Friday Night: Fatboy Slim at LIV

Keep New Times Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Miami and help keep the future of New Times free.

Fatboy Slim
Friday, June 19, 2009
LIV at the Fontainebleau, Miami Beach

Better Than: paying $70 worth of parking tickets.

The Review: Let me start off by warning Crossfade readers that this review might get a bit ugly. I'll do my best to remain as objective as possible about the music (after all that's what I'm really addressing here) but I'm afraid my personal bias and general distaste for LIV can't spare the venue. It was my first time at this jaw-droppingly ostentatious nightclub and, as such, I arrived with a relatively blank slate. I didn't even make it past the ticketing booth, however, before the first negative impression set in.

On top of an already ridiculous presale price of $45 for this show, patrons found themselves shelling out a whopping $70 per person at the door. Now, all recession whines aside, $70 to watch a dude spin records for a couple hours is frankly outrageous. I mean, shit, that amount will practically get you a day pass to Ultra!

There's just something about this scenario that is so far removed from

the libertine, anti-establishment spirit of rave culture which artists

like Norman Cook helped foment back in its heyday. That was, of course, back when

electronic dance music gatherings were a fuck you to cover charges and

nightclub curfews and it was all about the music. And Friday night's scenario was certainly a far

cry from the populist Fatboy Slim who once delighted hundreds of

thousands of ravers at his free outdoor concerts in Brighton Beach, U.K.

in the early 2000s.

I don't have anything good or bad to say

about Shinichi Osawa, the world-renowned Japanese DJ who opened for

Fatboy. His set was unremarkable, if adequately in tune with the

mainstream sensibilities of the $18-cocktail-guzzling, Prada-clad,

jet-setting demographic gracing LIV's dancefloor. In other words, your

standard big-room commercial dance fare. He did, however, show

craftsmanship, precision, and plenty of giddy buildups and breakdowns

to keep the otherwise jaded crowd enthralled.

Fatboy Slim came

on around 2 a.m. and put on a raucous set with some of the most

unseemly track selections I have ever heard in a big-room venue. The

guy actually kicked off his set with Stealers Wheel's "Stuck In The

Middle With You!" If that wasn't dumbfounding enough, he intermittently

dropped random Spanish pop tracks, including, if I'm not mistaken,

something by the Gypsy Kings.

I think I know what the dude was

trying to do -- he probably figured, "I'm in Miami, I'll be endearing to my mostly

Latin audience and humor them with some Spanish shit." Problem is, if

you're paying $70 and you have any discerning taste, you came to see

Fatboy Slim, famous big beat/electronica producer, play some world

class cutting-edge electronic music, not Carlos Vives, for chrissakes!

The rest of his set was more of the same pop dirge with a couple of his

more recognizable hits thrown in, like "Right Here, Right Now."    

Personal Bias: When it comes to sensible unpretentious nightlife and quality music,

I've written off South Beach by this point. Let the clueless tourists

have it.

Random Detail: About an hour into Fatboy's set,

the music shut down and the house lights came on for an awkward five

minutes or so -- some apparent technical difficulty at the DJ booth.

By the Way: DJ Erick Morillo is scheduled to play at LIV on the night of Saturday, July 4.

Keep Miami New Times Free... Since we started Miami New Times, it has been defined as the free, independent voice of Miami, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Miami with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the New Times community and help support independent local journalism in Miami.


Join the New Times community and help support independent local journalism in Miami.