Friday, June 19, 2009
LIV at the Fontainebleau, Miami Beach
Better Than: paying $70 worth of parking tickets.
The Review: Let me start off by warning Crossfade readers that this review might get a bit ugly. I'll do my best to remain as objective as possible about the music (after all that's what I'm really addressing here) but I'm afraid my personal bias and general distaste for LIV can't spare the venue. It was my first time at this jaw-droppingly ostentatious nightclub and, as such, I arrived with a relatively blank slate. I didn't even make it past the ticketing booth, however, before the first negative impression set in.
On top of an already ridiculous presale price of $45 for this show, patrons found themselves shelling out a whopping $70 per person at the door. Now, all recession whines aside, $70 to watch a dude spin records for a couple hours is frankly outrageous. I mean, shit, that amount will practically get you a day pass to Ultra!
There's just something about this scenario that is so far removed from
the libertine, anti-establishment spirit of rave culture which artists
like Norman Cook helped foment back in its heyday. That was, of course, back when
electronic dance music gatherings were a fuck you to cover charges and
nightclub curfews and it was all about the music. And Friday night's scenario was certainly a far
cry from the populist Fatboy Slim who once delighted hundreds of
thousands of ravers at his free outdoor concerts in Brighton Beach, U.K.
in the early 2000s.
I don't have anything good or bad to say
about Shinichi Osawa, the world-renowned Japanese DJ who opened for
Fatboy. His set was unremarkable, if adequately in tune with the
mainstream sensibilities of the $18-cocktail-guzzling, Prada-clad,
jet-setting demographic gracing LIV's dancefloor. In other words, your
standard big-room commercial dance fare. He did, however, show
craftsmanship, precision, and plenty of giddy buildups and breakdowns
to keep the otherwise jaded crowd enthralled.
Fatboy Slim came
on around 2 a.m. and put on a raucous set with some of the most
unseemly track selections I have ever heard in a big-room venue. The
guy actually kicked off his set with Stealers Wheel's "Stuck In The
Middle With You!" If that wasn't dumbfounding enough, he intermittently
dropped random Spanish pop tracks, including, if I'm not mistaken,
something by the Gypsy Kings.
I think I know what the dude was
trying to do -- he probably figured, "I'm in Miami, I'll be endearing to my mostly
Latin audience and humor them with some Spanish shit." Problem is, if
you're paying $70 and you have any discerning taste, you came to see
Fatboy Slim, famous big beat/electronica producer, play some world
class cutting-edge electronic music, not Carlos Vives, for chrissakes!
The rest of his set was more of the same pop dirge with a couple of his
more recognizable hits thrown in, like "Right Here, Right Now."
Personal Bias: When it comes to sensible unpretentious nightlife and quality music,
I've written off South Beach by this point. Let the clueless tourists
Random Detail: About an hour into Fatboy's set,
the music shut down and the house lights came on for an awkward five
minutes or so -- some apparent technical difficulty at the DJ booth.
By the Way: DJ Erick Morillo is scheduled to play at LIV on the night of Saturday, July 4.
Keep Miami New Times Free... Since we started Miami New Times, it has been defined as the free, independent voice of Miami, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Miami with no paywalls.