Dance

Hervé Koubi Brings Exciting Moves to MDC's Ojala/Inshallah Series

Hervé Koubi Brings Exciting Moves to MDC's Ojala/Inshallah Series
Courtesy of Jacobs Pillow Dance
He says his dance comes from his dreams. French-Algerian choreographer Hervé Koubi’s most recent work, “What the Day Owes the Night,” combines Sufi rhythms with cutting-edge b-boy moves, classical ballet, and capoeira in a work as fluid and full of grace as it is wildly athletic. One reviewer at the Washington Post raved, “Koubi can convince his audience there is no such thing as physics.”

Saturday’s one-night only performance at the Olympia Theater is the next installment of MDC Live Arts' Ojala/Inshallah series.

Koubi’s work comes out of a decade-long search to explore his past as it intersects with his present. Born in France, Koubi for years was only vaguely curious about the origins of his name. “I thought perhaps my family had roots in Brittany,” he says. At home there was no Arabic language, no hint of anything Arabic. “My parents out-Frenched the French.” Koubi was in his mid-20s when his questions finally prompted his father to show him a photo of an elderly man dressed in traditional Arab garb. That was Koubi's first glimpse of his great-grandfather.

He set off to Algeria. So began a process Koubi describes as nothing short of “a reorientation of my senses.” He spent days on end simply walking through the streets “trying to feel them.” He returned again and again. Already a renowned dancer and choreographer in France, Koubi decided to create a company of exclusively Algerian dancers. “Found brothers,” he calls them.

Never before had he encountered dancers with such a commitment to learning. “Everybody who auditioned had been breakdancing in the streets. They had no formal training in classical or modern dance and were hungry to learn.”
click to enlarge COURTESY OF JACOBS PILLOW DANCE
Courtesy of Jacobs Pillow Dance
Of the 250 persons who auditioned for Koubi, 249 were male. So he began to work for the first time with an all-male assembly. He found it so compelling that a decade later, his 12-member company, Cie, remains all-male.

Koubi finds inspiration for his choreography in Arabic calligraphy, the motion implied in its dramatic strokes. Likewise, he is moved by the searching inherent in Sufism and its whirling dervishes, a searching based on motion.

Still, he is quick to point out that his work in not a tribute to Arabic culture, but rather a tribute to both sides of the Mediterranean. “It’s in the middle because I am in the middle,” he says. And the music Koubi's troupe dances to comes from both sides of the Mediterranean too. Bach mingles with Egyptian modernist composer Hamza El Din.

As Koubi is “in the middle” in his approach to his company’s art, so too he is “in the middle” in his efforts to advance dance for both the men and women of North Africa. He is working on a documentary to be released in 2019 entitled The Nature of Women. It will explore issues of gender in the region with an all-female assembly.

Koubi knows he's bringing this show to America at a time of political and social discord, particularly when it comes to Arabic culture. So far, there have been no protests. “Audiences have only applauded,” he says. He is being modest. There has been nothing but standing ovations.

– Elizabeth Hanly, Artburst Miami

Cie. Hervé Koubi: "What the Day Owes to the Night." 8 p.m. Saturday, February 10, at the Olympia Theater, 174 E. Flagler St., Miami; 305-237-3010; olympiatheater.org. Tickets cost $25 to $55 via olympiatheater.org.
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