Thieves Like Us Talk Jet-Setting, Cumbia, and New Bleed Bleed Bleed Album | Crossfade | Miami | Miami New Times | The Leading Independent News Source in Miami, Florida
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Thieves Like Us Talk Jet-Setting, Cumbia, and New Bleed Bleed Bleed Album

American-Swedish threesome Thieves Like Us borrowed its name from a 1984 song by New Order, quite fitting because the outfit offers up the same sensitive type of electronic indie pop as the iconic '80s band. Add to the members' mixed nationalities that Thieves Like Us first formed in Berlin, then...
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American-Swedish threesome Thieves Like Us borrowed its name from a 1984 song by New Order, quite fitting because the outfit offers up the same sensitive type of electronic indie pop as the iconic '80s band.



Add to the members' mixed nationalities that Thieves Like Us first formed in Berlin, then wrote and recorded its 2007 debut album while traveling between Europe and North America, and this trio has sort of come to represent a post-millennial jet-setter's idea of hip new music.



Ahead of the band's debut Miami performance at Bardot this Saturday, Crossfade caught up with frontman and singer Andy Grier to talk about the sonic evolution of Thieves Like Us, a life of globetrotting, and new album Bleed Bleed Bleed.


Crossfade: You started as a DJ outfit. How did you make the transition into a band and how do you collectively approach the creative process in the studio?

Andy Grier: We were never really super professional DJs. We were just sort of young drunk guys on the scene that wanted to hear music we liked -- it wasn't being played. Later, we started making our own songs. I think we did it in a very hip-hop sort of way, getting drunk in our bedroom using an Akai MPC (the standard sampler most hip-hop producers use.)



In the beginning, we were very fast not really thinking. Our early performances were mostly playback. We got kind of bored of the safety of backing tracks so we brought in other members to play bass and drums.



Thieves Like Us was conceived by an American and two Swedes in Berlin who called Paris home, but wrote material on the road while circling the globe. How do you manage to keep the chemistry and creativity, not to mention your high productivity as a band, in such an uprooted manner? Do you have an actual homebase these days?

I think one gets a lot of creative input from traveling. As for chemistry ... Well it's a bit like being married. Maybe that's why it is good to live in different cities. We are still working on getting a homebase. Bogota would be good!



Is there a concept or theme tying the material on Bleed Bleed Bleed together? How did you approach the songwriting process and how did it differ from past records?

I think it's about the little people. People that work their entire lives and believe in a system. A system which fails to take care of them.



The lyrics seem to speak of feelings like heartbreak, longing and disenchantment at times. What inspired them and about whom or for whom are they written?

Well, everything goes back to the childhood. I guess they are about many different people.



It feels like your style has matured from a simpler electro-pop framework to a more fully realized indie rock songcraft. Do you feel like that progression will continue? Where do you see your sound headed in the future?

Our first record was made in 2004 to 2005, and we weren't really thinking about details. We just became more aware as we went along. I am never sure where the sound will go. I would like to make an album that sounds more uniform. I think we were never together in the same town long enough to spend enough time on our records. There was always a deadline coming, or someone's girlfriend missed them back in their city of residence, so we had to cut things short. We would like to do something a little less serious.



What's next for you guys once the album tour is finished?

We were going to maybe re-record some of our songs in Spanish with a cumbia twist on them. We love our Latin audience. In general, we like to keep busy.



What can Miami expect during your show at Bardot? How do the studio recordings translate live and how much of the live performance is improvised or determined by the time and setting?

We have always wanted to come to Miami -- as we have been living in mostly northern climates, we really appreciate warmth, sun, and the Latin vibe. We will be playing a mixture of our three albums. Most of the pop songs translate pretty perfectly, and we also do three or four heavy rock numbers (use your imagination.) There are always some improvisations on familiar songs. Of course, if the audience is good, we act out and try things we wouldn't normally do.



Thieves Like Us. Saturday, October 20. Bardot, 3456 N. Miami Ave., Miami. The show starts at 10 p.m. and tickets cost $20 plus fees via showclix.com. Ages 21 and up. Call 305-576-7750 or visit bardotmiami.com.




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