BEST LOCAL COUNTRY BAND 2004 | The 18 Wheelers | Best Restaurants, Bars, Clubs, Music and Stores in Miami | Miami New Times
Navigation
Support Us
Search

BEST LOCAL COUNTRY BAND

The 18 Wheelers

Singer with acoustic guitar (Paul Feltman). Singer with upright bass (Chris DeAngelis). One of the best drummers alive (Robert Slade LeMont). Stinging electric guitar leads (John Gilson). Songs about trucks, drinking, trucks, women, trucks, prison, and trucks. For seven years these virtuosos have been providing the purest, sweetest mix of covers and originals in true country style. The itch has finally pried from them their first CD, the live Songs from the Road, which just came out. "We recorded everything and the ones that didn't have too many mistakes went on the CD. It's exactly what we sound like live," says DeAngelis. That means it sounds fantastic. Hundreds of live shows have proved the Wheelers to be the real deal, the best band in Nashville that isn't in Nashville, and certainly the finest performers of true country music in Miami. They've already begun work on another CD, but a live show is recommended as strongly as the recommendation to not drive a big truck drunk with a woman on your lap as you pass a highway patrolman. Especially if you have the new Wheelers CD in the player, which would be a real distraction.

BEST LOCAL COUNTRY BAND

The 18 Wheelers

Singer with acoustic guitar (Paul Feltman). Singer with upright bass (Chris DeAngelis). One of the best drummers alive (Robert Slade LeMont). Stinging electric guitar leads (John Gilson). Songs about trucks, drinking, trucks, women, trucks, prison, and trucks. For seven years these virtuosos have been providing the purest, sweetest mix of covers and originals in true country style. The itch has finally pried from them their first CD, the live Songs from the Road, which just came out. "We recorded everything and the ones that didn't have too many mistakes went on the CD. It's exactly what we sound like live," says DeAngelis. That means it sounds fantastic. Hundreds of live shows have proved the Wheelers to be the real deal, the best band in Nashville that isn't in Nashville, and certainly the finest performers of true country music in Miami. They've already begun work on another CD, but a live show is recommended as strongly as the recommendation to not drive a big truck drunk with a woman on your lap as you pass a highway patrolman. Especially if you have the new Wheelers CD in the player, which would be a real distraction.

BEST LOCAL WEBSITE

www.BangBus.com

Traditional feminists (but not Camille Paglia's pro-sex sect) will likely be aghast, but our choice features locally based and produced comedic porn "films," weekly episodes showing random women bribed off the street and into a van, then into depravity. This isn't your run-of-the-mill autoerotic stimuli. The site states: "The true story of two guys, a video camera, a big fucking bus, and a lesson on the depths of human debauchery." Each guy comes equipped with an enormous member and a mischievous sense of humor. Questions like, "How do you feel about political ethics in America?" are routinely asked during bonings. Segments featured in the blooper section include episodes where the Bang team misses the targeted girl ("Dude, you just came on my leg!") and a classic wherein a girl's mom calls her cell phone during filming. Of course it's answered, and the mother's voice is actually heard asking for her daughter. "She can't talk" was followed by an obscene description of the slightly perverse activity the girl was involved in at that moment. In case you miss the point, the objective of this Website is not to arouse anything but disgust in what the Bangs see as an "offensively politically correct world."

BEST CUBAN-AMERICAN WEBSITE

icuban.com

Launched in 1996 by three Miami brothers-in-law who love to fish and eat la comida Cubana, this is a mouthwatering source of opinions about local Cuban cuisine, from restaurants to recipes. The three guys -- Jorge Castillo, Raúl Musibay, and Glenn Lindgren -- have made several appearances on various Food Network shows and in media articles. But more than a foodish curiosity, the Website is a celebration of Cuban neighborhoods (Little Havana, Hialeah, and others) that offers insights into the differences between the citified Cuban food at Versailles and La Carreta's traditional fare, the advantages of buying produce from street vendors, and, not least, how to party like a Cuban.

BEST LOCAL COUNTRY CD

Jim Wurster & the Atomic Cowboys

Lantana Sunrise

The twang-filled guitar notes opening Lantana Sunrise offer a reminder of the days when South Florida roots music had little to do with complex polyrhythms, driving percussion, or so much as a splish-splash of the Caribbean. The grooves laid down by Jim Wurster's outfit are built for comfort, not speed, and as the tasty licks played by pedal steelist Bob Wlos prove, there's little in the way of a broken heart or a weary spirit that a taste of the Cowboys' high lonesome sound can't soothe. Synthless but sensible, the Cowboys may have one boot in bluegrass (picking fluttery acoustic-guitar runs) and the other in Grand Ole Opry-steeped but amped-up rock (think Sweetheart of the Rodeo-era Byrds), but it's pure country, a child of hillbilly, and it has a hold on Wurster. His drawl keeps the group reined in, tied to Nashville tradition, even when Fred Neil's airy melancholia in "Everybody's Talkin'" gets stamped on by a crunching two-step shuffle and some extra evocation of resignation. These are horseless cowboys, makers of driving music, not drovers of overproduced mishmash. Old-fashioned can be better than fashionable.

