Arts & Culture

Most of Nico, 1988 takes place two years before its subject’s death, in 1986, when a now raven-haired Nico (played with an inquisitive weariness by the excellent Dyrholm) tours Europe with a band of amateur musicians desperate for gigs

There’s no narration and very little onscreen text, just a steady drumbeat of clips and sound bites that portray how nuclear warfare went from a welcome announcement — the big new bombs that would end World War II — to an international arms race …

This is a story of stifling manners and oppressive codes of conduct, where the wealthy “villains” wear a strained smile and an icky sheen of privilege

Its unruly scenes emerge out of disorder, out of chants and shrieks and fractured images, and always threaten to fade back into abstraction

This is a portrait of a decades-long partnership coming to a head but also of the American literary community reckoning with what so many know to be true: Women are still not seen as “serious” writers or contenders for major prizes

Peretz could have given each potential pairing equal time in the story, but he sticks with the most evocative of the two; Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke

Weitz’s film, concerning a Mossad team’s 1960 hunt for Eichmann, is a sort of Argo Goes to Munich, blending heist movie jollies with some moral inquiry into justice, revenge, torture and execution

The film’s wrenching centerpiece is the 2014 death of Eric Garner, killed due to “compression of neck, compression of chest and prone positioning during physical restraint by police” who suspected him of selling loose cigarettes

The first thing you should understand about The Little Stranger, the new film by Room director Lenny Abrahamson, is that it’s only partly a ghost story. The period film, which follows a country doctor tending to a high-society family in its crumbling mansion, speaks to a shift in the class…

At its best, the show was a canny deconstruction of contemporary late-night comedy, which has been swamped with political satire since Stewart, the former Daily Show host, turned Bush-era liberal outrage comedy into its very own TV genre

Happytime Murders, though, demands that we take its world somewhat seriously, that we invest ourselves in the tensions between people and puppets, that we buy into its by-the-book serial-killer narrative …