Pop Goes the Weasel

Chuck Workman’s Superstar: The Life and Times of Andy Warhol goes heavy on the times and light on the life. Warhol, the celebrated pop artist who died unexpectedly in 1987 after minor gallbladder surgery, was a bizarre character. Sickly despite the vigor of his art, seemingly anesthetized despite the sensual…

No Thanks, I’m Driving

Natalie (Jo Beth Williams) has a problem. It’s her son, Doyle (Ethan Randall), a sullen, abusive kid who blames his parents’ divorce on his virtuous mother and apotheosizes his rich scumbag father Reed (Christopher McDonald, who played Geena Davis’s poor scumbag husband Daryl in Thelma and Louise). When Dad skips…

How to Be Dumb

All hail the San Dimas, California, duo of William S. Preston, Esq., and Ted “Theodore” Logan, benignly disaffected teens with lazy minds, heavy-metal dreams, and their own special language. Bill (Alex Winter) and Ted (Keanu Reeves) first wandered into theaters in 1988, when Bill and Ted’s Excellent Adventure, a sleeper…

Two Black, Two Strong

Whatever the new generation of black moviemakers lacks in dramatic sophistication and deep-pockets funding, it makes up for in freshness and passionate certainty of purpose. Witness the admirable first efforts of newcomers Matty Rich, age 19, and John Singleton, a geezer at 23. Rich’s Straight Out of Brooklyn, a roughhewn…

Fit to Be Tide

If you want to see Ronald Reagan rob a bank, hop in the car and drive to the nearest showing of Kathryn Bigelow’s crime-and-surfing drama Point Break. As the leader of a holdup gang called the Ex-Presidents, Reagan terrorizes savings and loans along the Southern California coast. It’s bipartisan felony,…

Gabfellas

Martin Scorsese’s films have always included documentary elements, the grit and ring of truth. But with the exception of The Last Waltz, the lavish kiss-off to The Band, he’s kept away from documentaries. Well, almost. Three by Scorsese, a package of shorter, non-feature works, finds America’s most powerful director hard…