Miami natives Erik Slemon and Matt Gardner first started making music together more than a decade ago, when they were still apple-cheeked students at Coral Gables High and Columbus, respectively. Perhaps those early attempts were humble -- "We played, like, Nirvana covers at a couple of house parties," Gardner recalls recently, laughing.
But when high school ended, the two ended up far-flung -- Gardner at Florida State, and Slemon in Colorado, where he wound up in a hardcore band that toured nationally and started its own label. But perhaps it was kismet, then, that they reconnected in Los Angeles a couple years back. Gardner was working as a comedy writer there, and Slemon had moved his his hardcore act to the city in an abortive attempt to strike it bigger.
The longtime friends realized the music they made together was better
than anything they had done with their respective projects. Thus was
born People on Fire, originally conceived as a two-person deal, but
later rounded out as a full band. With Slemon on bass, guitars, and
vocals, and Gardner on the same -- plus synths -- they began to weave
a multi-layered tapestry of indie pop and electronic experimentation.
don't sit down and try to write, say, shoegaze space rock one day. We
write a lot of different things, and we're still refining our sound,"
Slemon says. Be that as it may, the shoegaze tag isn't inappropriate --
there are plenty of wall-of-sound sonic theatrics for people into that.
Interpol fans will find much to like in the driving, dark synth-driven
hooks of songs like "Statues." Above all, though, Slemon's vocals are
sweet, and keep things anchored in pop.
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