I was much further out than you thought And not waving but drowning. — Stevie Smith In Douglas Carter Beane’s As Bees in Honey Drown, Evan Wyler (played by Mark Heimann) learns a little something about the facts of life and even more about life’s fictions. After nine years of…
It’s no myth that one of the first constitutional rights U.S. settlers fought for after freedom of speech, was the right to bear arms. Americans have an undeniable fascination (indeed, love affair) with the gun as phallus — an insatiable attraction to the romance of the Bonnie and Clyde rampage…
The forms of entertainment competing with live theater seem to grow every year, from IMAXes to e-books to women’s basketball. And now there’s even a new form onstage. “The spirit of creation is the spirit of contradiction,” wrote Jean Cocteau, and South Florida, being the capital of contradiction and fertile…
As the house lights go up at the end of Brief Encounters, the Lake Worth Playhouse’s second annual one-act festival, the cast shuffles onstage, folding chairs in tow. Each Friday night of the three-week festival, audience members can stick around to ask questions and chat with the cast. The actors…
Remember that instantly evaporating pop hit from the early Eighties, “Video Killed the Radio Star”? If ever there were a comparable anthem for the relationship of the small screen to the stage, it would be Paul Rudnick’s I Hate Hamlet. The backstage comedy that hit Broadway in 1991 pits art…
While some critics would say Nathaniel Hawthorne’s dark tales are not of this world, The House of the Seven Gables reveals a work very much of two worlds, or rather two Americas — the new and the old. Woven from the black cloak of Calvinism but enlightened by the threads…
The key to great parody is that it hits home in contemporary society. Although Cuban playwright Rolando Ferrer’s play Lila, La Mariposa (Lila, the Butterfly) was meant to be a criticism of Havana and the 1950s when it was first written back in 1954, Teatro Avante’s rendition continues the tradition…
Walking out of the Caldwell Theatre’s production of Snakebit, you can be certain you will not hear a playgoer over age 60 sigh, “Ahhh! To be young again!” This hard-hitting drama leaves no room to fantasize about the potency and possibility of the thirties. Playwright David Marshall Grant’s increasingly complex…
A strong monologue, very much like a steaming jazz solo, should always seem improvisational, even if it’s not. Like music it moves and gathers momentum and in doing so, meaning. No long-winded plot summary or a pedantic sermon, the final monologue in GableStage’s production of Warren Leight’s Side Man does…
Ceremonia Inconclusa (Unfinished Ceremony).
Created by, directed by, and starring Magaly Agüero. Artemis Performance Network’s Performance Space 742, 742 SW 16th Ave; 305-643-6611.
We take a seat in front of the screen, stage, or box to disengage. Sometimes it has to do with art — a riveting portrayal of the human drama — sometimes not. TV and film provide many ways to disengage, through electronic hypnosis, Surround sound inoculation, big-screen digital imagery, and…
If all the world’s a stage, then surely a courtroom is the place to see some of the best drama. Just think of Johnnie Cochran, striding across a courtroom and slamming down his briefcase, or O.J. Simpson, struggling to squeeze his huge hand into the glove that didn’t fit. A…
Remember Love, American Style? It was a lighthearted attempt at feminism and gender-bending, which somehow always ended up in bawdy, wide-angle shots of breasts and behinds and concluded in catty dialogues that took place in a huge, brass four-poster bed. As a youngster I tuned in for the opening shot…
Over the River and Through the Woods (written by Joe DiPietro and directed by Kenneth Kay) is one of those plays you walk out of saying, “Gee, my mother would have loved that,” and lo and behold, you look around and there is your mother — and all of her…
Before Women Who Love Too Much and Codependent No More, there was Georgia O’Keeffe and her watercolors. Characteristically dressed in a long black sweater, O’Keeffe peers out at the audience from the dimly lit stage of the Hollywood Boulevard Theatre. “Watercolors are tricky,” she observes in Lucinda McDermott’s O’Keeffe! “When…
Praying with the Enemy
Immigration is a physical act. A body of water is crossed; a mountain range grows smaller and smaller until it appears to be the knuckles of a hand resting on the earth. A dissonant jumble of consonants and vowels seeps into our thoughts until our dreams are flooded. We fall…
Something Cloudy, Something Clear
In 1615 John Donne did something that changed the course of his life, and four hundred years later, the life of Vivian Bearing Ph.D.: He became an Anglican priest. Donne dedicated his life to writing religious prose and poetry. As a priest and poet he explored the barriers of mortality…
What happens when you put Hot Lips Houlihan in yellow chiffon three sizes too tight on a roof with a ghost who looks like he could be a skinny second cousin of Elvis Presley? Paste this scene against a Technicolor blue sky reminiscent of those you see in toilet paper…
Los Angeles dramatist David Rambo (his real name) describes his discovery of a televangelist’s audio technician as the missing link in his three-character play this way: “The Heavens opened, so to speak. I realized I had a trinity: the Father, Son, and the Holy Ghost!” But in his play God’s…
Madonna, heaven help us, has yet to don patchwork jeans and a tiara and croon “Cat’s in the Cradle” to a synthesized beat. But the day still may come when Harry Chapin’s ballads, like Don McLean’s “American Pie,” become fodder for the pop diva’s gristmill. Until then you can trip…
