Daddy G

Grant Marshall, a.k.a. Daddy G, was the strong silent type in the original lineup of Massive Attack (now the sole domain of Robert "3-D" Del Naja). Marshall seeks to establish a career apart from the UK group, yet as a DJ he can't stray from using their songs and remixes...

By Tamara Palmer

November 18, 2004

[
        {
          "name": "Air - MediumRectangle - Inline Content - Mobile Display Size",
          "component": "19274298",
          "insertPoint": "2",
          "requiredCountToDisplay": "2"
        },{
          "name": "Editor Picks",
          "component": "17482312",
          "insertPoint": "4",
          "requiredCountToDisplay": "1"
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Air - MediumRectangle - Combo - Inline Content",
          "component": "17482310",
          "insertPoint": "8th",
          "startingPoint": 8,
          "requiredCountToDisplay": "7",
          "maxInsertions": 25
        },{
          "name": "Inline Links",
          "component": "18711090",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        },{
          "name": "Air - Leaderboard Tower - Combo - Inline Content",
          "component": "17482313",
          "insertPoint": "8th",
          "startingPoint": 12,
          "requiredCountToDisplay": "11",
          "maxInsertions": 25
        }
      ]

Grant Marshall, a.k.a. Daddy G, was the strong silent type in the original lineup of Massive Attack (now the sole domain of Robert "3-D" Del Naja). Marshall seeks to establish a career apart from the UK group, yet as a DJ he can't stray from using their songs and remixes in his set for the DJ-Kicks series, including the group's dubbed-out interpretations of Les Negresses Vertes and Nusrat Fateh Ali Khan. Standout transitions -- Foxy Brown's "Oh Yeah" into Leftfield's "Inspection/Check One," for example -- give the proceedings just the right amount of unpredictability for people who enjoy eclectic mixes. Otherwise, it's a safe bet for Massive Attack fans.

KEEP NEW TIMES FREE... Since we started New Times, it has been defined as the free, independent voice of Miami, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.