The Cult couldn't have a more fitting name.
If a Druid or Dionysian from centuries ago time traveled to the Fillmore this past Saturday night, they could be forgiven for thinking that the concertgoers were actually religious followers gathering at a temple to witness some sort of holy ceremony.
In a blackened room, as prerecorded tribal drumming blasted through the speakers, the five touring members of the Cult picked up their instruments a little after 9:30 p.m. Though surrounded by three new members, the core of the band has always been singer Ian Astbury and guitarist Billy Duffy, the principal songwriters of the group.
Astbury has always worshiped at the altar of Jim Morrison. Ten years ago, he toured with the surviving members of the Doors, and 25 years ago, Oliver Stone offered him the starring role in his movie The Doors. On Saturday night — with his shoulder-length hair, sunglasses, and boundless energy — Astbury unleashed his own version of the Lizard King, ranting at modern technology, banging on his tambourine, and even muttering something about James Douglas Morrison being found guilty by Dade County before singing "Horse Nation."
Ol' Jim would have been proud.
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"It's a tribe, man," Astbury screamed midway through the 90-minute set. "It's what we've been trying to build for 30 fucking years." And there was, indeed, a familial vibe to the moderately sized crowd that enthusiastically raised fists and sung along to hits like "Fire Woman" and "She Sells Sanctuary." They even clapped politely to the newer, more unfamiliar songs like "Birds of Paradise" and "Deeply Ordered Chaos," tracks off the newest album, Hidden City, which is a surprisingly worthy addition to the Cult's hard-rocking goth legacy.
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The Cult recently announced it will be opening for a few dates on this year's Guns N' Roses reunion tour, which is only fair, since Guns N' Roses partly broke through thanks to opening for the Cult in the '80s and even kidnapped the Cult's drummer, Matt Sorum, and took him as their own. With the mania and precision it brought to its show at the Fillmore, the Cult deserves to be heard by massive audiences again. As Billy Duffy told the crowd at the end of the show, "Don't forget us. We won't forget you."
"Birds of Paradise"
"Deeply Ordered Chaos"
"Sweet Soul Sister"
"She Sells Sanctuary"
"G O A T"
"Love Removal Machine"