There’s nothing like seeing the “Download” links enabled for the tunes on a band’s MySpace site. Wellll, doggy — free shit! Yessir, Mark Dubin of Fort Lauderdale’s Los Diablos ain’t no cheapskate. “We believe that if people are gonna take time to check out our shows, pay for the cover,…
What has four legs and sounds like Redd Foxx trying to freak up a New Orleans blues bar? The Nashville-based duo Black Diamond Heavies, comprising Van Campbell on drums and founder John Wesley Myers on guitar and blackened throat. The band was actually born four years ago as a four-piece…
Southern California has birthed more successful hyphenated punk bands than anywhere else in the world. From the Eighties punk-metal of Black Flag to the latter-day pop-punk of the Offspring, La-La Land and its environs are the epicenter of anger-with-a-twist. Strung Out’s latest release this past June, Blackhawks Over Los Angeles,…
Cleaveland Jones is a band of mystery, insists its frontman and songwriter, named, also, Cleaveland Jones. “I don’t mind it being a bit confusing or ambiguous,” insists the Ohio transplant, who has been in Miami for 10 years and playing music locally for three. Try to get more details about…
The thing that stokes Mark Caro — alias Tech Itch — the most is his rep as the godfather of dark, hard, experimental drum ‘n’ bass. The thing that least stokes him is what the marginal success of d ‘n’ b is doing to the genre. “There’s too much cheesy…
Saturday night the Southern rock hits of Molly Hatchet — “Flirtin’ with Disaster,” “Beating the Odds,” and “Gator Country” among them — will make a perfect soundtrack to blowing some dough on that not-quite-fast-enough filly. Grown from the same musical soil as Lynyrd Skynyrd, in its Seventies heyday Jacksonville’s native…
Dropkick Murphys w/ HorrorPops September 25, 2007 Revolution, Ft. Lauderdale Dropkick MurphysPhotos by Jamie Puntumkhul Better than: Three accidental fists to the face due to an ardently chanted Oi! trinity. The Review: I have somewhat of an obsession with that span of time between an opening band’s wasted plea to…
Our punk rock icons are aging. Mike Watt now looks more like a retiring shop teacher than a rocking member of the double bass group Dos, and the recent surprise guest on NPR’s quiz show, Wait, Wait, Don’t Tell Me was not a senator with presidential aspirations, it was the…
Stevie B Thursday, September 20, 2007 Nectar Lounge The Review: It’s a sad thing when your life peeks at 13. Ever wonder what those kids that used to rule the roller skating rink grew up to look like? Well, kind of the same – ghetto-fabulous in tight clothes and big…
Duncan Sheik w/ Holly Brook September 22, 2007 The Theatre, West Palm Beach Better than: MTV Unplugged The Review: Politically charged lyrics that are shrouded in double entendres, Buddhist sensibilities and laid-bare songwriting are the hallmarks of a Duncan Sheik semi-acoustic show. Known for his chart-topping “Barely Breathing,” which garnered…
Miami fans of intelligent, funky grooves and beats: This edition of the weekly Switch dance party at PS14 is for you. The star of the evening? The DJ/producer born Adam Dorn, a.k.a. Mocean Worker, known by the downbeat cognoscenti for his funk-inflected, organic take on jazzy drum ‘n’ bass, breaks,…
Interpol singer Paul Banks Interpol September 19, 2007 BankUnited Center Better Than: The big bright dark of a full-on eclipse. The Review: Sure it’s nice to know people, but it’s really nice to know cool people, and at last night’s BankUnited Interpol show, cool converged in abundance. From the editor…
The Las Vegas-based quintet Escape the Fate is a refreshing anomaly on the post-hardcore scene. Sure the bandmates have enough morbidity in their often-screamed lyrics for an entire Warped Tour, which they just played this summer. (Their release titles to date are There’s No Sympathy for the Dead and Dying…
DJ magazine’s number 32-ranked DJ in the world is a relative newcomer whose reputation borders on the messianic. In 2004 Sander van Doorn began to focus more on DJing and less on production, the field in which he’d been working under names like Sam Sharp, Purple Haze, and Filterfunk. In…
It’s a battle of the club music heavyweights in downtown Miami this Saturday. While Sander van Doorn is at Space, the producer born Brian Transeau — better known as BT — takes over the Pawn Shop Lounge a couple of blocks away. Growing up in Washington, D.C., in the Eighties,…
Listening to Dashboard Confessional can sometimes be like picking at a scab or poking at a cavity — vaguely painful and enjoyable at the same time, weirdly compelling and hard to stop. But not because the music, masterminded by Boca Raton native Chris Carrabba, is unpleasant. Just the opposite —…
Here’s a concert for all the lovers of old school Miami Bass and Freestyle music. If you can remember listening to jams like, “Party Your Body,” and “Because I Love You (the Postman Song)” then chances are you remember Stevie B. He was the king of Miami’s dance scene in…
Due to the success of Soulja Boy’s hit single “Crank That (Soulja Boy)” and it’s accompanying dance — which hit #1 of the Billboard Hot 100 Chart this September — everyone from the whitest of uncoordinated white boys: to Maury Povich guests: have been caught on YouTube with their personal…
KRS-One w/ guests Garcia, Brimstone127, The Major League; hosted by DJ Raw Friday, September 14, 2007 Studio A Better Than: The Spank Rock show at PS14 the same night! The Review: So the locals must be wondering: “KRS-One again?” Seeing that his last Studio A performance was a little over…
Dade Vs. Broward–Battle of the Bass Friday, September 14, 2007 Voodoo Lounge The Autonomous Bassheads (J-Nasty and Shade) Better Than: Getting laid. Well, not really but it came close. No pun intended. The Review: Miami has always been known to yield a plethora of House music. Fort Lauderdale had the…
Ana Gabriel September 13, 2007 Hard Rock Live Coincidentally or not, Ana Gabriel gave thousands of her compatriots and most loyal supporters an early birthday gift on the eve of Mexico’s Independence Day none of them will soon forget. And in the process the Mexican ranchera/pop queen proved she’s still…
Ana Gabriel’s tender and raspy voice was already captivating at the age of 6, when she was belting out interpretations of Mexican classics like José Alfredo Jiménez’s “Regalo a Dios” (Gift to God) back in the early ’60s. As one of the most respected female ranchera singers in history, the…
