Film, TV & Streaming

The film follows Teresa (Paulina Garcia), a middle-aged woman who has spent most of her life as a live-in maid for an urbane, well-to-do Buenos Aires family

This is what it’s like to be 27 and kind of a mess and totally sleepy and kind of miserable and suffering a headache and not sure who you are or who you should trust

Edson Jean and Joshua Jean-Baptiste are proving you can work in the entertainment industry without leaving Miami. The Project Greenlight winners wrote and star in a new web series for Complex called “Grown.”

Don’t let the title fool you. Despite 20 or so bookending minutes in which photographer and artist Peter Beard reflects over old photos and some alluring footage about the innocent days when Montauk drew celebrities like Andy Warhol and Mick Jagger rather than mere kabillionaires, That Summer could more helpfully…

Grisebach surveys her incidents (river work, bar nights, outdoor parties, horseback reveries, confrontations between townies and outsiders) from various vantage points, honoring the perspectives of all parties

Like Rogue One, the other standalone Disney Star Wars film that suffered a famously troubled production, Solo has a just-finish-the-movie quality to it, an uncertainty about the pacing and seriousness of developments in its own story

Apocalyptic stories (as well as post-apocalyptic ones) have been with us forever; as a species, humans are uniquely fascinated with our own annihilation

This story revolves around four successful women in a monthly book club who start reading E.L. James’ Fifty Shades of Grey trilogy, which inspires them to rekindle their own love lives

Because one pivotal Get Out close-up displays Gabriel’s astounding emotional range in just three seconds, the actor’s face has become memorialized in GIF-dom

… Here are our picks for the most promising movies due in the Memorial Day-to-Labor Day frame that was responsible for keeping Hollywood solvent, a long time ago, in a galaxy far, far away

Imagine you’re a struggling actor, and your friend, who is an even more struggling actor, asks you to be in a movie he’s writing, directing, and starring in. The script makes no sense. Your buddy can’t act to save his life. The shooting is catastrophic, mostly thanks to your friend’s erratic behavior on-set. When the movie is finally done, it’s a complete piece of crap, and your face is all over it.

Here’s what you need to know: This is less Deadpool 2 than Deadpool Squared, a studio and its star (Reynolds is credited as co-writer) committing to hyper-violent self-referential comic-book buffoonery

Boom makes Basquiat out to be an on-the-fringe, Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk

Jeannette succeeds in its earnestness, adapting its words from Charles Peguy’s works, but countering it with the pure, joyous silliness of its presentation.

Starring Rachel Weisz and Rachel McAdams, Disobedience is an adaptation of Naomi Alderman’s novel of the same name, about a tightly knit Orthodox Jewish community and the prodigal daughter who returns to poke holes in its way of life

Simply put, there’s not much suspense here, and Fly’s occasional efforts at thriller-style confrontations and killings prove less fascinating than Pasha’s justifications

Ali Wong: Hard Knock Wife has a pungent scent all its own — a combination of baby head, breast milk, sex fluids and that acrid, vinegary extreme perspiration that either comes from bodily trauma or not sleeping for three days straight

… This is essentially Denis’ movie about the dating game — the highs and lows, the setbacks and surprises, the wine-filled meals and sublimely silent car rides flush with the possibility of either consummation or heartbreak

As they leap through the years, West and Cohen give us a compelling account of Ginsburg’s key cases, starting from her days as a lawyer with the ACLU’s Women’s Rights Project.

For the young cowboys at the heart of Zhao’s film, mounting a horse and galloping across a field represents more than just freedom — it becomes a communion with the past and the future, allowing these riders to imagine and inhabit their best selves

At their core, both Overboards are traditional rich-person-learns-how-to-be-a-real-person farces, the kind of films Frank Capra and Preston Sturges used to direct in their sleep

Juno, Young Adult, and the newly released Tully are a fascinating trilogy. Each follows a character at a time of transition. Juno, Mavis, and Marlo are all people in stasis, but they each stand at a turning point. Director Jason Reitman discussed that theme with New Times at the premiere of Tully during its opening-night premiere at Miami Film Festival.