Critics often dismiss blockbuster entertainments with the vague, half-assed complaint that they resemble “video games.” Movies like Fede Alvarez’s Don’t Breathe reveal games’ actual influence — for the better. The breakthrough with studio horror films in recent years, since the found-footage boom, is a welcome environmental immersiveness. It’s a testament…
Robert De Niro — the Raging Bull himself, now aged from boxer to trainer — is introduced in Hands of Stone bathed in Madison Square Garden’s overhead spotlights, more the image of a reigning champ than the promising fighter whose American debut his character Ray Arcel has come to see…
Just like there’s a bizarro internet where Donald Trump is celebrated as a warm, loving, generous, successful businessman who really wants to earn a Purple Heart, I wonder if there’s also a bizarro, ravenous audience awaiting a feature-film reenactment of Donald and Melania’s epic first date. (He literally tricked his…
The Companion (El Acompañante) is a handsomely directed film that strives to be several movies at once. It largely succeeds thanks to solid performances and a story with heart. Directed by Pavel Giroud (The Silly Age), The Companion — which will make its exclusive U.S. premiere at Miami Dade College’s Tower…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
Some actors have charisma and presence no matter what they’re doing. For Barbara Crampton — the actress who became known as a scream queen after appearing in films such as Re-Animator, Chopping Mall, and From Beyond — that even extends to a role where she’s confined to a TV set. “Initially, I…
In a summer of disappointing reboots, underperforming sequels and rejected franchise bait, Ben-Hur is something rare: a remake no one asked for but weary moviegoers might accept as a small gift for lack of any better option. Timur Bekmambetov’s reimagining of William Wyler’s 1959 epic, itself preceded by two silent…
Once, American comedies concerned underdog heroes who challenged the status quo and seized the territory of the upper-class characters who thought they were in control. Slobs vs. snobs. During the wartime administration of the lesser President Bush, the wealthy thoroughly dominated the culture, occupying America the way the army patrolled…
Cities, like young people, are forever becoming something new. The latest tender charmer from Ira Sachs chronicles the growing pains of teens and Brooklyn with the wry sensitivity and eye for economic reality that distinguished Sachs’ Love Is Strange (2014) and Keep the Lights On (2012), which began a sort…
Anna Gunn actually gets to do things in Meera Menon’s expansive high-finance drama Equity, which is almost reason enough to recommend it right there. The Breaking Bad co-star tears into the role of a rainmaking banker taking a Silicon Valley company public. For once it’s Gunn whose character gets to…
Hell or High Water sees a Scottish director making a down-home, West Texas–set movie about cars, guns, brothers, banks and twist-off beers. But this outsider’s perspective is nothing new for David Mackenzie, who has worked with Ashton Kutcher and Anne Heche on a Los Angeles romance about a gigolo (2009’s…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
Late in Lo and Behold, Reveries of the Connected World, his unsurprisingly wry, quizzical documentary survey on life inside and beside the virtual world, Werner Herzog stumps two brain researchers with a lyrical question in that instantly recognizable (and often parodied) German accent: “Does the internet dream of itself?” An ever-adventurous…
ESPN is launching their most ambitious storytelling initiative to date, and the story they will be first telling through their new multi-platform plan is a cocaine-trafficking fueled tale with it’s roots right here in Miami. ‘Pin Kings’ tells the story of Alex DeCubas and Kevin Pedersen, co-captains of their high school wrestling…
Hey. Do you guys remember puppet comedian Jeff Dunham, whose downtrodden Mexican “on a steeeek” character José Jalapeño delighted many a middle-class white American in the ’90s? Well, imagine he blazed up a joint with Bill Maher, wrote a manifesto on atheism and then made a multimillion-dollar animated feature film…
The Bronx is burning in the introductory episodes of The Get Down, Netflix’s new series that presents as urban-cinematic fable the genesis of rap. The cluttered, over-caffeinated 90-minute pilot, directed by creator and executive producer Baz Luhrmann, takes place in the summer of 1977, when a serial killer terrorized New…
Informed that the CDC has recommended that pregnant women avoid the Wynwood neighborhood where her new movie, Evolution, is to have its Florida premiere, writer/director Lucile Hadzihalilovic can’t help but burst into laughter. “Is this on purpose?” she asks during an interview from France. She wonders if the twisted minds…
Ellen Page’s complicated onscreen relationship with children continues in Tallulah, which reverses the Juno dynamic — this time her title character wants a kid who isn’t hers. Orange Is the New Black scribe Sian Heder makes her directorial debut with the sympathetic indie, a maternal character study that loses its…
Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…
Do we call Anthropoid a thriller? Sean Ellis’ earnest, day-ruining WWII bullet-a-thon is rooted in fact but comes on like pulp fiction in its first reels, hitting secret-mission story beats old enough to have served in the big war. As freedom fighters Josef (Jamie Dornan) and Jan (Cillian Murphy) skulk…
On both an emotional and narrative level, a Hirokazu Kore-eda film pulls you in slowly, almost unexpectedly. The acclaimed Japanese director, whose works include After Life (1998), Still Walking (2008) and Like Father, Like Son (2013), makes movies about things like loss, abandonment and death, but his distinct touch —…
Horror junkies, rejoice: One of the most anticipated festivals for genre fans in South Florida kicks off this Friday. Popcorn Frights, the weeklong film festival taking place at O Cinema Wynwood, packs 17 features and an abundance of short films into just one week like so many dismembered limbs into…
