A Biopic of a Distraught Journalist Does Too Little With Too Much

In one of the more bizarre coincidences of film scheduling, the brief life of a TV journalist whose biggest scoop was announcing her own death on air is recapitulated for the second time this year. Released in August, Robert Greene’s porous documentary Kate Plays Christine highlights the impossibility, even the…

Nocturnal Animals Strands Together Flashy Tales of Male Weakness

Tom Ford has entirely overstuffed his nesting-doll domestic drama-cum-thriller Nocturnal Animals, and yet I spent much of the film worrying that it might not have a point. Its aesthetic footprint is huge, but its impact decidedly small scale. That’s not always a bad thing; there’s a perverse elegance to so…

Good Girls Revolt Makes the ’70s Look Less Anti-Woman Than 2016

The Amazon series Good Girls Revolt, centered on a landmark 1970 gender discrimination case at Newsweek, is the kind of period drama that’s more interested in commenting on the present than recreating the past. The storyline, about professional journalists, plays fast and loose with the facts, and creator Dana Calvo…

What Fox’s Pitch Gets So Right About Being a Pioneering Woman

It’s fun watching Ginny Baker be rude to people. I was hesitant to give a chance to Pitch, the new Fox series imagining the life and career of the (fictional) first woman to play Major League Baseball, because I feared Ginny would be impossibly noble, driven and hardworking — the…

100 Creatives: Ronnie Rivera Animates the Weird and Wonderful in Miami

In 2010, when things on the internet were actually fun, Ronnie Rivera made it even more of a virtual party as one half of online arts collective Bleeding Palm. He took paparazzi-style photos at live events at a time when everyone woke up bright and early the next afternoon, drenched in alcohol sweat and cigarette stink, to see if someone had snapped a cool pic of them the night before and posted it on a website.

With an Interior Epic, Ang Lee Gets Too Real for His Medium

Billy Lynn’s Long Halftime Walk is a small film burdened with the epic, thanks to both its subject and its setting. Based on Ben Fountain’s 2012 novel, it depicts a day in the life of a young soldier (Joe Alwyn) briefly returning from Iraq to be honored with his squad…

Sci-Fi Epic Arrival Is Best When It Looks Within

One day, Denis Villeneuve will make a truly great movie. This is, apparently, a controversial opinion. Many out there feel strongly that the Canadian filmmaker has been leaping from triumph to triumph in recent years — with Sicario, Prisoners and Enemy under his belt — while some consider him a…

Interracial Marriage Drama Loving Stirs with Quiet Humility

With films like Take Shelter, Mud and even this spring’s somewhat uneven Midnight Special, Jeff Nichols has steadily built a filmography of terse beauty. With Loving, he tackles the kind of boldface subject matter that Oscar season feeds on: It’s a historical drama about the 1967 Supreme Court decision that…

The Quietly Moving Humanity of Kelly Reichardt’s Certain Women

When a quiet film is set outside of the big cities, it’s often called a “slice of life.” But that’s ultimately a condescending designation; to the millions of people residing on the prairies and in the small towns dotting the throughways, it is simply life, with a capital “L.” In…

Uneasy Lies the Head of Queen Elizabeth in Netflix’s Epic The Crown

Netflix’s The Crown, a drama series about the life and times of Queen Elizabeth II, is the kind of sumptuous but tasteful British royals porn you’d expect from Ye Olde Masterpiece Theatre, not from the streaming giant that gave us BoJack Horseman and Stranger Things. A $130 million joint American/British…

Seriously, Dan Brown Deserves Better Than Inferno

I’m not afraid to admit that I get a kick out of Dan Brown’s Robert Langdon thrillers. Yes, they’re indifferently plotted and predictably written. But I’m a sucker for ludicrous, centuries-spanning conspiracies and indulgent faux-gnosticism. The books serve, if nothing else, as gripping tours through art-world apocrypha, and Brown’s know-it-all…