To borrow from Chuck Klosterman: Metal bands come in two forms — those that model Led Zeppelin, and those that model Black Sabbath. (He recently proposed this thesis in the exhaustive, four-hour VH1 documentary Heavy: A History of Metal.) Tool, who plays Friday at the BankAtlantic Center, falls into the…
Let’s face it: The two countries that formerly composed Czechoslovakia barely register a blip on the South Florida radar. Asked to name a modern cultural export of the Czech Republic or Slovakia, the average educated adult might come up with author Milan Kundera and … exactly. No matter. Though their…
A new album and a tenuous connection to the Queers bring the Leftovers to Churchill’s on Friday. Nowadays Portland, Maine, is the U.S. capital of DIY when you’re talking north of Boston. Somewhere hidden among the city’s too-fucking-quaint tourist traps and laughably expensive lobster joints dwell the Leftovers, now pushing…
All thanks and praises to MySpace Photo by Tovin Lapan Last night, MySpace threw a “secret show” at Studio A, which was PACKED by 9:30 pm (what kind of secret is that?), featuring Stephen “Raggamuffin” Marley and his brother Damian “Jr. Gong” Marley as performers. The show opened with Mr…
After a major American tour backing Panic! At the Disco in 2006, Bloc Party has returned to our shores. This time, they’re headlining large venues in support of their sophomore album, A Weekend in the City, released this past February. Sunday night was the band’s South Florida stop, at the…
Barington Levy Miami’s Best of the Best concert, which took place over Memorial Weekend, was a star-studded reggae extravaganza that exceeded the six months of hype that was attached to it. Consider that Barrington Levy, who was on stage belting out hits like “Under mi Sensi, and “Too Experienced” was…
Photo by Jeffrey Delannoy Seal Since Seal had his couple of big stateside hits in the Nineties (the seemingly immortal “Kissed By a Rose” being the most recognizeable), lately he seems to have been relegated to the role of Mr. Heidi Klum. So who goes to a Seal concert in…
Let’s face it, none but the hottest Canadian/Portugese MILF could get away with lyrics like “It’s okay, we could do it in the dark/If you got a candle let’s light a spark.” Despite Nelly Furtado’s inherent MILFness, it was a stretch for diehard fans to embrace her latest LP, Loose,…
The members of the successful, tour-happy New Orleans group the Dirty Dozen Brass Band could have long ago acknowledged the sousaphone’s presence in the band’s three-decade history, and, with a solemn nod, replaced the fifty-pound mega-tuba with the more practical electric bass guitar. They could have still called themselves a…
Seal visits Miami during the last leg of a U.S. tour on Thursday, and he arrives in the Magic City at a critical point in his career. He hasn’t released any new studio material since 2003, and since then his sum output has been — shudder — a best-of album…
He’s Dolemite writ large and in cartoon, a big mean black guy dressed like a pro wrestler from the Sixties; the self-professed inventor of the Miami sound, writer of tracks for Betty Wright and KC and the Sunshine Band, and he’s in my face. And yours. Ladies and gentlemen, I…
Since its modest beginnings, the Friday-night party Revolver has become a weathervane of the latest in underground/indie/whatever (all contentious terms) culture, name checked by bands like the Sounds and even Rolling Stone. The weekly party has fueled hedonistic drinking and dancing from its early days as a gathering for moddish…
Bebel Gilberto fans know better than to expect the sort of bossa nova plied by her father, Brazilian guitarist and singer João Gilberto. Although there is a clear bossa influence in her style, the younger Gilberto has gone beyond it, pushing the boundaries of Brazilian music to suit her own…
The Eighties were like a virgin, touched for the very first time (Madonna was everywhere). While some of us were sporting feathered hair, sleeveless zebra-print T-shirts, and tight leather pants, others were listening to Suicidal Tendencies and skateboarding through the mall. Whether your fancy was for cock rock, punk rock,…
The New York Times may have raved about the Spam Allstars to no end. S.O.B.’s (also in New York) may have become the band members’ second home. MTV might feature them with a page of their own, and the festival circuit might have latched on to their patented brand of…
Okay, so John Fogerty won’t be there, but CCR’s original rhythm section will be. So will John Tristao, a Sixties one-hit wonderboy who actually opened for the original Revival way back when. And if you don’t know that Tristao once fronted the band People and had a hit with a…
Dulce Pontes An oral tradition that is passed on in the taverns and streets of Lisbon, Portugal, fado is the urban, bluesy musical form that gained international renown through the voice of the late Amália Rodrigues. The lyrics speak of love, longing, and the gritty life led on the streets…
Raphael, a.k.a. Don Rafael Martos Sánchez, a.k.a. Spain’s answer to Tom Jones, visits Miami this Friday for the first time in more than four years. A child prodigy from Linares, Spain, Raphael burst onto the scene in 1954 when, at nine years of age, he won the “Best Child Singer”…
First it was the Beatles, until the best musicians in that band died. Then it was the Ramones, until the Reaper wiped them out, too. Now the biggest musical reunion imaginable (at least here in Miami) has arrived. Thirteen years after its demise, Natural Causes — the beloved roots rock…
Ours, the quintet lead by New Jersey’s Jimmy Gnecco, plays Studio A on Tuesday as a prelude to the release of the band’s third album, Dancing for the Death of an Imaginary Enemy. A perfectionist known for taking his time on his albums, Gnecco spent the past three years honing…
The funny thing about snobbery is how it’s often in the eye of the beholder. Giselle Brodsky ain’t no snob, despite bearing the title of artistic director for the Miami International Piano Festival. The goal of the festival, she informs me in her rich Bolivian accent, is to lure new…
Spanish-born Maria Quiñones created the persona of Martirio (which translates as “martyr”) as an onstage alter ego, one who wears dark glasses and large, decorative combs known as peinetas. She performed with numerous groups before joining the group Veneno (Poison), which helped vault her to prominence. Throughout her career, the…