BEST LOCAL COUNTRY CD

Jim Wurster & the Atomic Cowboys

Lantana Sunrise

The twang-filled guitar notes opening Lantana Sunrise offer a reminder of the days when South Florida roots music had little to do with complex polyrhythms, driving percussion, or so much as a splish-splash of the Caribbean. The grooves laid down by Jim Wurster's outfit are built for comfort, not speed, and as the tasty licks played by pedal steelist Bob Wlos prove, there's little in the way of a broken heart or a weary spirit that a taste of the Cowboys' high lonesome sound can't soothe. Synthless but sensible, the Cowboys may have one boot in bluegrass (picking fluttery acoustic-guitar runs) and the other in Grand Ole Opry-steeped but amped-up rock (think Sweetheart of the Rodeo-era Byrds), but it's pure country, a child of hillbilly, and it has a hold on Wurster. His drawl keeps the group reined in, tied to Nashville tradition, even when Fred Neil's airy melancholia in "Everybody's Talkin'" gets stamped on by a crunching two-step shuffle and some extra evocation of resignation. These are horseless cowboys, makers of driving music, not drovers of overproduced mishmash. Old-fashioned can be better than fashionable.

BEST LOCAL ACOUSTIC PERFORMER

Stephan Mikés

Plenty of unplugged soloists fill rooms with auditory delights. Xela Zaid, for example, can hunch over a guitar and turn your world black as your heart quivers. But this acoustician stands (actually he sits, in the lotus position, when playing) a world apart from the standard electricity-free dude or chick. After decades of study, training, practice, and performance, Stephan Mikés plays sitar at the master level, placing a karmic chapter in the book of cosmic music. Barefoot and ponytailed, gentle but worldly, taught by the best on the planet, Mikés first enters another realm with his giant, stringed gourd-stick instrument across his lap. Then he begins to play tunes from one of his CDs and takes the listener to outer space and beyond. Musical Valium one moment, fire ants in your eyes another, his is both tranquil and stirring music, complex yet smoothly engaging. Playing sitar is extremely challenging. Playing one as well as he does is as rare as a rabbi in the Himalaya mountains.

BEST LOCAL ACOUSTIC PERFORMER

Stephan Mikés

Plenty of unplugged soloists fill rooms with auditory delights. Xela Zaid, for example, can hunch over a guitar and turn your world black as your heart quivers. But this acoustician stands (actually he sits, in the lotus position, when playing) a world apart from the standard electricity-free dude or chick. After decades of study, training, practice, and performance, Stephan Mikés plays sitar at the master level, placing a karmic chapter in the book of cosmic music. Barefoot and ponytailed, gentle but worldly, taught by the best on the planet, Mikés first enters another realm with his giant, stringed gourd-stick instrument across his lap. Then he begins to play tunes from one of his CDs and takes the listener to outer space and beyond. Musical Valium one moment, fire ants in your eyes another, his is both tranquil and stirring music, complex yet smoothly engaging. Playing sitar is extremely challenging. Playing one as well as he does is as rare as a rabbi in the Himalaya mountains.

BEST WI-FI LOCATION

Miracle Mile Business District

Attention Internet hermits: Being online will no longer be an acceptable excuse for your antisocial behavior -- at least not in Coral Gables. Following the lead of many businesses in many cities, the Coral Gables Business Improvement District along with ADX Technologies and IDS Telecom have installed a free (really!) wireless Internet connection on the Mile. The motive: Visitors tech out for a while, then maybe hang out and drop some green at area restaurants and shops. Brilliant! To take advantage all you'll need is a Wi-Fi, or "wireless fidelity," compatible adapter card or wireless-ready computer or portable. The cloud (another nickname for a Wi-Fi zone) is at the intersection of Ponce and Miracle Mile. Plans are in the works (Adobe mostly) to extend this cloud the entire length of the district. Fast approaching is the day of one super computer (named Hal) hooked to every person's keyboard and mouse. Instructions are available at www.gableshotspot.com.

BEST THEATRICAL PRODUCTION

The Goat or Who Is Sylvia?

In the theater, sometimes everything just falls into place. That was definitely the case with GableStage's masterful presentation of The Goat. Featuring Edward Albee's bitterly funny script, a fine cast, exceptionally effective direction from artistic director Joseph Adler, and an outstanding set design by Rich Simone, this production was a gleeful blend of absurdity, horror, and dry humor that sent audiences' heads spinning.

Best Of Miami®

Best Of Miami®

Use of this website constitutes acceptance of our terms of use, our cookies policy, and our privacy policy The Miami New Times may earn a portion of sales from products & services purchased through links on our site from our affiliate partners. ©2024 Miami New Times, LLC. All rights reserved.
Do Not Sell or Share My Information
Powered By Foundation