PARK CITY, Utah — Even by the lacerating standards of recent Sundance docs Why We Fight and Iraq in Fragments, the nonfiction at this year’s fest felt, well, real — alarmingly so. Indeed, after doing battle with films about U.S. policies on Iraq, Darfur, and global warming, this critic was…
One morning, Gary Walkow was suddenly transformed into a successful Hollywood filmmaker. Gone were the hat-in-hand searches for financing, the deferred salaries, the long shooting days with undermanned crews, and the months upon years spent touring the festival circuit while seeking a distribution deal. For a moment, he was taking…
PARK CITY, Utah –On the first Saturday of the 2007 Sundance Film Festival, I rolled out of bed and hustled up Main Street for the 8:30 screening of Tamara Jenkins’ The Savages, starring Philip Seymour Hoffman and Laura Linney as adult siblings caring for an irascible elderly parent. Only I…
Catch a Fire (Focus) In his commentary for the underrated, undervalued Catch a Fire, director Phillip Noyce discusses the inspiration: witnessing the terror attacks on the World Trade Center in 2001. He wanted to comprehend “the terrorist’s mind,” so he found a story that accomplishes such a difficult thing: the…
Academy Awards Collection (MGM) The Comedians of Comedy (Anchor Bay) Dallas: The Complete Sixth Season (Warner Bros.) The Doctor, the Tornado & the Kentucky Kid: Ultimate Collector’s Edition (New Video Group) Dora the Explorer: Cowgirl Dora (Paramount) The Fabulous Baker Boys (MGM) Facing the Giants (Sony) The Festival: The Complete…
New-school genre junk food: Take a Tarantino wannabe with Sundance credentials; add a large, famous-enough cast and a show-biz backdrop; season the violence with references to Sergio Leone and Takeshi Kitano; serve cool; and garnish with a cynicism beyond irony. Smokin’ Aces is writer-director Joe Carnahan’s third and most elaborate…
The wildly uneven French writer/director/producer Luc Besson has a fondness for life outside the margins of conventional society: the neon-lit labyrinths of the Paris Metro (Subway), the pristine depths of the ocean (The Big Blue). His latest flick finds him subterranean once again, this time in a fantastical universe where…
Park City, Utah — On the first Saturday of the 2007 Sundance Film Festival, I rolled out of bed and hustled up Main Street for the 8:30 a.m. screening of Tamara Jenkins’s The Savages, starring Philip Seymour Hoffman and Laura Linney as adult siblings caring for an irascible elderly parent…
Park City, Utah — Ten days of terse texting among professional narcissists working on little or no sleep in one of the last cold spots left on Al Gore’s inconvenient Earth: Welcome to Sundance ’07, where wounding homefront melodrama Grace is Gone sells and it hardly pays to be nice…
Cocaine Cowboys (Magnolia) Slam! Bang! Pow! Snort! This tawdry and giddy documentary tells the story of Miami’s transformation from a place where old people go to die to a place with so much drug money that the Mercedes dealers were constantly out of stock, where the hit men would rather…
PARK CITY, Utah — On the first Saturday of the 2007 Sundance Film Festival, I rolled out of bed and hustled up Main Street for the 8:30 screening of Tamara Jenkins’ The Savages, starring Philip Seymour Hoffman and Laura Linney as adult siblings caring for an irascible elderly parent. Only…
PARK CITY, Utah — Ten days of terse texting among professional narcissists working on little or no sleep in one of the last cold spots left on Al Gore’s inconvenient Earth: Welcome to Sundance ’07, where wounding homefront melodrama Grace Is Gone sells and it hardly pays to be nice…
Brokeback Mountain: 2-Disc Collector’s Edition (Universal) Cowboy del Amor (Genius) Crooks (Lightyear) Fiddler on the Roof (MGM) The 2006 FIFA World Cup Film: The Grand Finale (Sony) Ghost Encounters: The Queen Mary (Anthem) The Guardian (Buena Vista) Hopeless Pictures: Season One (Genius) Jesus Camp (Magnolia) John Pinette: I’m Starvin’ (Image)…
At face value, Alpha Dog — based on a real-life story that’s still waiting for its ending — plays like an amped-up, drugged-out episode of Dragnet: In 2000 a gang of SoCal kids kidnapped and murdered fifteen-year-old Nicholas Markowitz, a soft-spoken boy from the San Fernando Valley who dreamed of…
In the new Clint Eastwood movie, ordinary young men — husbands and fathers, artisans and aristocrats — are drafted into a war whose motives many of them do not fully understand. There, on an island called Iwo Jima, they fight against an enemy who has been demonized by wartime propaganda…
From the eardrum-shattering shout of “Attention!” that echoes over the opening logo, through to the strobe-lit krump dancing contest that follows, the early scenes of Stomp the Yard are so loud and incoherent that they feel like punishment. After an equally incomprehensible street brawl, director Sylvain White pauses long enough…
The Protector (Genius Products) Thailand’s Tony Jaa has made clear his plan to take Jackie Chan’s crown as the king of Holy crap, did he just do that?! He’s about halfway there. Though Jaa is devoid of Chan’s charisma, his hyperathletic kickboxing style will make your jaw drop; here’s a…
Clerks II (Weinstein) Council of the Gods (First Run) Die You Zombie Bastards (Image) Dreamland (Image) Employee of the Month (Lions Gate) Gridiron Gang (Sony) Grim Reaper (Lions Gate) Her Minor Thing (First Look) La Moustache (Koch Lorber) Lucky Number Slevin (Weinstein) Monroe: Class of ’76 (Image) Pulse (Weinstein) Rotation…
Written and directed by Guillermo del Toro, Pan’s Labyrinth is something alchemical. To an astonishing degree, the 42-year-old Mexican filmmaker best known for his contribution to the Blade and Hellboy franchises has transformed the horror of mid-twentieth-century European history into a boldly fanciful example of what surrealists would call le…
Maurice Russell, a septuagenarian actor facing the end of his career and life, gazes raptly at the present that fate has given him: the company of a sullen but strangely desirable teenage girl. At first, his appraising looks give her the creeps, but something about his courtliness piques her curiosity…
Given what an awful stiff Somerset Maugham can be, it’s remarkable how many movies have been made of his uptight tales of civil servants sweating it out in British colonies (48 for the big screen alone). John Curran’s fresh take on Maugham’s novel The Painted Veil, from a crisp script…
Bandidas (Fox) This review is not long enough for a suitable treatment of the beauty of Penélope Cruz and Salma Hayek. The makers of Bandidas would certainly prefer I tried, though, than to discuss this plodding cliché of a western featuring the two. You could write the script right now…
