Cuban Art

Not all the fighting cocks peppering Little Havana's folksy gallery scene are wretch-inducing boils on the landscape. Beyond the lurid fiberglass monstrosities masquerading as public art in front of restaurants and cigar shops on Calle Ocho — some of the fowls garishly clad in chef toques and rainbow-bright aprons, others...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Advertising Can't Do It Alone

The challenges facing local news organizations are very real. That's why reader support matters more than ever. If you believe independent journalism matters, make a contribution today and help us reach our summer fundraising goal of $10,000 by August 9.

$10,000

Not all the fighting cocks peppering Little Havana’s folksy gallery scene are wretch-inducing boils on the landscape. Beyond the lurid fiberglass monstrosities masquerading as public art in front of restaurants and cigar shops on Calle Ocho — some of the fowls garishly clad in chef toques and rainbow-bright aprons, others pimping spats and straw boaters — there exists an occasional interesting study of the ubiquitous subject that, for baffling reasons, remains the rage with tourists and collectors.

A fine example is Bruno Venier’s Gallo Urbano (Urban Cock), on view at the Cremata Gallery’s “Summer Exhibition,” featuring 40 works from the space’s Latin American roster. Venier, who was influenced by his friend Picasso and is known for his bold use of color, is one of Argentina’s most acclaimed modernists, and his works are rarely exhibited in South Florida.

Mondays-Sundays. Starts: July 1. Continues through Aug. 1, 2010

Sign up for our free culture newsletter

Art. Film. Dance. Books. Recreation. Even sex and dating. It’ll be fun, we promise.

Loading latest posts...