There's no doubt Miami is a party city. You don't have to look hard to find debauchery and loud music any night of the week. But every year the beginning of spring brings more than flowers and showers. The parties become uncontrollable, the banging beats are ubiquitous, and out-of-towners almost outnumber locals. This week is also known to electronic music lovers as Winter Music Conference. Alcohol, music, and people penetrate nearly every crevice from the Beach to downtown, from big commercial clubs to hidden dives and lounges. Even retail stores partake in the festivities. Joe "Budious" Gray (half the Aquabooty team) explains, "Music conference is when Miami as a whole is finally on our tip." That tip is a huge party driven by the love of music. It's so massive that clubs reach their maximum capacity before the night's climax, á la DJ Harvey and Miguel Migs at Pawn Shop. As if the partying going on during the official conference week weren't enough, dozens of pre- and post-WMC shindigs keep heads bobbing for a few extra days. This year's conference was marked by two musical monstrosities: Global Gathering and Ultra. Both concerts featured a bevy of DJs while splitting genre borders with rock performances by the likes of Rob Zombie, Nine Inch Nails, and the Killers. And let's not forget the other music fests such as M3 and Remix Hotel, all taking place during Conference (with a capital C). Nothing else in Miami compares to WMC's eclectic blend of music and top-name artists. Think Sasha and Digweed, Frankie Knuckles, James Holden, Little Louie Vega, Richie Hawtin, and countless others. As a result, these thousands of DJs -- national, international, and local -- energized Miami and its people into a sweet and unforgettable insomnia for more than a week. No worries, though, there are 55 weeks left over to recover.

She clutches the Emmy and the Peabody, thanks to her enlightening, engaging writings about some of America's most powerful leaders. Take her variegated look at the Gipper in Reagan: An American Story, a documentary that first aired on The American Experience. Or her powerful, moving piece about Ike, also for The American Experience, which preceded the recent crowd of Eisenhower-inspired articles and films (such as this year's documentary Why We Fight). The Miami writer/documentary filmmaker also received a nomination this year from the prestigious Writers Guild of America for her documentary Fidel Castro, which aired last summer on PBS. Bosch was born in Cuba, fled with her family when she was fifteen years old, and moved to New Jersey, where she excelled. She skipped her senior year of high school to enter Rutgers University and then received a Ph.D. from the Fletcher School of Law and Diplomacy. While working on her dissertation in Central America, she discovered her passion for writing documentaries. "I fell in love with the discipline of writing for the ear, of getting the information in there without losing the flow," she says. Bosch's work is unflinching, grand in scope, and deep in reporting. It marries innate talent with great passion and focus. Bosch is editing her latest documentary, a look at yellow fever. It will undoubtedly carry its own fever-pitch buzz.

You can find fancier and cleaner, but you won't find a restroom with more character than those on the third floor of the county courthouse. They retain much of their circa-1928 charm, with antique plumbing fixtures, stone stall dividers, and softly worn wooden stall doors. Cool geometric floor tiles and a great view of downtown make for a delightful potty stop.

Cabrera-lovers have constructed an Internet site that carries this disclaimer: "Everyone in this group is considered Miguel's number one fan. Please do not argue over it!" The group could include any pro baseball loon in South Florida -- those who watched Cabrera rotate positions with ease during the Marlins' 2003 World Series run, as well as those who will watch him perform as the best player on a lousy team in 2006. Stat freaks adore him. He was third in the majors in batting average in 2005. The youngest ever to have back-to-back 30-home-run seasons (Albert Pujols, a future Hall of Famer, was 80 days older). The fourth-youngest to have a 30-homer, 100-RBI season (behind Mel Ott, Al Kaline, and Ted Williams, HOFers all), and the youngest to do all of this while scoring 100 runs. All fine and good, but he wouldn't be here if the kids didn't love him too. Now 23 years old, Cabrera looks just old enough to drive the SUV that youngsters follow like a rolling caramel apple.

"For the first time ever, homeowners will be able to get rid of their bulky items and trash any day of the week!" read the enthusiastic flyer that announced the opening of the City of Miami Mini-Dump last year. In other words: Stop dumping your crap in the vacant lot across the street, yo. Let's clean this bitch up. Now household garbage, your daughter's broken stroller, those palm fronds you finally dragged from the roof, the rusty washing machine in the garage, the wood scraps from your cabinet-making project, and your old tires (up to four, no rims) have a home outside your own. The minidump is open Monday to Sunday from 7:00 a.m. to 5:30 p.m. Wear your miniskirt in solidarity and bring proof of residency. Everything in its place.

Miami is a city of immigrants, including the leafy kind. Early pioneers David and Marian Fairchild planted and grew many exotic plants, but it's a Madagascar native that has given Miami so much local color. The royal poinciana is a large, lovely tree that turns fiery red in early summer. Its blossoms are so intoxicating that for the past 68 years, Miamians have honored the royal poinciana with its own festival. Highlights include a trolley tour, luncheon, and a peek at the Fairchilds' historical home, the Kampong. It ends with the crowning of the Poinciana Queen. This year's fiesta falls on June 11.

