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Q&A with Phonique, Spinning at the Electric Pickle on Friday Night

Deep house is making a comeback in the world of electronic dance music. Much of the deep revival is happening in Germany, and especially in Berlin, a city that epitomizes the world's most cutting-edge dance music and where producers like Phonique are keeping it real soulful.

With roots in the '90s Berlin underground, Phonique a.k.a. Michael Vater, has gained steady international recognition throughout the 2000's as a DJ/producer with impressive output on top labels like Global Underground, Pokerflat and Dessous. 2008 saw him voted Best Deep House DJ by both the Beatport and Ibiza DJ awards, and he shows no sign of slowing down. Phonique will be making his first-ever Miami appearance at the Electric Pickle (north of downtown Miami) on May 22, for an exclusive DJ set that should serve us an exemplary taste of what's going on in European house music.

We had a chance to catch up with the man on the cusp of his Miami debut and ask him what he's all about.

New Times: You first moved to Berlin and got involved in the EDM scene there in the mid-'90's. How was the scene then, and how has it evolved over the years?

Phonique: The scene in Berlin has been great since East and West Germany came back together. The former East Berlin had so much interesting space available that a lot of bars and clubs popped up there. Also, alot of artists moved here because you didn't have to pay much rent here. Of course the rent slowly went up over the years, but artists are still moving here and the scene seemed to grow since the mid-'90s. Berlin's trademark is that it's always changing and new clubs and bars are evolving. Music-wise it was always more techno, house or jazzy, than hip-hop, drum 'n' bass or electro clash.

When you first started DJing you were known for your "freestyle" open

format of genres as diverse as hip-hop and drum 'n' bass. Tell us how

you first got into playing music and how you transitioned from what you

were playing then to your current deep house style.

Actually, I was into house music from the beginning in 1988. I bought

those more common vinyls back in those days (Inner City, etc.) and I

started to bedroom DJ around 1992. When I started to DJ at my own

parties in Berlin around 1996-1997, I only played the first 2 hours as

a

warm up DJ as I felt people needed a warm and slower welcome at the

parties than it used to be. I always wanted to get people slowly into

the mood to dance and party. They should arrive, have a drink and

slowly feel the rising energy. The hip-hop, freestyle, and break beats

were just there because I really

liked to have some nights, every now and then, where it's more about

the

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    groove and the feeling, than to just play pure house or techno. Also, I

    started to play frequently at Berlin's famous Tresor club from

    1999 on. The music I played there has always been a more technoish

    minimal approach to house music. In the end it means I play house music

    since I started and house music

    has always been my love. Sometimes I add some other styles to my set,

    sometimes my house is more minimal, sometimes more disco, but in the

    end it's all house!


    In addition to your accolades as a DJ, you are a prolific producer. What are your

    influences and inspirations? What is your process in the

    studio?

    I mainly get influenced by other tracks. I hear something and then I

    add other melodies in my mind, then I isolate my own melodies and start

    creating a track out of it. If i would tell you which track inspired me

    for each of my releases, you would probably feel it. If you listen for

    example to "For The Time Being" and then to "Quetzal" by Los Hermanos, you can

    easily hear that.


    Deep house is back, especially in

    Germany where the scene is normally associated with dark minimal

    techno. What do you think brought on this new wave of soulfulness in

    EDM?

    Ah, I won't say that Germany's sound is dark minimal techno. Techno has

    been very strong for a long time, but we always had a lot of good house

    music here. Even the DJs playing minimal or tech house are playing that

    at a speed of 124-128bpm, which is very close to the house/deep house

    style. All the DJs in Berlin who might be known for a different genre

    than deep house, like Ricardo Villalobos, Luciano, Steve Bug, Daniel

    Bell, etc., they are all playing some deep tunes in their sets and

    that's

    not just happening recently, they are doing it for years. On top of

    that, people call tunes deep house which wouldn't have been called like

    that 10 years ago. Back in the day, deep house had a more irrelevant

    attitude to most people. Nowadays the producers have much more

    experience to produce a deeper track in a way, which makes it more

    exciting for the dancefloor. All that made the so-called deep house

    comeback possible.


    What does the future have in store for Phonique?

    Right now I am working on my 3rd album. I am really excited about it as

    i have some great vocalists on board and some really great songs are

    already created. Besides that I am working on my own little

    deep 'n' disco house label called Ladies and Gentlemen. An amazing 5th

    EP is about to be released these days with tracks from Vincenzo,

    Tigerskin and Kolombo. Parallel to that we release the first Ladies and

    Gentlemen digital compilation with the best tunes from the past two

    years

    and a lot of new exclusive tracks, including a DJ mix I did with all of

    these tracks. I also just did a DJ mix "Berlin Nights" for Wagram Music

    focusing

    only on tracks from our label family: Pokerflat, Dessous, Audiomatique

    and Ladies and Gentlemen. When I come back from the US/Canada tour and

    before I head to Brazil

    again, I will do another DJ mix for the Dessous "Skin Is In"

    compilation with

    a lot of warm and sexy house and deep house stuff on it!

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