Decades before the sampling-based, cut-and-paste genre of hip-hop took hold, Jamaican dub was recycling recorded riffs like crazy. And “crazy” is the appropriate word. Extrapolating from reggae’s repetitious, hypnotic intensity, beginning in the early Seventies the Jamaican granddaddy of dub, King Tubby, was not only assembling the most psychedelic pop…
Miami’s beat-maestro extraordinaire DJ Craze is everywhere these days, winning the International Turntablist Federation’s scratching competition in Amsterdam, jetting off to Calgary, Canada, for a club date, and receiving accolades from the New York Times. His full-length debut Crazeë Musick is set for release later this month on San Francisco’s…
It’s fascinating to watch a high-quality band mature, especially when it’s fronted by a talent like Demetrius Brown. As Manchild’s singer-lyricist-guitarist, Brown has proved himself a prolific artist, penning more than 100 songs and performing countless gigs since 1992. Because he is best known for his phenomenal guitar incantations, his…
Combining techno and organic music is not exactly a revolutionary idea anymore. Plenty of groups, from Dubtribe Sound System to Medeski, Martin & Wood, have successfully merged the dance-driven grooves of the turntable underground with the in-the-moment excitement of an improvisational live performance. But few artists can mix the two…
The population of accordion players in South Florida nearly triples this weekend when the Cajun/Zydeco Crawfish Festival 1999 arrives at the Fort Lauderdale Stadium. Don’t be put off by the goofy ads for the event, which focus on the multitude of food and beer vendors, neglecting to mention even one…
South Florida’s youth isn’t known for its radical political activism, especially when it comes to creating art. So how’s life in Miami for the politically conscious ska-flavor punk band Against All Authority? Just fine, especially because they’re not here very often. But even when the Miami septet is in town,…
Lester Bowie Brass Fantasy The Odyssey of Funk & Popular Music (Atlantic) William Hooker The Distance Between Us (Knitting Factory) Delightfully audacious in both concept and execution, the new albums by revered jazz avant-gardists Lester Bowie and William Hooker are just the kind of screwball longplayers that are anathema for…
The Beta Band The Three E.P.s (Astralwerks) It struck me as odd to discover that Britain’s hottest new “techno” act, the Beta Band (in the States they’re on Astralwerks, a label shared by the Chemical Brothers, Air, and many other hip Euro-techno acts), actually sounds more like an older British…
Cuban bands have been touring the United States with such frequency these days that their appearances in American concert halls, at festivals, and in clubs almost seem commonplace, even in the politically charged environs of Miami. After all it was only a year ago that singer Issac Delgado and his…
They’ve been in self-parody mode for so long it’s safe to write them off these days, but give credit to the Cramps for this: They’ve steered numerous punk kids and hipsters toward some of the greatest lost classics in the pantheon of trashy rock, bizarro rockabilly, and fuzzy garage stomps…
“I thought I could find him before the police did,” Gary Indiana says with a laugh from his upstate New York home, referring to his initial attraction to the media spectacle that was the Andrew Cunanan manhunt. With the killing of Gianni Versace, however, a murder spree that already had…
Until recently the designation “big in Japan” was, for all intents and purposes, a slap in the face to most pop and rock musicians. Now with heavyweight trendsetting labels such as Matador and Grand Royal capitalizing on Japan’s newfound, growing, and supercool reputation for quixotic and innovative musical hodgepodges, other…
The word “cool” connotes many things, but when singer Cassandra Wilson uses it to describe her musical approach, she has a specific reference in mind. “I speak about coolness in terms of the Yoruba definition,” Wilson elucidates. “It’s a word that describes art and implies grace under pressure and a…
Blur 13 (Virgin) Around 1991 America was bracing itself for the dark antipop of grunge; Blur was not. “Taking the fun out of everything/Making me run when I don’t wanna think/Taking the fun out of everything/I don’t wanna think at all,” Damon Albarn sang on the band’s 1991 demi-hit “There’s…
Country music isn’t the first thing that springs to mind when you hear the name Wyclef Jean, whose work with the Fugees as well as numerous remixes for others has left an ubiquitous stamp on pop music. Still there he was, performing alongside the Mavericks, Brooks and Dunn, and Trisha…
Various Artists Roosevelt in Trinidad: Calypsos of Events, Places, and Personalities 1933-1939 (Rounder) The 1930s were a tumultuous decade. The Great Depression took hold. Hitler rose to power. King Edward VII abdicated. And Atilla the Hun invaded New York City. Along with Atilla came Roaring Lion, Growling Tiger, King Radio,…
Next to Coolio, Prince Paul may be rap’s best sport. Consider the Handsome Boy Modeling School, a duo featuring producer and ex-Gravedigga Paul (a.k.a. Paul Huston) and Dr. Octagon’s the Automator (Dan Nakamura), and its inauspicious showing at the 1998 South by Southwest Music Conference in Austin, Texas. Crammed into…
Given the subgenre’s infatuation with honky-tonk fatalism and singer/songwriter angst, it’s no wonder the roots rockers who populate the landscape of altcountry are such a sad, mopey, inward-thinking bunch. Few of the ironically dubbed “No Depression” crew, however, have expanded the vocabulary of depressive expoundings with the lyrical flair and…
At first glance it looked like the everyday scene in the lobby of Havana’s stately Hotel Nacional. Foreigners in khaki shorts and sundresses were standing around the buzzing high-ceilinged hall or loading up at the vast breakfast buffet in the cafeteria. But during the third week in March, the crowd…
While the making of music and the making of sculpture are unquestionably considered art, the making of new musical instruments falls into a grayer area. It’s a no man’s land German artist Trimpin understands. “Twenty years ago people didn’t know how to classify me,” Trimpin says from his Seattle home…
Although the legendary Blind Willie McTell spent time here in the ’30s, Miami has never been a major blues center. In fact Miami is unusual in that a thriving soul and R&B scene actually preceded a blues scene of any importance. In the mid-’60s R&B flourished in Overtown clubs such…
Churchill’s, the Little Haiti nightspot famed for underground rock, has always relished its reputation as a club situated on the wrong side of the tracks. The locale adds a bohemian tinge that gibes well with owner Dave Daniels’s insistence on maintaining an oasis of unpretentiousness in a town whose nightlife…
