Arlo Haskell and the Key West Literary Seminar Take On Food

Arlo Haskell is a Key West native, a poet and, for the last three years, a member of the small staff responsible for putting on the annual Key West Literary Seminar.

In January 2011 the annual event -- which started in 1983 and has a different theme each year -- will explore food in literature and welcome celebrated food writers like Calvin Trillin, Jonathan Gold, Ruth Reichl, Molly O'Neill and Frank Bruni to speak on topics like restaurant reviewing and the future of food writing.

During the seminar, Haskell becomes the event's technical director. He is also the author of Littoral, the seminar's online journal, where he has interviewed many of the speakers and recently created hypothetical menus based on the writings of authors like Ernest Hemingway during their time in Key West.

Short Order spoke to Haskell by phone about what to expect from the seminar and his favorite places to eat in Key West.

New Times: Past literary seminars have had themes like "Historical Fiction" and "60

Years of American Poetry." How did the decision to center this year's

on food come about?

Arlo Haskell: The theme ideas, we plan very far in advance, at this point we already

know what we're doing for 2012 and 2013 and they usually come from

suggestions. Food is a good example; it started out as a murmur around

our audience members. And that was an idea that we continued to hear and

we started considering it more seriously and looking at how viable it

would be.

How would you describe the response you've received?

The response has been very good. We're doing two sessions, which we

don't do every year. We have

to sell more seats, but demand has been very good and we're expecting to

sell out both sessions. The feedback is great. I think Key West is a town

with a lot of restaurants, with a lot of people who like food and like

reading about food. Expectations are high.

From what you've seen in planning this festival, has there been a change in food writing?

I suspect there is and I think there is and I don't think I can put my

finger on it. And that's one of the cool things that happens in this

seminar. You have this group of writers that are invested in one degree

or another on writing about this theme and we get people in the

frontlines of what's changing. One of the panels we have this year are

Ruth Reichl, Judith Jones and Jason Epstein on how food writing has

changed and where it's going. That's a great group of people to be

talking about it because they're all food writers but they're also

publishers. Judith Jones edited Julia Child, Ruth Reichl now has the

deal with Random House and it sounds like she's going to be overseeing a

lot of the food writing that we're going to see. That's one of the things that we'll be learning.

You've been doing features for Littoral in which you create a menu based

on an author's writings and letters. How do you put together the menus?

It helps that I'm a fan of each of those writers. Growing up in Key West

and being a poet and a scholar of American poetry, I'm a big fan of

poet's letters. I can picture myself through them and see with a local

lens. I've been reading the letters of Elizabeth Bishop for a long time and my

idea was to find references to food and there were much more than I


What literary figures would be the most fun to invite to a dinner party?

Elizabeth Bishop who lived in Key West in the 30s in 40s and she wrote

about food much more than [others] did. She had a wide ranging, eclectic

taste and she was always sending packages of food to Marianne Moore in

New York. She was into odd, what she called strange Cuban foodstuffs

that she'd get down here, so I feel like she'd be a great dining

companion because she'd bring a bunch of fun stuff. A dinner party, it's great for what you're eating but it's all about the

people you're with and that sense of communion. I'm a poet myself, and a

big fan of Wallace Stevens so I would love to have dinner with him and

Elizabeth Bishop.

What would Stevens bring?

I would ask him to bring the scotch for afterward. I wouldn't ask him to bring anything else but I know he'd bring good scotch.

What are your favorite places to eat in Key West?

The one place that springs to mind right off the bat, only open for

lunch and it's only take out, is a place called Badboy Burrito. It's a

husband and wife team; he's [Chris Otten] the former chef at Nine One Five. He's a

fishing buddy of mine. That's a place I love.

Nine One Five where he used to cook is also quite good. And Ambrosia, it's a sushi place, which

I'm a big sushi fan, and I always really come back thinking Ambrosia is

the best place. In Key West you also have great access to

hole-in-the-wall coffee and sandwich counters. There's a place called 5 Brothers where I just got my morning cortadito.

Is there anything else you want people to know about the seminar?

I think one thing that makes the seminar a unique experience that

doesn't come across until you get here is that it's a social event also.

You have this packed schedule of heady intellectual stuff and there's

also these very casual parties afterward that are very well attended by

the authors that are here, so it's a great chance for people to mingle.

You've just seen Ruth Reichl, Jonathan Gold and Frank Bruni talk about

how they review restaurants and then you can see them at the bar and

talk to them in a more intimate exchange. That's something that's really

cool about the seminar.

The Hungry Muse: An Exploration of Food in Literature takes place from January 6-16, 2011. More about the seminar and registration information at

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