No, he's not a DJ, though he does spin vinyl, which he usually has to borrow because he deals in CDs and engineered beats. No, he's not into the club scene or making it past the velvet rope, though he currently spins at hot spot Blue. Nah, for James Wagner it's all about the love vibes. His debut CD, Felt, went public during a May 2000 Universal Source record-release party. Since then Audio Habitat has crept into regular rotation during WVUM-FM's (90.5) Electric Kingdom. Usually found burning his corneas in front of his computer screen, Wagner, with the help of advanced design software, makes music from just about anything. The fluid organic sounds of Felt are interrupted or accented by random whirs and clicks. A subtle bass line feels like drips of water amplified and extended. Seamlessly mellow, down-tempo strains emerge. Currently Wagner's music aims to appeal to the senses through the specific vibrations. The sounds are not aimed at the club set, nor at the dance floor, either. They're a little out there but not too far. Just enough to make him this moment's innovator.
What, you thought we were going to give it to Butch Davis? After that scurrilous former Canes coach bolted for Cleveland, and after offensive coordinator Coker took over the school's prestigious head football post, the status of Miami's recruiting class looked shaky. Coaches from rival schools told the talent pool that Coker wasn't a big-time coach, that he didn't have a name, that the Hurricane football program was in disarray after four years of steady improvement brought the team to the cusp of a national championship. Yet Coker's popularity with current players, coupled with his unquestioned offensive savvy, assuaged almost everyone who had committed to UM. In fact a few more blue-chippers came onboard, such as Coral Gables phenom Frank Gore. Thanks to Coker the Hurricanes will battle for the national championship next year and for years after that. Let Davis takes solace in his Cleveland riches. It will be Coker we cheer in Miami.
It's too easy. That's the problem. Just get online, punch up Amazon.com or bn.com, click the mouse a few times, whip out the credit card, and boom! Any book you want delivered to your door in just a few days. Unfortunately the convenience of online shopping has usually come at the expense of deserving local bookstores. Until now. Books and Books owner Mitchell Kaplan has unveiled a Website that allows Miamians to enjoy online ease while still supporting his store, priceless local institution that it is. Kaplan's site, which operates in partnership with a national network of independent bookstores, retains a neighborhood-bookstore feel. Posted on the Web page are upcoming in-store readings, news of different book clubs and when they meet, and helpful recommendations from his smiling staff, all pictured. And ordering is exactly as easy as at Amazon, with one crucial difference: Home delivery is merely one option. We prefer to pick up our orders in person at the Coral Gables flagship store (delivery also available to the Miami Beach satellite shop). Stacks of books. Brewing coffee. Interesting people. Some pleasures can't be found behind a keyboard.
Most writers ardently believe in the power of language. Fred D'Aguiar believes in the power of the word. In that way he is a poet even when he writes prose. His fiction displays the poet's love for the word's evocative, lyrical, sensual resonance. In Feeding the Ghosts, published in the United States by Ecco Press in 1999, D'Aguiar prefigures the death of a group of slaves thrown into the sea with this beautifully horrific passage on drowning: "Surrender to its depths. Find its secrets. Become loose-limbed like the water. As boneless. Learn that home is always some other shore. Sink from sunlight and moonlight. Maybe see the stars distended on water, from below water. Or the constellation spread out on a moonlit sea." Born in London and raised in Guyana, D'Aguiar is now a professor in the creative-writing program at the University of Miami and an important and passionate voice in Miami's literary community. He won the Whitbread First Novel Award in 1994 for The Longest Memory. His work also has won the David Higham Prize and the Guyana Fiction Award. His verse novel Bloodlines, about a female slave who falls in love with a plantation owner, will be published by Overlook Press in July.
Rumors of the zine form's death likely are premature, but our operatives inform us that at this juncture Rag appears to be one of the last specimens still available in paper at local CD stores. Free of charge. Every scene needs its scribes and, for example, did you know there are 116 rock bands in South Florida? Well, that's the unofficial count, which you'd know if you were a Rag reader. More important, the first-person-scarcely-edited-raw-copy zine form also is alive and kicking, as in this passage from Todd McFlicker's account of last year's Zen Fest: "Behind the gates of Bicentennial Park, a range of stereotypes ran amuck [sic]. There was an older crowd of Dead Heads, looking and smelling like Woodstock, along with kids whose pants were falling off. All ages were welcome to the event, but drinks were too expensive for most consenting adults to bother.... Backstage after the [Blues Traveler] set, the friendly Popper was giving autographs. Popper was continually signing some Jackass's photos until a security guard barked him away." The eponymous rag also has a utilitarian streak: It contains classifieds. Of most note is the musicians-seeking-musicians category.
The Music Lesson dismantled the myth that good drama must arise from a dramatic situation. A couple of musicians, Irena and Ivan, take refuge in Pittsburgh from war-torn Sarajevo and end up giving music lessons to American children from a broken family. What made this drama exceptional was the acting. The alienation and suffering these individuals felt moved through the audience like slow ether, emanating from their simplest gestures. In fact the play is a gestural masterpiece. All the action centers around an invisible piano. More than a metaphor, classical music becomes a tangible character, so that The Music Lesson is not just another account of human tragedy desensitized by a flood of overt emotion and sentimentality. It is a moving account of people trying to rebuild their lives. The Music Lesson featured Maggi St. Clair Melin, Jessica K. Peterson, Joris Stuyck, Elizabeth Dimon, Amy Love, Ashton Lee, Craig D. Ames, Eddi Shraybman, and Ethel Yari.

