The story finds Simmons, as a 60ish Simmons-like artist named Ellie, dashing away from New York and her teaching duties to work and relax in a more successful acquaintance’s plush country manse
Told through the unique lens of this Latinx family, Vida is a statement on upward mobility and the privilege of being able to outgrow your home
Here’s a woman who has spent her entire life helping others and not being a piece of shit, and unless she or the club touched you personally, you probably didn’t know she existed until you read this or saw the film
After three years at O Cinema Wynwood, Popcorn Frights Film Festival, the Southeast’s largest horror film festival, is relocating to Fort Lauderdale’s Savor Cinema. There are plenty of reasons for the move, explains festival cofounder and codirector Igor Shteyrenberg.
… Bad Samaritan — with its title sounding very Grisham — tells the story of a low-level thief who breaks into a fancy-schmancy house and discovers a woman being held captive in a plastic-lined, camera-surveilled room
… Diablo Cody and Jason Reitman have completed their trilogy of self-delusion with Tully, a gently sardonic look at a 40-year-old woman who finds herself in a cluttered house, with a clueless spouse, preparing to have a third child
… This is an intimate portrait of the artist in recent years as she returns to Jamaica, the country of her birth and childhood, for a family reunion
Equal parts spooky and cheeky, this film nails its black humor and finds a bizarre but satisfying conclusion to manage all the loose ends
Tiny Shoulders starts to feel like a publicity exercise for the brand — an attempt to humanize the company by showing us the real women behind all that plastic
This epic, the first of two final Avengers films, finds the Class of ‘12 — the core Avengers — getting together for one last rager, joined by select newbies and spazzes from the ranks of sophomores and freshmen
The House of Tomorrow sticks to a time-tested coming-of-age template that’s as common in the indie world as the superhero origin story is in the studio world
Eighty-seven-year-old French filmmaker Jean-Luc Godard stands as one of the most respected living figures of French cinema. The legend began his career as a film critic and helped define the French New Wave movement in 1960 with Breathless. Many of his colleagues, including François Truffaut and Éric Rohmer, have passed…
When the Tribeca Film Festival announced it would host a screening of the 1983 cult classic Scarface, followed by a panel discussion including the entire cast, I could not have called Ticketmaster any faster.
{Lucrecia Martel) transforms Benedetto’s epic into a dizzying, sensory head trip about a man’s gradual psychological decay, allowing larger historical and political themes to emerge organically from her meticulous formal compositions
Working from a novel by Willy Vlautin, Haigh has committed himself to making a boy-and-his-horse movie that’s scraped free of everything false or sentimental about the genre
The new season finds Maeve (Thandie Newton), the host who played madam to Westworld’s bevy of robot whores, scouring the park for the daughter she was given in a previous “narrative” … and who continues to haunt her dreams
The problem with I Feel Pretty isn’t that it’s offensive but that it’s often plodding and unfunny, almost as if its creators are afraid to have too much fun with such a loaded premise
It centers on Villanelle, a deranged assassin — Russian, of course — working on behalf of a shadowy organization, and Eve Polastri (Sandra Oh), the British-born, American-raised MI5 officer who must track her from London to Paris to Moscow
(Joaquin) Phoenix plays a hammer-wielding veteran who is paid to save kidnapped children and who brings all his rage and regret and self-loathing and desire for oblivion to the job
… You Were Never Really Here follows the disjointed, tormented inner journey of Joe (Joaquin Phoenix), a former soldier and law enforcement official who now works as a kind of hammer-wielding vigilante-for-hire, finding missing people (usually, it seems, kids)
The film opens with a dreary series of fake-outs and fantasies, culminating in a gunfight and car chase that suggest Broken Lizard would rather be making a different kind of movie
Although the film might seem a departure for her — and at least in terms of budget, it certainly is — watching it, I felt that Dosunmu had connected to something elemental within Pfeiffer, that solitude that brought subtle dimension to her earlier, more famous roles
