The vampires that walk among us — and they do — are not the Twilight kind or the True Blood kind or even the Buffy kind. In the world of Jim Jarmusch’s Only Lovers Left Alive, the director’s most emotionally direct film since Dead Man and maybe his finest, period,…
Although it’s based on the true story of the illegitimate daughter of a Royal Navy captain and an enslaved African woman, Amma Asante’s Belle’s richest inspiration comes from a painting. A 1779 double portrait hanging at Scone Palace in Scotland, it shows a pretty blonde teenager decked out in typical…
The sexual politics of Nick Cassavetes’ decidedly un-romantic comedy The Other Woman are intriguingly European and, at their core, kind of groovy. Wronged Connecticut wifey-wife Kate (Leslie Mann) seeks out her husband’s mistress, sexy city-slicker and high-powered lawyer Carly (Cameron Diaz), looking to her for answers: Why is my husband…
Sometimes it’s helpful to know certain details about how a film has come together. And sometimes it’s just so much information. Transcendence, the directorial debut of Christopher Nolan’s go-to cinematographer, Wally Pfister, was shot on film rather than digitally, as most big Hollywood movies (and nearly all small ones) are…
The promise of seeing Scarlett Johansson fully nude is probably enough to lure lots of people into Jonathan Glazer’s alien-among-us fantasy Under the Skin, and the vision doesn’t disappoint: Her figure, seen in long shot, is a grand and glowing thing; she has one of those butts shaped, adorably, like…
To hear Darren Aronofsky tell it, in the interviews he’s given recently to the New York Times Magazine and the New Yorker, there was no way in hell he’d let his special-effects extravaganza Noah, years in the planning, be your run-of-the-mill, candy-ass Biblical epic. The ark built by Russell Crowe’s…
A friend of mine, who’s in his fifties, is getting an MFA in nonfiction writing. Many of the other students in his program are in their twenties, and most have no interest in writing any kind of nonfiction other than memoir. Everyone, it seems, has a story to tell, and…
If you count forward from Jim Henson’s mid-1960s TV appearances with a fringy pup named Rowlf and the lizard, made from an old winter coat, who would later become Kermit the Frog, the Muppets have outlived most of their early puppet peers by more than two generations: You don’t see…
According to lore, Liberace used to greet the tourists who’d come by bus to gawk at his bejeweled home with the line, “I hope you like it. After all, you paid for it!” Not everyone has to like Rob Thomas’ Veronica Mars, the feature-length incarnation of his much-loved television series,…
If you were to survey people who pay attention to movies — to go door-to-door with a clipboard, a sharpened No. 2 pencil, and a sheaf of forms with the word SURVEY printed in clean block letters across the top, later to be tabulated on a vintage Underwood adding machine…
Man, woman, gay, straight, bi: There’s something for everyone in 300: Rise of an Empire, the XXL sequel to the also-larger-than-life Greeks-in-shinguards extravaganza 300. In that picture, directed by Zack Snyder and based on Frank Miller’s graphic novel about the three-day Battle of Thermopylae in 480 B.C., the Spartans and…
In the admittedly dubious interest of using national stereotypes as a way of understanding human nature, let’s posit that while Americans have always emerged from the womb cheerfully, pleased with their right to pursue happiness, Russians were born to suffer. That may help explain why Fedor Bondarchuk’s 3D spectacle Stalingrad…
Action heroes with nothing to lose are the best kind, perhaps the only kind worth watching. In the opening seconds of Jaume Collet-Serra’s Non-Stop, Liam Neeson’s federal air marshal Bill Marks slumps in his parked vehicle while sloshing a few glugs of whiskey into a paper cup and stirring it…
Variety and The Hollywood Reporter, both of which publish special daily issues at the major international festivals, may be the most famous movie trade magazines. But every morning at any of these festivals, including Berlin, most critics I know – and probably plenty of industry people, too – turn to…
It’s a little sad that Colin Farrell has outgrown roles that require him to wear raggedy sweaters and say things like “For fook’s sake!” It had to happen, though. Farrell has always made a terrific bad boy, but he clearly knows he couldn’t be a scamp forever, and he seems…
Though it’s difficult to pinpoint the typical Berlin Film Festival film, I’ve attended the festival enough times to attest that most pictures in the competition lean toward the somber end of the scale: You’re more likely to see a drama about immigrants in tough circumstances or children left to fend…
The big news out of the Berlin Film Festival earlier today was that Shia LaBeouf, here to promote Lars Von Trier’s Nymphomaniac: Volume 1, behaved like an ass on the red carpet at the movie’s premiere last night. He showed up in a proper tuxedo, but also with a paper…
Greetings from the 64th annual Berlin Film Festival, where it’s a surprisingly balmy 10 degrees Celsius (50 degrees Fahrenheit). The weather here may not be business as usual, but the festival looks promising — the competition includes films by Alain Resnais, Lou Ye, Yoji Yamada, and Claudia Llosa (whose odd…
Art may not be more important than human lives. But on the list of things that mean something to human lives, across centuries, it ranks pretty high. That’s what’s so compelling about the story of the Monuments Men, a group of people from 13 nations who volunteered to protect cultural…
Philip Seymour Hoffman 1967 – 2014 A favorite pastime of critics and serious filmgoers, perhaps the most idiotic and fruitless one, is to complain about how bad the movies have gotten. The complaint is meaningless, because no matter how “bad” the movies get, there are always actors. There’s no such…
We’ve entered an age in which people have no idea how old they are. Fifty-year-olds lament, “I still feel 30 in my mind,” and sometimes dress like it. Some 30-year-olds may cling to the destructive habits of their 20s, but plenty more march dutifully into full-on family-and-career- building mode, perhaps…
The publicity campaign for Big Bad Wolves, a nasty little revenge thriller from Israeli filmmakers Navot Papushado and Aharon Keshales, quotes Quentin Tarantino’s decree that it’s the “best film of the year.” Tarantino saw Big Bad Wolves at last year’s Busan Film Festival, where he reportedly showed up at a…
