Here’s a question faced by the creators of almost every superhero adaptation: How do do you pull this off without copying Frank Miller’s Batman? Too many modern superhero dramas — including the Dark Knight films, Arrow, Daredevil and Batman v Superman: Dawn of Justice — either ape the dour realism…
One day in 1994, residents of Little Havana and Downtown Miami heard a loud boom. It wasn’t a hurricane or a riot or anything dangerous. It was Arnold Schwarzenegger blowing some shit up with a big-ass, fake Harrier Jump Jet. True Lies, the action comedy about a secret agent that…
In Jeff Nichols’ gripping domestic thriller Take Shelter, Michael Shannon played a family man convinced that Armageddon was upon us. But even as the character’s visions compelled him to take more and more extreme precautions, the film remained fixed in the world of the real. It was a portrait of…
Clowning, bullet-riddled rom-com Mr. Right is awfully charming in the best and worse sense of the phrase. It’s often kind of awful but also weirdly, effervescently charming, a movie that salves, with its stars’ radiance and charisma, even as it grates. What hurts: lots of vaguely comic hitman drama, with…
Richard Linklater’s Everybody Wants Some!! is being billed as a “spiritual sequel” to his 1993 high school stoner classic Dazed and Confused, but in some key ways it feels closer to his animated 2001 philosophy bull session Waking Life — a freewheeling grab bag of ideas, ruminations and loose ends…
A she-wolf of Wall Street with a spiky ginger Suze Orman shag, Michelle Darnell, the anti-heroine of fitfully funny The Boss, is the latest of the Rabelaisian wonders played by Melissa McCarthy. The actress specializes in characters with indestructible bravado, no matter where they stand on the socioeconomic ladder; Michelle,…
The Chet Baker portrayed by Ethan Hawke in Robert Budreau’s misty biopic Born to Be Blue is midway between beauty and ruin. Behind him are the 1950s, when his easy virtuosity and matinee-idol looks swiftly took Baker from Charlie Parker’s sideman to major player on Dick Bock’s Pacific Jazz label…
Jean-Marc Vallée’s Demolition presents an interesting experiment: What if you told a story of tragedy but withheld all the tenderness and emotion from it, so that you were left — at least until the very end — with just literal and figurative wreckage, disconnected fragments seeking to be put back…
There are a whole lot of classic films showing throughout Miami, which is pretty damn exciting. Here’s what to look forward to in the month of April: Cosford Cinema The Douglas Sirk retrospective that kicked off in March with All That Heaven Allows (and a film it inspired – Far From…
Superhero fans may not know stunt coordinator Philip J Silvera’s name, but they do know his work. Silvera’s choreography turned heads in such recent comic-book adaptations as the Arkham Knight and Arkham Origins Batman video games, the record-breaking Deadpool film and Netflix’s Daredevil. Silvera’s imaginative, brutal work on Daredevil’s first…
Some free advice: If you ever find yourself defensively reminding people that you’re not in a cult, you’re probably in a cult. This comes up early and often in The Path, Hulu’s new series premiering on March 30th, not that any adherents of the fictional Meyerist Movement seem fazed by…
Drone warfare is a moral grey area, and this movie is on it. Gavin Hood’s Eye in the Sky stands alongside Drones and Good Kill as the cinematic equivalent of online commenters shouting “First!” on on a hot topic but not bothering to say anything new or insightful about it…
Willful ignorance as a character trait typically evokes annoyance in those who witness it – at least in real life. In many French films, however, a character who’s willfully ignorant is portrayed in the twee manner, encouraging us to believe it is their blissful view of the world we should…
In Arnaud Desplechin’s My Sex Life… or How I Got Into an Argument, intimate relations with Marion Cotillard lead one character to a spiritual awakening. Later, protagonist Paul Dédalus (Mathieu Amalric) declaims on what he considers “the one pleasure” that will never go away in life: “the surprise when I…
Have you ever considered the fact that, in 1951, Hank Williams actually wrote “Hey Good Lookin'”? That, for the first 175 years years of American history, those words and that melody weren’t already part of our shared heritage? Williams didn’t just pluck it out of the air, of course. Cole…
This weekend, protest organization Occupy Miami (a branch of the Occupy Wall Street movement in New York) will host the inaugural Radical Film Festival. The two-day cinematic celebration of resistance aims to inform and inspire. Screening will be six topical films selected by local organizations, including Black Lives Matter Miami, Dream…
Ask weary WWE viewers to identify why the professional-wrestling titan’s creative direction has gone so stagnant and you’ll hear one answer time and again: lack of competition. It’s no coincidence that the company’s late-‘90s heyday ran concurrent with the rise of Ted Turner’s World Championship Wrestling, which at one point…
Thunderous, ponderous and occasionally exciting, Zack Snyder’s Batman v Superman: Dawn of Justice opens with one of those grim proclamations that the creators of modern superhero movies are so fond of: “There was a time above, a time before,” intones the voice of Bruce Wayne (Ben Affleck), over a by-now…
The joke was on me when I first saw My Big Fat Greek Wedding back in 2002: I watched the film at a press screening that also happened to be attended by a large group of older female tourists. While I grimaced through the movie’s obvious gags and not-ready-for-prime-time direction,…
When everything’s a game, it’s easier to forget the wrongdoing perpetrated during play. We see this in sports, but we also see it in war, young men and women coping with stress by envisioning their targets as the bad guys in a first-person shooter. In Pablo Trapero’s bleak but occasionally…
Because 2015’s When Marnie Was There looks to be Studio Ghibli’s final new film for the foreseeable future, it makes sense that the studio would circle back around to its beginnings. Isao Takahata’s 1991 Only Yesterday was not Ghibli’s first feature, however; it was preceded by Hayao Miyazaki’s 1986 Castle…
Here’s a minor miracle. From tiny Lighthouse Pictures, which specializes in Hallmark Channel originals with Christmas in the title, comes Bob Nelson’s The Confirmation, a bittersweet comedy about family, faith and a young boy saving up all his minor sins so he’ll have something to dish at confession. The surprise?…
