If you’re feeling lethargic, spend an hour with Michael Hall, the artistic director and founder of the Caldwell Theatre Company, one of South Florida’s two state theaters. Immense funds of energy, optimism, and creativity fill the room from the moment he steps in. Immediately you understand why Jim Caldwell, the…
Donald Margulies, an already solid playwright, committed a strange and wonderful act a few years ago: he wrote an honest-to-goodness play. Not the usual cheesy sitcom disguised as drama, or a wild experiment in masturbatory avant-garde that no one understands but the author. He constructed instead a work of art,…
How’s this as the basis for a cute musical? A struggling but earnest theater group needs major structural renovations and secures grants from the county Cultural Affairs Council, among others. Things look bright. But just as the construction crews are about to begin, a major weather catastrophe A a hurricane…
Especially before the age of information-packed technology, historians tended to obscure a great deal. Lately, in the new decade of “the woman” (thanks, Hillary!), scholars and artists appear to be discovering a whole crop of creators previously overlooked or completely ignored. Ask for the greats of the arts and you…
In A Clockwork Orange, Anthony Burgess’s brilliant novel (later made into an equally stunning film by Stanley Kubrick) about the way society controls individual thought, the violent lead character is captured by government officials and forced to undergo a unique form of torture/behavior modification. With eyelids forced open so that…
Allow me to launch right into this commentary with no preamble, as my excitement can hardly be contained. The Miami Actor’s Studio has managed to present a brand-spanking-new play — Power in the Blood by Sarah E. Bewley, rightful winner of the 1992 State of Florida’s Individual Artist’s Grant for…
Despite what many playwrights like to think, I believe that any work is written three times: by the author, by the director, and by the participating actors. A produced play then could be compared to a three-story building. The all-important foundation and first floor of the structure is without a…
As Peter Brook of the Royal Shakespeare Company, and so many others like him and after him realized, a classic play is most worth doing if the director bestows new insight, or a new interpretation on the work. Brook brought King Lear to powerful, violent life reflecting his explosive society…
In life — and especially in the arts — people are fond of excusing failure by blaming it on societal prejudice. “If only I wasn’t a woman,” (or black, or short) “then I would have made it.” While many instances of such bigotry can be cited, there’s another harsh but…
A writing professor once warned me that no matter how hard a playwright tries to avoid it, one character in the piece usually represents the writer, and that role often evolves into the most meaty and authentic. Sure enough, upon yet another examination of The Little Foxes, Lillian Hellman’s classic…
Everyone who commits the slightly demented act of remaining in theater remembers when that thrill of the stage first seized them. For me it was being cast as Lola in my high school production of Damn Yankees. I walked around the streets of Queens brazenly singing such classics as “Whatever…
Coproducer/cofounder of the new Miami Skyline Theatre Allen J. Zipper impresses me as not only a practical and inspired man, but also a most amusing one. For years he worked in the marketing, public relations, and production departments of the Coconut Grove Playhouse, as well as working as an actor…
People in the arts love to expound theories about talent: Is there such a thing? Can it be developed? Are some lucky souls just born with the right stuff and everyone else is lost? Is it just luck or a smart mouth? In teaching, I like to offer my own…
I, unfortunately, vividly remember George Peppard’s sad impersonation of acting last year in The Lion in Winter. I’m steeling myself to face the prospect of Marlo Thomas interpreting John Guare’s masterpiece, Six Degrees of Separation, in the coming season. And I’ve recently come from viewing another impotent TV hack, Adrian…
Alan Farago poses a challenging question at our interview at J.J.’s restaurant several blocks from El Carrusel, where he’s starting his new company, Theater FLX. “Why does the city of Miami think theater is unimportant but finds the money to build monuments?” I can only sip coffee, because if I…
The solid triumph of Bill Clinton and the brutal lashing of the religious right suggest that the country is ready to move forward again instead of twenty steps back. With a renewed spirit of hope, the mass audience heads to the laboratory, resolved to try brave experiments, such as saluting…
I mentioned in a previous column that this quote is attributed to Eugene O’Neill: “The artist who tries to save the world loses himself.” I’d like to add that, in the case of Edward Albee, the artist who tries to save himself loses his art. Desperate to retain his former…
Since I’m about to deal with a murder mystery/courtoom drama — Aaron Sorkin’s 1989 Broadway hit, A Few Good Men, which is now enjoying a satisfying production at the Caldwell Theatre Company — allow me to play Sherlock Holmes for a moment and hypothesize how this particular work came into…
If I ever question the validity of devoting so much time to theater criticism in a town like this, there’s no stronger reassurance than the occasional, sudden privilege of attending a momentous event or meeting a luminary from the world of the stage. Last week I enjoyed the honor of…
In an effort to market the newest commandment — Thou Shalt Have Family Values — both major political parties have made attempts to define just what a family is. According to their guidelines, several groups didn’t cut the mustard. Forget gay couples and straight married ones without children. And forget…
Though I was provided with excellent seats for “Give ‘Em Hell Harry!”, and though artistic director Arnold Mittelman was gracious enough to invite me to his theater balcony supper afterward, I must confess that I walked out of the play shortly after intermission. Now, as a critic, one might argue,…
‘Tis the season to face the theater of 1992-93, so a broad review of last year’s high and low points seems to be in order, as well as a peek into which shows ahead merit breaking into the piggy bank. And since everyone in this place remains too polite to…
