Shrift

To match the record label's delicate hand in signing electronic and world music acts, or both combined, Shrift's debut offers a dreamy set of songs in which musical passages of electronic programming are humanized by a sweet girl's voice. Singer Nina Miranda is the key British producer whom Dennis Wheatley...

By Javier Andrade

May 18, 2006

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "19274298",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17482312",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17482310",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17482313",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

To match the record label's delicate hand in signing electronic and world music acts, or both combined, Shrift's debut offers a dreamy set of songs in which musical passages of electronic programming are humanized by a sweet girl's voice. Singer Nina Miranda is the key British producer whom Dennis Wheatley uses to open new doors in the world of Brit electronica, for both come from their own successful experiences in that market. He was part of Atlas, an electronic band that had mixed danceable tracks with Brazilian singers. She was part of Smoke City, a band that blended bossa and trip-hop, two familiar sounds for an Anglo-Brazilian girl fluent in both cultures and languages. Bossa and trip-hop are incorporated in Shrift's Lost in a Moment, along with an array of other musical elements — be they low-frequency beats, lush keyboard melodies, or full string sections that melt when confronted with Miranda's Portuguese, English, or French lyrics.

KEEP NEW TIMES FREE... Since we started New Times, it has been defined as the free, independent voice of Miami, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.