In the Eighties, the TV show Miami Vice rocked America like a hurricane. The highly successful cop drama made the Magic City seem, well, magical -- more colorful, cool, exotic, and sexy than any other city in the nation. All the men were wearing T-shirts paired with pastel jackets and artfully cultivated five-o'clock shadows. Fast-forward to 2006. Everything Eighties is back with a bang, and Hollywood is convinced that rehashing classic TV shows into star-powered movies is a great idea. Prime time for a Miami Vice remake, baby. Now that Don Johnson's face has taken a decidedly Melanie Griffith turn, and Philip Michael Thomas is busy ... well, not really -- this time around, the role of Tubbs will be played by former In Living Color sketch-comedian-turned-Oscar-winning-Ray-Charles-impersonator Jamie Foxx. And the actor who plays Crockett requires the kind of sex appeal that will make ladies and gay guys squirm in their padded cinema seats ... a pretty boy with a nasty attitude and a cavalier attitude toward onscreen nudity. Oooh yeah, Colin Farrell. Perfect. Michael Mann picked the perfect pair for his cinematic adaptation. F-squared took South Beach by storm, ripping through the nightclub scene like nobody's business. Foxx made himself an onstage fixture at the hottest clubs, and released Unpredictable, a cameo-studded album so unabashedly horny that R. Kelly himself would nod in approval. Farrell wasn't far behind. Miami's vice got him so sprung that the lusty Irishman landed himself in rehab. One needs look no further than his controversial sex tape with former Playboy Bunny Nicole Narain to get an inkling of the kind of fun he must have been up to when the cameras stopped rolling. Miami Vice fever took over the city. The filming of car chase scenes shut down major roadways. Celebrity-sycophant cops were hired as expert extras. Hurricane after hurricane stalled film production, but at the end of it all, we're sure the movie version of the cop show that made our town famous won't disappoint. Even if the onscreen chemistry and clichéd buddy-cop plot flop miserably, we know curious locals will boost the box-office numbers for this soon-to-be-released summer popcorn flick. We just can't wait to see our glitzy, gritty city on the big screen in all of its sweaty, coke-snorting, Ferrari-driving glory, large enough for the world to see.

Tiffany Richardson, a single mother from Opa-locka, was plucked, tattoos and all, from an applicant pool of hundreds of thousands of hopeful girls vying for a spot on the UPN hit series America's Next Top Model. The show's host and creator, supermodel Tyra Banks, took a special interest in Tiffany because she related to the young woman's connections to the street and struggles to better herself. Yet Tiffany's smart mouth ired her sponsor to the point where, in one of the most shocking elimination rounds in reality-television history, Tyra screamed Tiffany off the stage, berating the sobbing Floridian for her bad attitude and lack of appreciation. For a while after the episode aired in April 2005, Tiffany enjoyed some increased local attention. "I would go to Burger King or McDonald's and people would be, like, 'I know you!'" she observed at the time. Now, though, the glow is gone from ANTM -- even as 8th & Ocean has claimed its place in the pantheon of reality model telecasting. Contacted recently by phone, Tiffany couldn't talk for long. After describing how she had made up with Tyra, she was distracted by the need to attend to some cooking. "Get away from that! That grease will pop you!" she exclaimed to an unseen kitchen interloper before hanging up. And then Tiffany was gone.

The passionate moviegoer loves Robocop and La Dolce Vita with equal fervor, and expects the best movie theater in Miami to embrace such extremes as well. From Wong Kar Wai to Werner Herzog to Woody Allen to Wesley Snipes, Regal South Beach shows explosive, CGI-heavy blockbusters and subtitled, intellectual gems. Sure, a few films stick around for only a week. Sometimes screenings are limited to midafternoons and sparse, geriatric audiences. But what matters is that the movies can be seen: with stadium seating, surround sound, and a big screen; with discounts for students, seniors, and matinees; with audiences whose demographic diversity and myriad reactions prove once again that Miami is the greatest anthropology project ever.

There's a paradox in the fact the smartest critic at Miami's only daily covers television. An accomplished journalist, Garvin has settled into this comfy gig, but he rests neither on his laurels nor his couch. His takes on TV echo elements of phenomenology, economics, news, and social commentary. Sample: "[The writer-director] is apparently trying to establish the ever-shifting nature of reality, but all she really proves is that a network that gives a lot of money to a director incapable of holding a thought in her head for longer than two minutes will wind up with a picture that has to be dumped on Saturday night, the television equivalent of Death Row. So maybe reality is mutable...." He's also a master of the quip. From the same review: "I've seen more sparks on reruns of The Dating Game." Everyone watches television. Some also read about it. Few write about it -- this well.