No Scrubs

Some might call actor/writer/director Zach Braff the voice of our angsty, noncommittal generation. With Garden State, he tapped into the inner sanctum of the perpetually immature, and his newest effort, All New People, has been called “the defining play of a generation.” The show centers around depressed protagonist Charlie, who’s…

Cirque du Darwin

Where does Cirque du Soleil keep finding these people? The company’s highly stylized circus shows employ dozens of performers with talents ranging from the merely impressive to the seemingly impossible, and right now no fewer than 19 of these spectacles are being staged in cities around the world. How can…

Familiar Family

What did we learn during the holidays? Politics and turkey certainly do not mix, especially in the wake of a divisive presidential election. However, opposing political viewpoints and holiday ham work remarkably well onstage, particularly in Robin Baitz’s Other Desert Cities. Set in Palm Springs, California, Baitz’s critically acclaimed 2011…

Hamlet on Speed

Did you think you’d seen the last revision of William Shakespeare’s The Tragedy of Hamlet, Prince of Denmark? Think again. New World School of the Arts graduate Tarell Alvin McCraney, the emerging writer-director whose previous play, 2011’s The Brothers Size, was one of the best productions of that or any…

Subtle Sex

If you’re the kind of art deviant with a hankering for the pictorially perverse, don’t miss Agustín Fernández’s exhibit of psycho-sexually charged works at the Frost Art Museum (10975 SW 17th St., Miami). The artist (1928-2006) was universally hailed as a master of modern Cuban art and traveled from his…

Richter Redux

Avant-garde painter and experimental film producer Hans Richter had a complicated relationship with art. His first exhibition took place in 1916 in Munich, but less than three years later, he began experimenting with film and eventually spent most of artistic career working with that medium. “The cinema can fulfill certain…

Tarell McCraney’s Hamlet, Now With Explosions

Like a show opening with a band’s greatest hit, Tarell Alvin McCraney’s radical edit of William Shakespeare’s Hamlet begins with the master’s most famous phrase of his most famous soliloquy: “To be or not to be.” And off we go, into a 90-minute, one-act version that gets right to the…

Want to Win $1,000? Submit to New Times‘ Mastermind Awards!

If you’re like most of us here at New Times, your bank account could really use a boost. The ever-tightening purse strings of the publishing industry has left plenty of our journalists and bloggers with just about the same quality of life as your average starving artist in Wynwood. Those…

Miami Herald‘s Two Years Too Late to the Wynwood Art Walk Party

“In Miami’s Wynwood district, the party has overtaken the art,” complains the headline to Rene Rodriguez’s story in Saturday’s Miami Herald. The piece reports that drunken partiers have “hijacked” the arts scene on Second Saturday Art Walks, with boozed-up kids stumbling into art spaces, damaging the works on display, and…

Texas Chainsaw 3D, Now with More Boobs, Chainsaws Shoved in Your Face

Cynics will think they know everything about Texas Chainsaw 3D solely from its title. To that, we say, “Maybe, but do you know which three dimensions it’s in?” (Okay, fine. Unless you’re Buckaroo Banzai, it’s probably the three you were suspecting.) Which isn’t to say there aren’t surprises in the…

Cat Lady: Mad Cat’s Manic Comedy Not the Pick of the Litter

Cat Lady may be the first show from Mad Cat Theatre Company to showcase an actual mad cat. This pussy is positively vehement: Played by Ken Clement in a black feline costume, Oliver the cat rails against his owner, Kristina (played by the show’s creator, Kristina Wong). He’s fed up…