Tom Hanks Waits for Meaning, Connection and a King

Don’t hold it against Tom Tykwer’s A Hologram for the King that its best scene is also its first. As Alan Clay (Tom Hanks) strides down a suburban street singing a modified version of Talking Heads’ “Once in a Lifetime” (“You may find yourself … without a beautiful house ……

The 11 All-Time Greatest Movies to Watch High on 4/20

Hey, yo. It’s 4/20. Know what that means? It means a whole day celebrating the gloriousness that is weed. And part of that celebrating includes three things: smoking, eating, and watching movies. Every year, you’ll see lists that tell you what the best movies to watch while high. Those will…

Nobody’s Fault but Theirs: Nina Botches the Truth of a Great

Deep into her earnest, uncertain Nina Simone drama Nina, writer-director Cynthia Mort at last musters up a sequence of gravity and power. The inimitable Miss Simone — imitated here by Zoe Saldana — reads a letter from a woman who has recently lost her mother, a great Simone fan. It’s…

Finally, a Superhero in Touch With His Feminine Side (VIDEO)

What do you get when you make a superhero movie with a male lead but keep your female audience at the forefront in your decision-making? Apparently a box office hit. By now, you’ve probably heard about the wild success of the little superhero film that could: Deadpool. Nobody expected much…

Sure, Hardcore Henry Bombed, but You Would Love It at Midnight

Hardcore Henry screened as a midnight movie at last September’s Toronto Film Festival, and was so ecstatically received that a distributor bidding war ensued. Six months later, the film has hit theaters nationwide and fallen flat, thanks to intensely negative reviews from critics upset by its unceasing violence. It didn’t…

The Latest Barbershop Is a Cut Below

The effortless charisma of Ice Cube and Cedric the Entertainer, the headliners of the first two Barbershop movies (released in 2002 and 2004), helped keep those over-plotted comedies buoyant. Cube and Cedric are back as Calvin and Eddie in Barbershop: The Next Cut, but even their enormous appeal can’t rescue…

In The Jungle Book, Disney Builds a Better Blockbuster

Here’s about as convincing an argument as I can imagine for the existence of the modern Hollywood blockbuster. Disney and Jon Favreau’s The Jungle Book reinvigorates an oft-told tale with star power, technology and calculated charm. It’s been billed as a live-action remake (it’s too good to be called a…

Supergirl Proves Comic-Book Adaptations Can Soar Rather Than Punish

Here’s a question faced by the creators of almost every superhero adaptation: How do do you pull this off without copying Frank Miller’s Batman? Too many modern superhero dramas — including the Dark Knight films, Arrow, Daredevil and Batman v Superman: Dawn of Justice — either ape the dour realism…

Too Bad Midnight Special‘s Gripping Parental Drama Is on the Run

In Jeff Nichols’ gripping domestic thriller Take Shelter, Michael Shannon played a family man convinced that Armageddon was upon us. But even as the character’s visions compelled him to take more and more extreme precautions, the film remained fixed in the world of the real. It was a portrait of…

Mr. Right Shows How Rom-Com Heroes Are Pretty Much All Psychopaths

Clowning, bullet-riddled rom-com Mr. Right is awfully charming in the best and worse sense of the phrase. It’s often kind of awful but also weirdly, effervescently charming, a movie that salves, with its stars’ radiance and charisma, even as it grates. What hurts: lots of vaguely comic hitman drama, with…

The Boss Isn’t on Melissa McCarthy’s Level

A she-wolf of Wall Street with a spiky ginger Suze Orman shag, Michelle Darnell, the anti-heroine of fitfully funny The Boss, is the latest of the Rabelaisian wonders played by Melissa McCarthy. The actress specializes in characters with indestructible bravado, no matter where they stand on the socioeconomic ladder; Michelle,…