A Healthy Blast of Filth

The sexual perversity showcased in Sexual Perversity in Chicago is neither very Chicagoan nor very perverse. That is, if you judge perversity by things done rather than things thought about. But like most people in Chicago and elsewhere, Deborah, Danny, Joan, and Bernie — the denizens of this David Mamet…

Stage Capsules

The Harder They Come By Perry Henzell and Trevor Rhone. Through September 13. Adrienne Arsht Center, 1300 Biscayne Blvd., Miami; 305-949-6722; arshtcenter.orgThe Harder They Come is based on the 1972 movie of the same name, which is itself loosely based on the true-life career of Ivanhoe “Rhygin” Martin — a…

Stage Capsules

The Harder They Come By Perry Henzell and Trevor Rhone. Through September 13. Adrienne Arsht Center, 1300 Biscayne Blvd., Miami; 305-949-6722; arshtcenter.org See this week’s full theater review, “Off the Cliff.” ———- Speed-the-Plow By David Mamet. Through September 13. GableStage at the Biltmore, 1200 Anastasia Ave., Coral Gables; 305-445-1119; gablestage.com…

Stage Capsules

The Harder They Come By Perry Henzell and Trevor Rhone. Through September 13. Adrienne Arsht Center, 1300 Biscayne Blvd., Miami; 305-949-6722; arshtcenter.org The Harder They Come is based on the 1972 movie of the same name, which is itself (loosely) based on the true-life career of Ivanhoe “Rhygin” Martin —…

Stage Capsules

Speed-the-Plow By David Mamet. Through September 13. GableStage at the Biltmore, 1300 Anastasia Ave., Coral Gables; 305-446-1116; gablestage.com An early Mamet masterpiece that once almost made a Broadway star out of Madonna, Speed-the-Plow hits the Biltmore this weekend, featuring Greg Wiener and Paul Tei. No critic has seen this production…

Stage Capsules

Viva Bourgeois By Molière. Adapted by Paul Tei. Through August 22. Mad Cat Theatre at the Light Box, 3000 Biscayne Blvd., Miami. Tickets cost $30. myspace.com/madcatcompany Molière’s Le Bourgeois gentilhomme, first performed in 1670, was about a man struggling to cope with wealth, obscure his piss-poor origins, and achieve classiness…

Stage Capsules

I Just Stopped by to See the Man By Stephen Jeffreys. Through July 19. The M Ensemble, 12320 W. Dixie Hwy., North Miami. General admission tickets cost $25. 305-899-2217; themensemble.com The M Ensemble’s latest production plumbs the depths of the blues — what they give, what they take away, and…

Stage Capsules

Fuerza Bruta By Diqui James and Alejandro Garcia. Through August 2. Arsht Center, 1300 Biscayne Blvd., Miami. General admission tickets cost $63.75 and $73.75. 305-949-6722; arshtcenter.org Fuerza is a plotless little effusion of the avant-garde playing inside a loading bay at the Arsht Center. It doesn’t contain enough good ideas,…

Prepare to Participate

Fuerza is a plotless little effusion of the avant-garde playing inside a loading bay at the Arsht Center. It doesn’t contain enough good ideas, but the ideas it offers are brilliant. For its first hour, Fuerza is shocking, unpredictable, and weird — you spend the whole show standing up, and…

Stage Capsules

Fuerza Bruta By Diqui James and Alejandro Garcia. Through August 2. Arsht Center, 1300 Biscayne Blvd., Miami. General admission tickets cost $63.75 and $73.75. 305-949-6722; arshtcenter.org Fuerza is a plotless little effusion of the avant-garde playing inside a loading bay at the Arsht Center. It doesn’t contain enough good ideas,…

Adrift in The New Century at GableStage

The New Century will be a gay one, or so Paul Rudnick seems to suggest. His play’s three central characters — a Jewish mother of three sodomites, the self-proclaimed Gayest Man In The World, and a crafts-obsessed woman from Decatur whose gay son died of AIDS — are old-century in…

Actors’ Playhouse Tells the Frozen History of Havana Bourgeois

Havana Bourgeois is an import from Los Angeles, with a mixed cast of local actors and gifted carpetbaggers (including the hunky Danny Pino, from television’s Cold Case). But spiritually and emotionally, this is a Miami show. Some of the most extreme audience reactions I’ve ever witnessed in a theater were…