Even if you’re the type destined to arrive late for your own burial, you should make it a point to show up at least fifteen minutes early for Grandma Sylvia’s Funeral, the interactive comedy now at the Broward Stage Door Theater in Coral Springs. That’s the time Grandma Sylvia herself…
When you can’t figure out which direction the stock market will head or which nation isn’t complying with nuclear disarmament, it’s soothing to know that at least somewhere on the television dial things remain constant: Mary Richards will never find Mr. Right, Lucy Ricardo won’t headline at Ricky’s club, and…
To borrow a line from the great soul singer Sam Cooke, I don’t know much about history, but I do know that Benedict Arnold turned traitor during the Revolutionary War. In the world premiere of Benedict Arnold, now at Palm Beach’s Florida Stage (formerly the Pope Theatre Company), playwright William…
Some plays transport you back through time by parading actresses in hoop skirts across the stage or bathing the scenery in the simulated flicker of gas lamps, but Clarence Darrow, now at Coral Gables’s New Theatre, accomplishes the feat by presenting nothing more than ideas. Based on the life of…
During the intermission of Private Lives, being staged by downtown Miami’s Ramsay-Hutchison Players, a dance professor from the New World School of the Arts asked me if I review college theater. I said no and went on to explain that I am reluctant to write in-depth reviews of performances by…
Forty years after his playwriting debut, Harold Pinter ranks in the top five of living drama scribes in at least two categories: most acclaimed and least understood. His works delight academics, who find existential metaphors for the Atomic Age in his characters’ random actions and disjointed dialogue. Those very same…
Despite the weekend’s steady rain, more than 50 people join me as I wade into the Hollywood Boulevard Theatre on a recent Sunday night. After reaching into soaked pockets and purchasing five-dollar tickets, we quickly fill up the rows of the tiny storefront playhouse. The view from our seats, however,…
Living up to his reputation as a consummate gentleman, Bill Hindman asks for permission to loosen his tie as he settles into our booth at a little out-of-the-way Chinese restaurant near Dadeland. I find it amazing he is even wearing a tie during this break from his preparations to portray…
When High Button Shoes premiered on Broadway in 1947, its name and 1913 setting conjured nostalgic images of more carefree days. Its title still brings to mind visions of a bygone era, and one yearns for the golden age of musical comedy when boy wooed girl through exhilarating dance numbers…
Coming hard on the heels of New Theatre’s stylistically impressive but emotionally aloof Angels in America Part I: Millennium Approaches, the playhouse’s humanizing production of Tony Kushner’s challenging sequel, the three-hour Part II: Perestroika, unearths the soul in the play’s characters. The stirring performances are enhanced by the complexity and…
A confession: Before the curtain goes up on any musical production, I check out the number of songs in each act; if the show turns out to be a turkey I can start the countdown till the final curtain. During the intermission to Little Shop of Horrors, now at Boca…
Even though he was actually born on July 3, legendary Broadway showman George M. Cohan (1878-1942) didn’t let the matter of a few hours stop him from proclaiming Independence Day his birthday. Immortalized by Hollywood’s Yankee Doodle Dandy (1942) and Broadway’s George M!(1968), the theatrical producer/actor/playwright/songwriter fostered America’s growing nationalism…
The sky was as dark as an actress’s roots when I pulled into the lot of Fort Lauderdale’s Studio Theatre, where the newly formed Actors’ Project has set up shop. For its first move on the local scene, the company is flexing its muscles with the musical Song of Singapore,…
Looking for something different, I turned to the movie listings. Bad idea. Speed 2, Batman and Robin, George of the Jungle: a bevy of tired sequels and spinoffs that sent me fleeing back to the theater capsules, where I opted for Shakespeare. Ahhhh, why bother with Hollywood hacks when the…
With an ad in the New York Times that reads “Never out of style … but heading out of town,” Full Gallop is just one of the Big Apple’s current hits now packing its trunk for a road tour that will include a stop in South Florida. During a recent…
For decades, when theater folk used the word angels, they were referring to those rare investors who could miraculously save productions with their financial backing, but whose good will proved to be as difficult to attain as divine providence. In 1993, Angels with a capital a became the theatrical buzzword,…
In a variation on the St. Patrick’s Day saying about the Irish, in South Florida theater these days there are two types of shows: those that are Jewish and those that wish they were. Eager to reach the vast numbers of ticket buyers among the region’s sizable Jewish population, producers…
It’s been said that all you need to create theater is two planks and a passion. With its basic platform stage, South Beach’s EDGE/Theatre comes raggedly close to meeting the first criterion. As for the second, Jim Tommaney, the company’s artistic director and general manager, supplies the requisite passion in…
When the producers at Miami Beach’s Area Stage and Coral Gables’s Florida Shakespeare Theatre discovered several weeks ago both troupes had scheduled a South Florida premiere of a work by the same playwright, they decided to join forces and create what they’re calling the Nicky Silver Play Festival. During the…
A shipwrecked young woman who protects herself in a strange city by masquerading as a man; an orphaned teenage girl who dons men’s clothing in defiance of Jewish laws that forbid the education of women; a tortured man who stops numbing his pain with alcohol long enough to confront his…
Info: Rodgers and Hart Failure By Savannah Whaley With the exception of a few years in the early Thirties spent toiling in Hollywood’s movie factory, lyricist Lorenz Hart and composer Richard Rodgers held sway for nearly a quarter of a century on Broadway. Between 1919 and 1942, the pair defied…
Despite its man-eating tigers, ferocious lions, and thundering elephants, the circus never frightens me. Not surprising, really — it’s merely theater where I can watch brave acts of skill from my comfortable seat (although I sometimes have trouble applauding with my hands glued together by cotton candy). Carnivals are another…
