The drawback was they had one Elvis,” an ex-girlfriend of Jimmy Ellis deadpans in Jeanie Finlay’s tragicomic doc Orion: The Man Who Would Be King. Ellis, an Alabama-born singer whose voice shared much of Elvis Presley’s timbre and husky power, had tried for years to hit the big time, touring…
When The Mindy Project debuted in 2012, one of its two main inspirations, the big-screen romantic comedy, was already dead. Kate Hudson’s last studio rom-com (Something Borrowed) was released the year before, Katherine Heigl’s (Life as We Know It) the year before that. With their Harry/Sally-esque slant-rhyming names, The Mindy…
To say that the films of David Lynch should be playing on a loop for the rest of eternity isn’t all that much of a stretch, considering the filmmaker is one of the most fascinating surreal figures of his time. And with a showing of Eraserhead just months ago, Miami…
With the Miami International Film Festival only months away, it’s time for some of the festival’s selection to hit the press. Although the festival’s 33rd edition will kick off on March 4, the opening night film has been selected: Álex de la Iglesia’s latest film, My Big Night (Mi Gran…
Nearly a year has gone since the last Miami Jewish Film Festival (MJFF), but now, the beloved festival is set to return in January for its 19th year with plenty of films to get excited about. The festival, which is the largest Jewish cultural event in Florida and the third…
When it comes to Miami indie film production, everyone knows Borscht Corp. has been on a roll. Yesterday, the Sundance Film Festival announced that it has accepted an unprecedented five films from the filmmaking collective to premiere at next month’s festival in Park City, Utah. Four short films and a…
North Miami Beach’s Intracoastal Mall has reached a new level of swanky with the addition of an iPic Theater. The Boca Raton-based theater chain recently opened its newest location on Friday, December 4, and invited a few members of the press to experience the luxury amenities first hand on Tuesday…
A disheartening case of When Auteurs Go Affected, Every Thing Will Be Fine confirms that Wim Wenders — making his first dramatic feature since 2008’s Palermo Shooting — is a filmmaker now light-years removed from his Paris, Texas and Wings of Desire heyday. Egregiously airless and artificial, Wenders’s latest (written…
Years after Moby-Dick was a flop, Herman Melville visited an old ship’s captain named George Pollard. Both men had seen better days. In their youth, both had sailed the seas with some success. Melville had written novels about his adventures with island girls, and Pollard had once helmed one of…
In the current noble vogue of admirable female figures in documentaries, now comes Peggy Guggenheim: Art Addict, by Lisa Immordino Vreeland. Guggenheim may not be news to the art world, but for the rest of us, the film might stir wishful nostalgia for a breakthrough time in cultural history —…
It’s beginning to look a lot like the holidays here in Miami, inside and out. Although it is still not particularly cold weather-wise, hopefully the theaters will crank the air to 30 and whip up a snowstorm during a film. December is here and so are a bundle of classic…
Yes, Janis Joplin made a hell of a record out of Rodgers & Hart’s “Little Girl Blue,” but you’re right if you winced to learn that Amy Berg’s new documentary feature about Joplin, Little Girl Blue, takes that song as its title — and as its dismal argument and organizing…
Oh, Zeus, hear my lament that I was not present when Spike Lee imagined updating Lysistrata to present-day Chicago. I bet he burst himself cackling. Aristophanes’ 411 B.C. comedy, written during the three-decade Peloponnesian War, concocts a crazy scheme: Women refuse sex until their blue-balled men give in and declare…
In a 2001 interview, producer Lee Mendelson recalled the reaction of a CBS executive who attended a screening of “A Charlie Brown Christmas” shortly before it was scheduled to premiere, on December 9, 1965: “Well, it’s in the TV Guide logs — we gotta put it on the air. Nice…
The heads of the City Dionysia, the Grecian playwriting competition that pitted Aeschylus against Sophocles and can be considered the original Oscars, had a rule: no original characters. Instead, the best creative minds of a generation — or really, a millennium — exhausted themselves finding new spins on, say, Medea…
Maybe Cars and the Hot Wheels-ification of Pixar has been a good thing. Now that the storied studio has, like its rivals, puked onto our screens indifferent kid-distracting junk, its new movies come unfreighted from expectations of genius. Miserable as it was, Planes: Fire and Rescue (from corporate parent Disney…
Saoirse Ronan makes a grand case for herself as the millennial generation’s finest leading lady in Brooklyn, an immaculately crafted, immensely moving character study about a 1950s immigrant struggling to find her place in the world. With an open, innocent countenance equally capable of registering tremulous separation anxiety, exhilarating joy,…
Bees are such tiny, seemingly inconsequential creatures, yet milligram for milligram, they affect the landscape in profound ways. You could say the same about small, delicate movies like Italian filmmaker Alice Rohrwacher’s 2014 Cannes Grand Prix winner The Wonders, which tells the story of a hippie beekeeper family in the…
Bryan Cranston parades through Trumbo, a wiki-pageant of shorthand history, like he’s a costumed kid playing Actor Bryan Cranston at a Disney park. As blacklisted screenwriter Dalton Trumbo, a man given to mannered diction, Cranston layers movieland falseness over the scraped-raw heart of his Breaking Bad triumph. Remember how you…
There are movies that aren’t for everyone, and then there are movies that ought to be stamped with a “Caution: Not for Everyone” disclaimer. Whit Stillman’s 1990 debut, Metropolitan, is not only about rich teenagers — a common one-note villain in most American comedies. It’s also about old-money Manhattan teenagers…
The Nazis lost World War II, but they’ve conquered the American imagination. Seventy years after his suicide, Hitler is still everywhere: in the movies, on YouTube, in political headlines and on the History Channel. The latest manifestation of our Third Reich fixation is The Man in the High Castle, Amazon’s…
Marvel’s Jessica Jones is smart, surprising and occasionally terrifying, a human tale of trauma and healing in a superhero vein. Its first episodes have more (unexploitative) sex scenes than battles, more shrugs and eye rolls than mighty kapows. But it’s not the shock or novelty that gives it resonance. Jessica…
