upside down, let's not play around anymore. If this is what you all want to do, do it now. But let's not play around anymore.... I'm fed up with the corruption that I see around us, corruption that, frankly, starts with some right up here. Because when you steal from this city, how in the heck, how in the heck can you expect an official like this to do right in all the other important things that we have to do with this city? And that's the problem we have. Frankly we have some people up here that are not honorable. They are dishonorable. Individuals that I am ashamed to serve with because I've never seen anything like this before. So if this is what you all want to do, if the majority of you want to turn this city upside down, then go ahead. Let's not waste any more time. Do it today."
Miguel Hernandez is on a holy mission. It may not be on the scale of a religious crusade, but it compels him nonetheless. "I happen to believe I work for God," says the 35-year-old car washer. "One of the things I do for a Him is not overcharge. Everybody else is charging $40 for something they know in their heart of hearts shouldn't be more than $20." Hernandez, who started Ricky's Detailing in 1999, charges $18.50 to pamper your car. That's a great price for a hand wash and wax. And it's a phenomenal price for wash, wax, and an interior cleaning with vacuum and solvents. This isn't an amateur job, either. Hernandez has a high-tech trailer attached to his van that carries not only supplies but a generator and a 150-gallon water tank with pump. He uses a high-pressure hose to wash and a hand-held power buffer to wax. He named his business Ricky's, he says, in honor of his wife's nephew, who was murdered in 1998. "Coming back from the funeral, it was the one thing she asked me," he recalls. His wife died of a heart attack a few months later.
For a buck you can take Old Card Sound Road and its bridge home from the Keys and grab a bird's-eye view of South Florida that includes a wide, watery sky rich enough to satisfy spoiled Texans, as well as a shimmering horizon sprinkled with mangrove islands and funky fishermen. Watch out for the crotchety tollbooth operators who have the wary look of people who just might be descended from the pirates who used to lurk in the Keys. Fifty yards down the two-lane blacktop, you can come back to Earth at Alabama Jack's, the kind of rural bar that saves all its best parking spots for motorcyclists, many of them lawyers and cops. Order a Corona and some good conch fritters. On Saturday and Sunday afternoons, relax and enjoy the only live country band that plays regularly in Monroe County, the Card Sound Machine. Then poke on home, crossing the Glades, enjoying a slow take on this area where the big fishing boats are mostly less than twenty feet and all the houseboats need a coat of paint. There's live blue crab for sale along the road. And if you stop to gawk at fish, be careful not to step on the gators.
After leading the fight to have the Miami-Dade County Commission pass a gay-rights ordinance, Jorge Mursuli easily could have retreated from the political stage, content with a single momentous victory. Instead Mursuli, chairman of SAVE Dade, has capitalized on that triumph, slowly building one of the more influential political organizations to arise in South Florida in years. He has apportioned his group's limited resources wisely, backing Johnny Winton in last year's Miami City Commission race, helping him defeat stone-age incumbent J.L Plummer. SAVE Dade also was key in Matti Bower's victory for a seat on the Miami Beach City Commission last fall. Through fundraising and grassroots organizing, Mursuli -- along with a lot of others at SAVE Dade -- also was preparing to fight an effort to repeal the gay-rights ordinance. As it turned out, Christian conservatives failed to get the necessary signatures to place the matter on the ballot. Obviously they didn't have anyone on their side as organized and dedicated as Mursuli. Next question: When will Jorge Mursuli run for elected office?