Mikimbin is Cuban slang for tacky, shoddy, lowbrow. Which perfectly describes the show and its completely tasteless hosts, Miguel "El Flaco" Gonzalez and Gilberto Reyes, a.k.a. Los Fonomemecos. They've been a fixture in Spanish-language Miami comedy circles for years, two Cuban immigrants earning their bread and butter with live appearances, principally at Club Tropigala at the Fontainebleau Hilton, and really awful television commercials. Their El Vacilon de la Mañana stint during morning drive on El Zol (WXDJ-FM 95.7) was largely responsible for the salsa station's long-time high ratings. When the duo left last year over a contract dispute, they wasted no time in putting together Mikimbin. If you don't watch Spanish-language TV, you won't get all their jokes, and not every skit is funny. But the good ones are screamingly hilarious. Gonzalez does the best Fidel Castro anywhere, and a recent parody of the truly mikimbin Laura en America (a Peruvian version of Cristina -- strange but true) was to die laughing for.

He has a World Series ring -- a ring he won with the Marlins. He has four consecutive gold gloves. More than anyone else he will be responsible for harnessing the exciting young pitching talent the team has stockpiled. He's improving as a batsman. He's a Marlin by choice, signing a free-agent contract with Florida at well below his market value. He was the first draft pick in team history. His return is a very real reminder that the Marlins are on the right track -- if not yet worthy of the World Series, then at least headed the right way.
Let's acknowledge that Lincoln Road is now the place to see movies in Miami Beach. Yes, it may be the only place, but still it's been ages since the hordes living on South Beach had a first-run movie theater within walking distance. Now they have a megaplex, a showplace with eighteen screens, a movie house that is as physically attractive as the beautiful patrons who glide up and down its long escalators. The Regal may be the main ingredient in the CocoWalking of Lincoln Road, but even with a movie theater, the famous outdoor shopping strip still trumps the Grove mall to which it is disparagingly compared. In fact it's time to cease arguments about Lincoln Road's retail direction. What's past is past. The present is dinner, a movie, and an ice cream stroll down the Road. Maybe a little window-shopping for furniture or shoes, maybe a dip inside the bookstore followed by a beer at Zeke's outdoor garden. That's not so bad. It really isn't.
People often say Miami has no history. Not true. And the Historical Museum of Southern Florida can prove it. This year's "Tropical Dreams" exhibition traces human activity in the region from the arrival of prehistoric peoples 10,000 years ago through the visit by Ponce de Leon in 1523, the building of Henry Flagler's FEC railroad in 1896, right up through the many waves of migration from the Caribbean and Latin America over the past century. Since its inception fifteen years ago, the museum's folklife program has documented the traditional arts of more than 60 communities, from the Seminoles to the Scottish, the Bahamians to the Nicaraguans. "At the Crossroads: Afro-Cuban Orisha Arts in Miami" put on display beadwork, ceremonial garments, altars, instruments, paintings, and ritual performance of more than twenty local artists in the Afro-Cuban religious tradition. Committed to involving the community, the museum conducts field research, hires local guest curators, and brings on the noise with feisty discussions, lively concerts, and overnight excursions, such as the ever-popular Everglades muckabout.

Best Of Miami®

Best Of Miami®