Photo by Larisa López
Audio By Carbonatix
Yissy García was a child – but she knew she was not on board with the family plan.
The daughter of Bernardo García, a much-respected drummer who was a charter member of the fabled group Irakere and part of trumpeter Arturo Sandoval’s group, Yissy was being nudged into, perhaps, becoming a dancer. Her older brother, Omar, would be a drummer.
“So, my mom would take me to dance and gymnastics classes – and I didn’t like any of that,” she says, chuckling at the memory in a recent conversation in Spanish. “I was born and grew up in Cayo Hueso, a very musical neighborhood in Havana where there’s always rumba going on somewhere. I lived near the Callejón de Hamel (a legendary rumba place and cultural landmark). In the park across the street from my house, there was a rumba gathering every Sunday, and I would go.”
García says she would take two sticks with her and play along.
“My brother was the opposite. He liked to go to dance classes. He was always involved in that world,” she recalls. “So, I told my parents that I wanted to study drums. I wanted to be a drummer. I was about eight years old. And my parents said, ‘Well, if you are serious about it, let’s enroll you in the conservatory, and let’s see.'” (Her brother became a dancer and is now a choreographer in Mexico.)
Nineteen years of formal music education, mainly focusing on classical percussion, followed by five years with the all-women group Anacaona, which became García’s on-the-job postgrad Cuban music academy, was the foundation for one of the most intriguing drummers, composers, and bandleaders to emerge in Cuba in the past decade.
Now based in Miami, García, 36, will lead Bandancha in concert for Women on the Drums at the Miami Beach Bandshell on Saturday, April 6.
She is a musical player with an exact time and a composer’s ear for structure, colors, and dynamics. So, after accumulating awards and making her mark with international and leading Cuban artists, it was time to organize her own band. García founded Bandancha in 2012, and it has been an ever-evolving group (it once included a trumpet and a turntablist and rapper), playing an ever-evolving blend of jazz, African styles and rhythms, funk, electronics, and Cuban music.
“I like to keep the roots, the essence, but I need to change,” she says, explaining her approach to her music. “I’m super restless. I like to constantly listen – to pop music, electronic music, and Caribbean music. I want to know what is sounding out there in the street. When it comes to composing, that nourishes me a lot.”
For García, music continues to evolve.
“I’m working now with a percussionist who spent many years living in Angola and knows a lot about African culture,” she says. “So we are already mixing rhythms and instruments, using different sonorities, and that’s the kind of thing that keeps the spark alive for me; it keeps me active, wanting to compose and create music.”
For Women on the Drums, García and Bandancha will revisit the group’s repertoire and present the new lineup – Alberto Torres on guitar, Jorge Pérez on piano and synthesizers, and Yasmane Santos on percussion – augmented for the occasion by several guests, including pianist Glenda del Monte; vocalists Kelvis Ochoa, Miriam Martínez and Sheena (Yoana Álvarez); Brazilian multi-instrumentalist Munir Hossn; percussionist and vocalist Brenda Navarrete; percussionists Yuya Rodriguez, Yarelis Gandul, Daymi Jaime, and Gilma Ospina; and dancer Katia Aislen.
Rather than a personal celebration, the little girl who just wanted to be a drummer (and has been driving the music and the band from her drum seat for some time now) has turned Women on the Drums into a celebration of women in music and dance.
“Things have been changing, but at one time, in Cuba, percussion was played only by men,” she says matter-of-factly. “A woman playing a tumbadora (conga) or a drum kit was not well regarded – and the same thing happened with other instruments, such as the trumpet or the double bass. But now, in the conservatories in Cuba, many girls are studying percussion. You find female folkloric groups with women playing batá drums (two-headed hourglass-shaped drums) and tumbadoras. Things are changing – not only in Cuba but around the world. For five years, I’ve been on the jury for Hit Like a Girl (an international contest for female and gender-nonconforming drummers). I’ve seen girl drummers from India, Russia, and countries you can’t imagine.”
She says that Miami is a mecca, too.
“I had a clear idea of the format I wanted for this concert,” says García. “But when Fundarte, [the show’s presenting organization], suggested the name, a spark went off: This is a good opportunity to invite women percussionists, singers, instrumentalists, and dancers. There are a lot of talented women in Miami. It’s going to be a magical night.”
– Fernando Gonzalez, ArtburstMiami.com
Women on the Drums With Yissy García & Bandancha. With Marypaz & Electro-Percussion. 8 p.m. Saturday, April 6, at Miami Beach Bandshell, 7275 Collins Ave., Miami Beach; 786-453-2897; miamibeachbandshell.com. Tickets cost $36.50 via dice.fm.
