Friday, September 11, 2009
Most live performers I've seen, when it comes to sheer energy, personality, and grit onstage.
Hot damn, did all the hipsters come out of the woodwork for the Glass Candy show on Friday night! I've never seen such a massive turnout for what is still a considerably obscure band (as far as the mainstream is concerned, anyways) and at a venue which normally caters to a smaller indie cognoscenti crowd. I mean, there aren't that many hipsters in downtown Miami, are there? Maybe the hype surrounding Glass Candy simply preceded them that night, or maybe I'm just underestimating the general musical savvy and good taste of Miami's nightlife set.
By midnight the line outside Vagabond had reached critical mass, stretching all the way down NE Miami Ct. The place was practically at wall-to-wall full capacity when I made it in, so I wouldn't be surprised if at least a handful of the additional hundred or so people outside got turned down at the door. Off The Radar's DJ Danny Ashe had the party bumpin' in the front room with a selection of classic and new funky favorites. You can't go wrong with the Vag's Friday night $1 beer specials, of which I partook copious amounts before heading into the main room where Glass Candy would take stage around 1 a.m.
As they kicked off their intense set, the first thing that struck me
about GC is what a different beast they are live than on record. The
somewhat lethargic, Quaalude-hazed sound of their studio recordings
becomes a raging and dynamic sonic bacchanal onstage, with
producer/keyboardist Johnny Jewel manning his synths and hardware with
a certain energetic improvisational flair missing from the more spartan
arrangements of their tracks. Meanwhile vocalist Ida No belts it out
with the greatest vigor while feeding ravenously off the crowd's
energy, like the best of entertainers, oozing pure sex and charisma.
And boy can that girl move! In her '80s leotard, prancing and shaking
it around the stage barefoot, like a Jane Fonda on peyote.
The duo kicked off with some of their most popular material from 2007's B/E/A/T/B/O/X,
an immediate crowd-pleasing move that had the packed roomful of people
bouncing ecstatically from the get-go. Jacked-up and upbeat versions of
"Digital Versicolor," "Beatific," and "Candy Castle" followed by some
older punkier material from their first releases and some stuff from
their 2008 Deep Gems album, like "Geto Boys" and an epic
rendition of the "Miss Broadway" electro-house remix that was easily
the highlight of the night. Here's an act with all the musical talent
and onstage presence of the finest disco-era performers, combined with
all the grit and raw attitude of the punk era's most daring
provocateurs, showing a generation weaned on jaded and frigid DJs how
to really get down. And we love them for it.
Personal Bias: Were you there? Is there such a thing as an objectively, empirically, incontrovertibly excellent performance? I believe so.
The Vagabond's hipsters love to boogie. Maybe I'm too used to the
We Believe Local Journalism is Critical to the Life of a City
Engaging with our readers is essential to Miami New Times's mission. Make a financial contribution or sign up for a newsletter, and help us keep telling Miami's stories with no paywalls.
Support Our Journalism
minimal techno parties I usually frequent where the dancing quotient is
not as uninhibited, but it's refreshing to see a roomful of people
shaking it unashamedly like it's no one's business.
By the Way: Can the Vagabond do any wrong in anyone's book? Phenomenal venue, stellar bookings, $1 beer specials. Works for me.