Spike and Mike’s 1999 Classic Festival of Animation, Spike and Mike’s latest edition of their annual festival (which is definitely not to be confused with their grosser, inferior Sick and Twisted fests) is their best compilation yet. There’s not a single stiff in the batch. The material is all new…
Joan Chen, director and co-writer of Xiu Xiu the Sent Down Girl, is best known as an actress: American audiences probably identify her most readily as the doomed wife in Bernardo Bertolucci’s The Last Emperor or as Josie Packard, the alternately evil and innocent character in David Lynch’s weird-o-rama Twin…
London-born novelist-screenwriter Hanif Kureishi doesn’t have Margaret Thatcher to kick around anymore, as he did so incisively and effectively in My Beautiful Laundrette and Sammy and Rosie Get Laid, but his concerns have not wandered too far afield. Rather the hard edges merely have been softened. Universal issues still inspire…
Do not be fooled: Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss receive top billing in Detroit Rock City, but Kiss doesn’t actually appear in the film until its final three minutes. And when the band members do show up, clad in their de rigueur leather-and-greasepaint getups, it’s simply…
Dan Ireland’s impressive debut feature The Whole Wide World died quietly at the box office despite making many a critic’s ten-best list for 1996. His followup, The Velocity of Gary, may suffer the same fate, given its modest budget and a story line focused on male bisexuality. That would be…
First published under the title The Iron Man in Great Britain in 1968, The Iron Giant is a minor classic of twentieth-century children’s literature. The slim volume by the English poet laureate Ted Hughes is a pacifist parable in the guise of a sci-fi hero fantasy. Hughes spun his yarn…
It’s always amusing when the movie industry discovers its spiritual side. Profoundly secular institution that it is, Hollywood promotes, at its peril, the notion that teenagers spewing pea soup in Georgetown can be purged of their demons by Catholic priests, that angels from heaven intercede in the lives of ballplayers…
In the highly competitive, dog-eat-dog world of the modern-day superhero, the members of the group that eventually becomes known as the Mystery Men (they don’t really have a name through most of the movie) start out with a couple of strikes against them. First off there’s the little matter of…
Runaway Bride, the long-anticipated reunion of Pretty Woman-stars Julia Roberts and Richard Gere, isn’t a sequel, but it feels like one. In everything there is a distinct sense of predestination, of events occurring according to some irresistible force of the inevitable. This makes life especially easy for Garry Marshall, the…
For Morgan J. Freeman (a young writer-director, not the well-known actor), comic timing couldn’t get any worse — or better. That’s because one of the unhappy teenagers in Freeman’s second feature, Desert Blue, is a melancholy girl dressed in moody black who likes to detonate homemade bombs. The Columbine High…
Robert Wise’s 1963 version of The Haunting (from Shirley Jackson’s novel) has long been considered one of the milestones of the horror film. After 36 years, DreamWorks has bankrolled a new version under the direction of Jan de Bont (Speed, Twister) — an idea that should sound unpromising, even to…
Finally Miami gets a proper gay and lesbian film fest, running through Sunday at the Colony and Alliance theaters. The celluloid marathon kicks off with a gala and the latest from Rose Troche, Bedrooms and Hallways, and ends with another gala and the star-studded trick. In between Miami will be…
Roughly halfway through Edge of Seventeen (July 22 at 9:30 p.m. at the Colony Theater, 1040 Lincoln Rd., Miami Beach), the hero of this romantic comedy-drama, a very likable kid named Eric (Chris Stafford), is confronted by his mother (Stephanie McVay) in the living room of their home. “Are you…
The Blair Witch Project, the bone-chilling indie by Daniel Myrick and Eduardo Sanchez, is easily the scariest horror picture of the ’90s, a movie that can take a place among the most potent and inexorable of modern shockers, like Night of the Living Dead or The Texas Chainsaw Massacre. Three…
Eyes Wide Shut, the final motion picture from the late, great Stanley Kubrick, is easily the most anticipated adult film of the year. It’s The Phantom Menace for grownups. Any film by the notoriously painstaking auteur would have achieved this status. Kubrick made only thirteen features in his 46-year career,…
It’s about time we had a talk. Yeah, you know, that talk. The one about how uncomfortable and strange it is to be a young human male, how raging and unforgiving the hormones, how fragile the ego, how mysterious the female form. You see, well, how do I say this?…
This is the third year the Consul General of France is putting on a film festival showcasing movies each coproduced by France and a Spanish-speaking nation. This time around the festival features eight films, two of which co-originate from Mexico, one from Argentina, and two from Spain — all in…
Do you feel snug and secure in your cozy suburban life? Are you happy with your picture-perfect home, your carefully manicured lawn, your kids and their soccer games, and your barbecues? Do you feel safe? Well, the creators of Arlington Road, the ponderous new thriller starring Jeff Bridges and Tim…
Run Lola Run is proof that the influence of MTV on feature filmmaking hasn’t been all bad. The jagged stylistic excess that dominates short-form music videos can be exhausting and irritating when drawn out to feature length: Michael Bay (The Rock, Armageddon) may be the worst offender, though far from…
To hear Spike Lee tell it, Summer of Sam means to be a panoramic view of the summer of 1977 in New York City, when temperatures shot into the high 90s and power blackouts set nerves on edge; when the party agenda included snorting coke at Studio 54 and copulating…
The animated TV show South Park was the big sensation of the 1997-98 season — or at least as big a hit as a cable channel like Comedy Central can manage. It was almost inevitable that creators Trey Parker and Matt Stone would take their batch of foul-mouthed eight-year-olds to…
Woe to the scribbler who presumes to rewrite a master, unless he is so deft that his invasion of privacy produces something new and exciting. Enter British writer-director Oliver Parker. He has the nerve to meddle with Oscar Wilde’s sublime farce An Ideal Husband and the skill to pull it…
