Over six episodes crafted with the rich complexity of the novel, “celebrated murderess” Grace Marks (Sarah Gadon), tells her own story, Scheherazade-style, to a doctor (Edward Holcroft) with the power to arrange for her pardon
In the first episode of Comedy Central’s new nightly satirical late-night series The Opposition with Jordan Klepper, the host explains why he jumped ship from The Daily Show, where he’d been a correspondent since 2015. The Jordan Klepper who cocked his eyebrow through Daily Show field segments in a perfect…
Winner of the Grand Jury Prize at this year’s Cannes Film Festival, BPM (Beats Per Minute), French director Robin Campillo’s stylized, moving drama of AIDS activism and love, sometimes feels like several films at once. It follows the activities of ACT UP Paris in the early 1990s, and for much…
One year, back in the early 1990s, an uncle of mine didn’t show up to our family Christmas. I was only 10 and didn’t understand his sudden departure and why nobody would speak of it. A year later, I was at his funeral. He was a playwright and actor in…
Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963. It sank so deeply that it’s only now getting a proper release…
Wonderstruck is a film about children. It’s a film about being different in a world that doesn’t quite understand you. It’s about silent cinema and ’70s cinema. It’s about deafness and how it changes your world. All in all, it’s a pretty queer film.
Much of the thrill of big-ticket theater comes from the simple truth of presence: You in the audience are watching the best in the world do what they do right there in front of you, in real time. In an intimate moment, you can sense or even share their metabolism,…
My Friend Dahmer, from a graphic memoir of the same name by the pseudonymous Derf Backderf, is a kind of coming-of-age tale that dissects a troubled kid’s descent into murder. Backderf was a high-school pal of the boy who would grow up to become the serial killer and cannibal Jeffrey…
Ruben Ostlund’s The Square, which won the Palme d’Or at Cannes this past May, probably says more about the times we’re living in than any other film you’re likely to see this year. And yet the beauty of the movie is that everybody will have their own ideas about what,…
You’re right not to trust a film critic who calls a move stunning. But let me say this about Human Flow, the epic new documentary surveying the scope of the global refugee crisis, from Chinese artist/activist Ai Weiwei: It stunned me, in the truest sense of the word. Again and…
Halloween is in the past and Christmas lights are already going up. Soon cinemas will be jam-packed with all sorts of films vying for Oscars, but some theaters in Miami are sticking to programming stellar classics dating to even the ’40s. So what’s on the calendar this month?
It’s not enough that the sitting president will hate Rob Reiner’s LBJ, but that’s not nothing, either. Here’s a portrait of a resolutely unlovable vulgarian who, due to a cruel accident of history, ascends to the Oval Office. But it’s the distinctions that will sting: In the opening moments, a…
As anyone who’s shared a Shit Miami Girls Say meme can attest, there’s plenty of humor to be found in the city of Hialeah. But the upcoming six-episode Hialeah comedy series doesn’t laugh at its namesake. It laughs with it, according to star and executive producer Melissa Carcache. The former Hialeah and…
Could Miami have its own Harvey Weinstein? Just kidding — of course it does. Like every other place on Earth where men hold nearly all of the power and money, Miami is surely housing enough sexual harassers to book the world’s one-week outpatient treatment centers into the next century. And according to six women, film director Brett Ratner is one of them.
Toward the end of the excellent new documentary, Too Funny to Fail: The Life & Death of the Dana Carvey Show, Dana Carvey describes the final installment of a bit that ran throughout his infamously short-lived 1990s sketch series. In “Stupid Pranksters,” Carvey and Steve Carell, then an unknown comic…
It’s November! Which means that we’ve almost survived this year and I think that calls for a little celebration. How should we celebrate? Probably with lots of liquor. It’s been a tough one, but also TV! Nov. 2: Young Sheldon, CBS And on the seventh day, God planted the idea…
On Sept. 11, 2001, renowned primatologist and environmental advocate Jane Goodall was in New York on business. She had planned to catch a flight out to visit a high school to give a talk on how we can find a reason to hope. That didn’t happen, of course. She stayed…
When same-sex marriage became legal in Finland this past March, the government celebrated by releasing an official emjoi — a leather-clad man with a drooping mustache and a police-style cap emblazoned with the word “Tom.” No explanation was necessary, for “Tom” was clearly a nod to Tom of Finland —…
For all his reputation as a capital-A Auteur, Todd Haynes has always demonstrated impressive stylistic versatility. The Sirkian pastiche of Far from Heaven is a far cry from the lo-fi expressionism of Poison, and the music video wonderland of Velvet Goldmine has relatively little in common with the fractured minimalism…
Imagine a remake of Cape Fear shot like Stanley Kubrick’s The Shining, with Max Cady recast as a child, and you’ll have some idea of the strangeness of Yorgos Lanthimos’ The Killing of a Sacred Deer. It was one of the most divisive titles at this year’s Cannes festival, thanks…
Like most of the better Marvel efforts, Thor: Ragnarok feels like the work of a unique sensibility instead of a huddle of brand managers. While the studio’s films demonstrated plenty of comic flair right from the start of its shared-universe experiment, with 2008’s Iron Man, recent efforts have veered too…
When I first saw Brett Morgen’s 2002 documentary The Kid Stays in the Picture, I was shocked that the film somehow matched the rollicking, mercurial energy of its subject, producer Robert Evans. Morgen reimagined the use of archival footage and voiceover, and the style he pioneered has now been mimicked…
