Classic Films Showing in Miami in July

Another scorching month in Miami means it’s time for another trip to the movies. If modern movies aren’t you thing, slide on into a classic film at one of your local art theaters. Think your options are limited on that front? Think again! Check out what Miami has available for…

With Election Year, the Purge Series Reaches Its Term Limit

James DeMonaco’s Purge series, about a near future in which all crime is legal for one annual 12-hour period, began as a disturbing setup for basic genre thrills: 2013’s franchise-starter was essentially a home-invasion thriller with a dystopian twist. By the time Purge: Anarchy rolled around a year later, the…

Me Tarzan. Me Sorry About Colonialism.

At last, a Hollywood reimagining with a point. David Yates’ two-fisted pulp-studies spree The Legend of Tarzan doesn’t just update Edgar Rice Burroughs’ white-boy jungle-bro for our age of heightened sensitivities and bit rates. It interrogates the very idea of Tarzan, signing the old sport up for the good fight…

Independence Day: Resurgence Is a Week Early — and 15 Years Late

Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…

Swiss Army Man Has Wonder but Too Much Farty Dada

People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…

Todd Solondz’s Wiener-Dog Embarks on a Satiric Odyssey

A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…

Our Kind of Traitor Kind of Gets le Carré Right

Stanley Kubrick once sent his friend John le Carré a letter about why he couldn’t adapt one of the author’s books. “Essentially,” he wrote, “how do you tell a story it took the author 165,000 (my guess) good and necessary words to tell, with 12,000 words (about the number of…

Blake Lively and The Shallows Are Well Worth the Dive

According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…

Anna Rose Holmer’s The Fits Makes Growing Up a Fight for Grace

In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…