Now that it's been a few years since Ringling Bros. and Barnum & Bailey shut down, historians can look back and say about circuses, "What the hell was that all about?" Circuses were hotbeds of animal cruelty, exploitation of the disabled and the foreign, and who the hell thought it was a good idea to expose children to clowns? With a historian's careful eye, Miami's own Les Standiford takes us on a tour on the origins of the biggest circus of them all in his new book, Battle for the Big Top: P.T. Barnum, James Bailey, John Ringling, and the Death-Defying Saga of the American Circus. Standiford's heavily researched tome brings alive a bygone America filled with eccentric characters like Barnum and Ringling, who monetized a culture in which every child dreamed of running away and joining the circus.

Islandia Journal may be brand-new, but its founder, author and educator (and occasional Miami New Times contributor) Jason Katz, has the old soul of a zine dude. The magazine's stated milieu: myth, folklore, history, ecology, cryptozoology, and the paranormal in the subtropics. The first issue sported an illustration of Everglades griffin on the cover. A a griffin! Miami, in particular, boasts a rich history of wild truths and even wilder folklore. The quarterly zine accepts submissions in the style of prose, nonfiction, fiction, reported pieces, and even poetry. Its inaugural volume one, Islandia published work by 20 local contributors, including a poem by O Miami founder Scott Cunningham and a story about a Scottish soldier named Gregor MacGregor by Nathaniel Sandler, the brains behind Best of Miami 2021 "Best Bookstore" honoree Bookleggers. Look for volume two to drop soon.

Emmett Moore has been creating magnificent works for more than a decade. The Miami native finds inspiration from ordinary objects around him and often uses those same objects as material for his craft. He's worked with T-shirts, textiles, wood, resin, house keys, metal — there's no limit to what this man might employ to make art. Moore studied furniture design at the Rhode Island School of Design, which explains why his art pieces predominantly resemble furnishings. His most recent solo show, "The Grotto," featured an array of abstract pieces in addition to a fully functional bench, table, and bookcase. All the artworks were constructed out of an expanded polystyrene-based material along with seashells to achieve the look of coral rock. Moore is currently represented by Nina Johnson Gallery.

Josh Aronson has made a name for himself photographing actors and models, like Jordan Fisher and Karlie Kloss, for glossies such as Teen Vogue and Allure. He also recently shot for a national Kate Spade campaign. In addition to his editorial work, Aronson self-published his first photography book, Tropicana, in 2020. The limited edition sold out in a handful of weeks. Tropicana featured photos of young artists and activists Aronson photographed over the course of a year in different parts of South Florida. From the swampy Everglades to the sands of Miami Beach, he captures the essence of what life in Florida is like for twentysomethings in this era. In early 2021, he showcased prints from his book in an exhibit aptly titled "Tropicana" in a gallery space in the Design District.

At the intersection of NE 125th Street and NE Eighth Avenue in North Miami sits the charming Museum of Contemporary Art (MOCA). Its most striking feature is a vast fountain at the entrance that's often activated to showcase some sort of floating or water-friendly art piece. The plaza space through which visitors pass before heading inside is often dressed with art as well — whether hanging from the palm trees or strung in the air, the MOCA makes use of every cubic inch to display art to the community. Once inside the intimate space, one can always expect to be awed. Recent exhibitions include a sprawling collection from the Mexican artist Raúl de Nieves, complete with a life-size carousel inside the museum proper, and a moving show of works by the late Jamaican artist Michael Richards, who was killed in the World Trade Center attacks 20 years ago this month.

If you've ever wondered what it would be like to float through the clouds, Superblue is the place for you. It seems like Miami is the newest hot spot for immersive art, with traveling experiences popping up nearly every month — many of them zeroing in on Van Gogh, but whaddayagonnado? If you're new to immersive art, think of it as an exhibition that allows visitors to view what's on display from inside it. (It's also the art that looks really cool on your Instagram page.) Thankfully, rather than skip town after one show, Superblue opened its magical doors to the public this spring and stuck around, having chosen Miami as its first location. Visitors can float through the clouds, get lost in a maze of mirrors, or look up at a breathtaking floral installation that hangs from the ceiling. Don't know anything about art? Don't worry! Rather than a traditional museum where you're surrounded by "masterpieces" you're supposed to gaze at in ignorant awe, Superblue invites you to create your own experience.

Located in the up-and-coming neighborhood of Little River, not far from the railroad tracks, is a sleek white building nestled in a residential area. You might pass by and not think much of it. But behind this discreet façade is Primary (stylized Primary.), an art gallery founded in 2007 that features works from local, national, and international artists. Its interior, with exposed concrete paired with fresh white walls and wooden beams overhead, make the space feel like the ideal setting for all sorts of works of art. A recent exhibition, titled "Can't Wait to Meet You," was organized to highlight bright, fun works that would be suitable for children. Why, you ask? Because two of its founders, Books Bischoff and Cristina Gonzalez, just welcomed their first child together.

As South Florida — and the world — attempts to come out of its social hibernation, it's time again for the mating dance of alcohol, tobacco, and bad decisions. Fewer places in South Florida are as accommodating to the ritual as Barceloneta, with its ready supply of out-of-this-world gin and tonics, a United Nations-like array of patrons (many seeming to favor harsh European smokes), and an outdoor seating area that practically begs folks to interact with one another. The food — sensuously plated and meant to be shared — offers another opportunity for mingling, but the drinks are the true stars here (try the Farmer's G&T). The very air in this Sunset Harbour restaurant seems seductive. So shoot your shot, friends: There's no time like the present.

You enter beneath the neon sign and through the heavy doors into a space that's dark and velvety but somehow warm and inviting. The lights are dim and good music is playing. Some dweebs are hogging the pool table, but that's OK because you aren't here for idle games. You make your way to the bar. When you order a serious cocktail from the list of serious cocktails, you take note that the bartender makes actual eye contact with you. No, you're not in the Twilight Zone, you're at Mama Tried. At one end, classic leather booths are there for the taking, or you might opt for a high-top adjacent to the area for dancing at the other. But for now you hang at the bar and peruse the menu. After a bit of liquid courage, you scope out the place. If it's a weeknight, you spot the clusters of coworkers who stopped by for drinks and to bitch about work. If it's a Friday night, the crowd looks ready to jump until 3 a.m. In either case, there's like a 97 percent probability that a reasonably sober dude will catch your eye and ask you what you're drinking. And if he doesn't, remember you can do whatever the hell you please and ask him what he's drinking. (Every year, we employ a rule that no business may be honored with more than one Best of Miami award from the editorial department. But at heart, we're a bunch of rule breakers; see "Best Happy Hour.")

Helmed by cofounder and creative director Akia Dorsainvil, cofounder Ashley Solage, and art director Terrell Villiers, Masisi is Miami's black queer Caribbean party. The fourth member, says Dorsainvil, is the community that has made Masisi what it is. A Haitian Creole word that translates to "faggot," the collective's name is a reclamation of the term and relates to the unification of the masculine and feminine. The party was born from the flames of the radical queer feminist activist group (F)empower, where the founding members met. Their mission is rooted in political activism and the need for a safe space and nightlife event for queer and trans people of color, to, as Dorsainvil puts it, "come together and share mind, thoughts, theory and body and soul. This is a party that is geared towards and prioritizes black and queer pleasure." Fed up with being discriminated against by bars and clubs with exclusionary dress codes and door covers, the creators sought to make a space for their community that's both iconic and intentional — and that's precisely what they did. Springing up in warehouses and other venues around Miami, Masisi serves the community by holding space for black artists and revelers alike.