“I’ll always be anti-authoritarian, as long as I live,” says Terry Gilliam, the comic provocateur who’s been taking aim at the establishment for over four decades. The only thing that changes: his targets. In Life of Brian, it was religion. In Brazil, the government. And in his latest film, The…
Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with LA Weekly’s Amy Nicholson, open this week’s podcast with a brief discussion of Twin Peaks, which comes back to TV via a series on Showtime in 2016, and move onto The Judge, starring Robert Downey Jr. and Robert Duvall,…
Last night, Oxygen network brought some new life to our fingertips with the premiere of Nail’d It. Yup, you guessed it, a reality show competition that has nail artists across the country competing for a grand prize of $100,000 and to be on the cover of Nail It! magazine. If…
Last time I wrote about the way Hispanic actors and actresses are shoved into stereotyped roles, people got frustrated. But guess what? A lot of people are just as frustrated by the fact that a beautiful Welsh actress just got handed a role that should have certainly gone to someone…
There are few things more terrifying than a scary story that’s based on some truth. Sure, when it comes to movie adaptations, Hollywood will exaggerate the gory details here and there, but the underlying foundation is real. Such was the case with last year’s The Conjuring, based on the lives…
Annabelle, an effective prequel to horror pastiche The Conjuring, surpasses its predecessor simply by virtue of occasionally being scary. Both films are over-reliant on deafening sound effects and side-eye glimpses of underwhelming ghosts. But Annabelle’s scare scenes are better paced and more thoughtfully lensed. Its hokey, funhouse-worthy spooks — a…
Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with LA Weekly’s Amy Nicholson, talk about one of the big movies of the year, Gone Girl, which opens in about 3,000 U.S. theaters on Friday, but the trio also makes room for lesser-known films like The Blue Room, Men,…
What makes a timeless classic? It’s got to be honest, it’s got to be made with passion, and it has to bring something to the table that’s never been done. It’s a daunting task, and sometimes, it’s better done when you’re not really trying. Nas was able to do it…
Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…
There are few things more terrifying than a scary story that’s based on some truth. Sure, when it comes to movie adaptations, Hollywood will exaggerate the gory details here and there, but the underlying foundation is real. Such was the case with last year’s The Conjuring, based on the lives…
One rhyme in particular crystallizes the genius of Nas’s 1994 classic Illmatic. It comes in the song “One Love,” which takes the form of a letter to a friend in prison: “Congratulations, you know you got a son,” Nas raps. “I heard he looks like ya, why don’t your lady…
Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…
There’s a good chance that filmmaker Signe Baumane isn’t on your radar yet, but with her first feature film, Rocks in My Pockets, being declared Latvia’s submission for the Academy Awards this year, she should be. It’s not just because of her Oscar submission that folks should be looking out…
Public sex on theme park rides, fiercely independent Latinas, brawls between really high teens, and a dash of incest: These are the childlike joys of Happyland, the new MTV dramedy chronicling the day-drunk, partner-swapping, clear-skinned, young employees of a Disney-ish park. The show, which debuts today at 11 p.m., is…
Many leave their hometowns for Hollywood, wide-eyed and hopeful, ready to make movies and to become stars. But for the rest of us, the ones who prefer to stick around their haunts or simply enjoy the scenery and atmosphere that Miami provides, there’s some pretty cool filmmaking and screening options…
Another week, another hustle, but it doesn’t have to be a struggle. Resist the urge to strangle that coworker and treat yo’self. We’re making it even easier for you by listing all these cool, free events. Take advantage of some free art tours or even take a date to one…
Have you ever been so affected by a story it stayed with you for years? The Internet feels that way about one feature; a viral sensation so big, there’s a Kickstarter out there to turn it into a movie. We here at Miami New Times can’t help but be pleased…
As Bob McCall in The Equalizer, Denzel Washington plays a regular Joe who turns into an eye-gouging, brain-drilling nightmare for Boston’s Russian mob. At first Washington “toodles about a Home Depot-like store, helping customers, decked out in New Balance shoes and jeans so last-century you’ll be looking for pleats,” writes…
If you thought Miami movie-going couldn’t get better than a plastic cup of wine at Paragon Grove theater, think again. Soon, Brickell will have its very own luxury dine-in cinema, courtesy of Mexico City-based Cinemex. Developer Swire Properties Inc. announced this week that Cinemex will open its first cinema in…
Plenty of filmmakers have wildly imaginative careers, but none have been quite as playful and engaging as former Monty Python troupe member Terry Gilliam. And O Cinema Wynwood, known for picking intriguing films and presenting unexpected but deserving classics, is exactly the theater primed to explore such a filmmaker’s varied…
The Boxtrolls is a kiddie charmer that makes you laugh, cower, and think of Hitler. That’s an unusual trifecta, but then again, this is an unusual film. If the German Expressionists were skilled at stop-motion animation, they’d have already made it. This is cartoon Caligari, a fable set on a…
“There’s no avoiding trouble in this world if you want to make something,” Belle & Sebastian frontman Stuart Murdoch says about making his first feature film. “But it’s worth it.” And God Help the Girl, the musical he wrote and directed, certainly took a lot of toil to become the…
