With his blazing white coat and pig-pink ears, to say nothing of the zigzag of lightning cut into his flank, the eponymous canine lead of Disney’s lively new animated movie Bolt looks a little bit real and a whole lot not. That’s not a failure of craft: Goofy and sweet…
A few months ago, Lionsgate issued a trailer for Saw V that tried to fake out viewers into thinking they were watching an ad for a Christian film. (Sample ad copy: “His gift is life.”) House is sorta like that, but in reverse; neither a reboot of the Eighties horror-comedy…
Those of us who adored Casino Royale, the 2006 reboot of the haggard, self-parodic James Bond franchise, had some trouble trying to decide where to place it among the series’ finest. Was it better than Goldfinger? Probably not, but close. The Spy Who Loved Me? Maybe so. From Russia with…
The five-year-old didn’t laugh as much as his 40-year-old father, which, granted, isn’t the basis upon which to conclude too much. Then again, most of the adults at a Saturday-morning sneak preview of Madagascar: Escape 2 Africa were clearly having a better time than the wee ones, which should be…
If the dream of every comic is to have his humor live on long after he has left the stage, then the late Bernie Mac has exited this world on a high note. Soul Men, a comedy completed shortly before Mac’s untimely death in August, is no classic, but the…
Paul Rudd wears the constant look of glazed-eye amusement; everything seems to tickle him, even that which annoys or frustrates or disappoints him. He is frat-boy handsome and therefore almost anonymous when he stands in a movie-star lineup; in Neil LaBute’s The Shape of Things (2003), Rudd received a supposedly…
Ostensibly, Zack and Miri Make a Porno should be money-shot Kevin Smith: Pals make a porn to pay the bills and, in the process of gettin’ it on for the video cam, cum to realize their years-in-the-making friendship is really a love affair. Awwwww, how sweet. In other words, it’s…
On a double bill with L.A. Confidential, Chinatown, or almost any film made after 1970 about institutional corruption in Los Angeles, Clint Eastwood’s Changeling, a period drama based on a 1928 Los Angeles missing-child case, would come off as faintly geezer-ish noir lite. As LAPD scandals go, the case of…
For fans of the deathtrap-redemption horror series and its central figure, John “Jigsaw” Kramer (Tobin Bell) — and realistically, only the diehards are buying tickets at this point — there’s good news and there’s bad news. On the plus side, Saw V director David Hackl, who conceived most of the…
Pride and Glory doesn’t make any effort to disguise precisely what it is: a barely held-together string of vignettes lifted from every cop movie ever made, save, perhaps, Turner & Hooch. It serves up clichés bound together by a flimsy, bored-out-of-its-own-skull story about bad cops, black sheep, good sons, and…
If Oscars were handed out for fake snow, director John Moore’s bleary, dreary, sub-Sin City big-screen videogame would clean up like Ben-Hur: By the 50th exterior shot strewn with fistfuls of art-directed dandruff, a viewer stuck in this film-noir snow globe feels like W.C. Fields in The Fatal Glass of…
W. might be less frenzied than the usual Oliver Stone sensory bombardment, but in revisiting the early ’00s by way of the late ’60s, this psycho-historical portrait of George W. Bush has all the queasy appeal of a strychnine-laced acid flashback. Hideous re-creations of the shock-and-awful recent past merge with…
A young woman fights off her brutal husband; a gun goes off; a marble spins on the floor where a toddler sits unattended. From B-movie beginnings, The Secret Life of Bees, a family drama set in the civil-rights-era South, chugs along pleasantly like a television special tailored for the crossover…
The struggle at the center of City of Ember, another treat from the maker of Monster House, is one for the good of all mankind. But what were the denizens of this world running from when they first trekked underground? Two hundred years after their mucky netherworld’s inception, the ever-hiccupping…
A new kind of war movie for a new kind of war, Body of Lies is about the War on Terror as it is being waged on the ground, in the air, but most of all in cyberspace. Directed with terrific verve by Ridley Scott (coming after the listless American…
Undersize lapdogs make me grumpy even when they don’t talk, wear pink booties, and shop Rodeo Drive. So I came to Beverly Hills Chihuahua with poison pen at the ready — only to be won over by the exuberant charms of Raja Gosnell’s comedy about a snobby, privileged Chihuahua named…
Redolent of Roman decadence and authority gone mad, the title Religulous rolls pleasingly off the tongue. But Bill Maher’s one-man stand-up attack on religious fundamentalism is a dog that has more bark than bite — a skeptical, secular-humanist hounding of the hypocrites, amusingly annotated with sarcastic subtitles and clips from…
Those who believe that Jonathan Demme went all soft with Philadelphia and never recovered might not be reassured by his latest movie, an ensemble tale of family pathology gussied up with vérité camera work, world music, and improvising actors both trained and not. You can find the worst and the…
Director D.J. Caruso fancies himself a hipster Hitchcock, with Shia LaBeouf as his snarky Jimmy Stewart. Last year the duo remade Rear Window and called it Disturbia; last week they returned with their North by Northwest/The Man Who Knew Too Much mashup, Eagle Eye, which is also flavored with overpowering…
There’s a whole lotta fucking going on in Choke, Clark Gregg’s adaptation of Chuck Palahniuk’s first-person novel about a sex addict named Victor Mancini with severe Mommy issues — fucking in a cramped airplane bathroom, on a barnyard’s itchy haystack, in a grimy toilet stall, in a hospital chapel even…
On some level, you’ve got to hand it to Spike Lee. There are probably less than a handful of directors working in Hollywood today who could put together the financing for a three-hour war movie lacking any marquee names and performed largely in Italian and German with English subtitles. Spielberg…
“You’re a woman scorned with no prenup. That’s a recipe for good livin'” is just one of the zingers Kathy Bates gets to deliver as Charlotte Cartwright, a rich Southern matriarch whose son (Cole Hauser) is having an affair with Andrea (Sanaa Lathan), the social-climbing daughter of Charlotte’s Bible-waving best…
