The science-fiction writing of the late great Philip K. Dick hasn’t been particularly well-served on-screen. The most recent adaptation of one of his works, Screamers, was junk; Total Recall (1990) had its moments but was less ingenious by half than the short story on which it was based. Blade Runner…
When Quentin Tarantino started up his boutique releasing company Rolling Thunder in 1996, his first release was, unsurprisingly, a Hong Kong production. After all, Tarantino has been one of the most vocal boosters of Hong Kong cinema in the United States. What was surprising was that he chose to release…
This period tale of two gamblers — Oscar, a failed minister, and Lucinda, a glassworks owner — is too wispy to be an objet d’art and too clumsy to be a toy. Its key symbol is a tiny glass teardrop known as the “Prince Rupert drop,” which can withstand a…
His eye trained on the manic collision of Catholicism and consumerism, Spanish director Pedro Almodovar has made some of the most lively, genre-bending films of the past two decades. The guru of a visual style that emphasizes bright primary colors and bold geometry, he’s in love with the glittering surfaces…
In these paradox-ridden times, producers in search of cutting-edge fantasies look back — they visit their boyhood or girlhood rooms and ransack their old books and videos, or peruse their studio’s property list for works that scored well in other media. In the mid-Nineties, the English company Working Title Films…
The fifteenth Miami Film Festival continues apace Thursday through Sunday with two works by Japanese director-actor Takeshi Kitano, a star-studded entry from venerable new-wave filmmaker Michelangelo Antonioni, and the most recent movie made by playwright David Mamet. Not forgetting a closing-night screening of Italy’s Il Ciclone, which has become that…
You will give yourself a migraine if you attempt to divine a theme running through the 26 films that make up the fifteenth Miami Film Festival. Don’t bother trying. A readily apparent theme does not exist — not that one needs to. International in everything but name, this year’s renewal…
After Santa’s overstuffed sack of Oscar qualifiers is disgorged every December, Hollywood dumps its lost-cause features during the first few weeks of the new year. In recent times these have included the airplane “thriller” Turbulence (1997), Bio-Dome and Two If by Sea (1996), and Cabin Boy (1994). This year we’ve…
One of the conceits to which every critic must be genetically predisposed is the idea that, at the end of the day, his or her opinion actually matters. That some unknown phantasm at a nonspecific coffee shop sits immersed in said critic’s latest ill-advised screed, imbibing every word as if…
Martin Scorsese’s Kundun is a deeply ceremonial experience; it’s like watching a serene pageant of colors, rituals, and costumes. It tracks the life of the Dalai Lama — recognized as the fourteenth reincarnation of the Buddha of Compassion and the spiritual and political leader of Tibet — from his childhood…
Swedish director Jan Troell’s Hamsun, starring Max von Sydow, is easily the greatest film I’ve seen in years. It takes you as far out as you can go — to the limits of feeling. As a movie about a great and grievous artist made by an artist of equal rank,…
Where would Irish filmmakers these days be without the Troubles? In just the past couple of years we’ve seen The Crying Game, In the Name of the Father, Michael Collins, Some Mother’s Son, and now The Boxer, the latest collaboration between director Jim Sheridan, screenwriter Terry George, and Daniel Day-Lewis…
When was the last time an audience applauded a trailer and the movie lived up to it? Independence Day enticed millions with its preview shot of the White House blown to smithereens, but that film was a dumb, elephantine sci-fi pastiche. The trailer for Wag the Dog, a far more…
The new Gus Van Sant film Good Will Hunting is like an adolescent’s fantasy of being tougher and smarter and more misunderstood than anybody else. It’s also touchy-feely with a vengeance. Is this the same director who made Mala Noche and Drugstore Cowboy? Those films had a fresh way of…
The ad line for As Good As It Gets is “A comedy from the heart that goes for the throat.” Isn’t this simply another way of saying, “You’ll laugh, you’ll cry, you’ll gag”? Jack Nicholson plays, of all things, a prolific romance novelist who’s a virulent xenophobe and a hopeless…
With 1994’s Exotica, Atom Egoyan secured his reputation as Canada’s leading director; his new film, The Sweet Hereafter, based on a celebrated novel by Russell Banks, should solidify Egoyan’s hold on that title. Egoyan’s work in general is small-scale enough to seem arty and plain enough to be accessible. The…
If Quentin Tarantino’s Jackie Brown hadn’t arrived weighted with post-Pulp Fiction (1994) expectations, it might be easier to see it for what it is: an overlong, occasionally funky caper movie directed with some feeling. It’s derived from Elmore Leonard’s 1992 best seller Rum Punch, with the location shifted from Palm…
Woody Allen’s Deconstructing Harry is a film made by a free man — free certainly in a good way, and perhaps also in a not-so-good way. Liberated, for whatever reason, from the need to play a nice guy, Allen can play the bad man he does here free of the…
If one is in a biblical frame of mind, the sinking of the White Star Line’s Titanic about 400 miles off the southern coast of Newfoundland in 1912 could well be characterized as a divine act of one-upsmanship. The 46,328-ton “ship of dreams” was struck down on its maiden voyage…
Now that the Japanese Tora-san series — with 50-odd entries in 30 years — has presumably drawn to a close after the death last year of star Kiyoshi Atsumi, the James Bond films constitute the longest-running series around. They’ve had their ups and downs, but something about the Bond formula…
Wes Craven’s Scream, which opened almost exactly a year ago, was the surprise hit of an overcrowded Christmas season. The success was a triumph partly of counterprogramming: In the midst of a glut of classy Oscar contenders, Scream was the only teen horror film. It was also helped by the…
Steven Spielberg’s Amistad is being given the Big Picture treatment — Schindler’s List big, not Jurassic Park big. Last week’s Newsweek featured the film on its cover, calling it “Spielberg’s controversial new movie,” even though it had not yet been released and the only “controversy” was a legal one about…
