Life After Pi

Yann Martel’s previous novel, Life of Pi, was published so long ago — 2001 — that the fabulist tale exists solely for us in the form of a boat, a tiger, and warm memory. His new novel, Beatrice and Virgil, also gets a bit meta. It follows Henry, a writer...

By Michael Leaverton

May 13, 2010

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Yann Martel’s previous novel, Life of Pi, was published so long ago — 2001 — that the fabulist tale exists solely for us in the form of a boat, a tiger, and warm memory. His new novel, Beatrice and Virgil, also gets a bit meta. It follows Henry, a writer who has published a very popular novel featuring wild animals. He attempts to sell his next work, a half-fiction and half-essay flipbook about the Holocaust, but his publishers reject it. (In the real-life version of the story, i.e. Martel’s life, the essay is probably not so bad; he hopes to publish it someday.)

After much drifting, the fictional Henry winds up in a taxidermy shop, meets a donkey named Beatrice and a monkey named Virgil, and gets involved in a play starring wild animals. There’s a great several-page description of a pear and a verbose outpouring on the philosophy of taxidermy. Beatrice and Virgil is full of such meanderings and musings, two of Martel’s specialties that landed him the Man Booker Prize in 2002 for Life of Pi.
Sat., May 22, 7 p.m., 2010

Michael Leaverton

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