Audio By Carbonatix
Keep Miami New Times Free
We’re $1,500 away from our spring campaign goal!
We’re aiming to raise $10,000 by April 26. Your support ensures New Times can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
Argentina’s Flavio Mandinga, one of the founding members of Los Fabulosos Cadillacs, has crafted a solo project that explores various sonic textures and defies genre classification. Simply listen to “Ministra,” a rocksteady-tempo track seemingly inspired by early UB40 with a touch of psychedelics.
Later comes “Polaroid 66,” which draws from Brazilian Eighties rock via its soft guitar and drum patterns. Doo-wop tune “La Herida” brings further eclecticism, with bittersweet lyrics detailing the pain of a broken heart that will never mend. Then the album meanders into Sixties-style territory with the straight-ahead rocker “Oportuna.” Yet another highlight is “Cristina,” which contains elements of cumbia blended with electronic beats by DJ Bochokenado, who also guests on the bolero-tinged “Tropicana So.”
In a CD with so many divergent tendencies, weaker moments are inevitable. “Retirada Murguera Porteña,” an instrumental track, completely fails to excite; the same goes with the rockabilly-inflected “De Story of De Loko.” But despite these two shortcomings, Supersaund 2012 is a pleasantly challenging work. Fans will likely take some time to get the album’s concept, but once that happens, the music might just stick for a long time.