Reviews

David Bowie Marks His Return With The Next Day

From the album's title, The Next Day, to the (mostly) straight-forward nature of the 14 tracks that compose it, David Bowie's new album declares itself a reboot. The songs shine with ferocious life, even if they follow a simpler structure than one would expect from Bowie. Guitars by Earl Slick and Gerry Leonard strum out catchy hooks and veer off into brief solos that never overtake but merely punctuate the main attraction: the sound of Bowie's voice. Even the quieter songs on The Next Day have power and drive and truly show a man revitalized, indulging in his craft.

MIA for ten years, Bowie was written off by many as having gone underground and into quiet retirement to raise a daughter with his supermodel wife, Iman, in New York City. Meanwhile, vital peers and former collaborators like Brian Eno, Robert Fripp, and Iggy Pop kept churning out work and evolving, but where was the beloved chameleon of rock? Of course, Bowie could not stand by and not take part.

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Hans Morgenstern has contributed to Miami New Times for too many decades, but he's grown to love Miami's arts and culture scene because of it. He is the chair of the Florida Film Critics Circle, and most of his film criticism can be found on Independent Ethos (indieethos.com) if not in New Times.